Heisenberg? Try Cheney.

“Americans are, like Walter White, a self-justifying sort. We see ourselves as exceptional. Often times we behave as if the rules that apply to the rest of the world, rules we want constraining them, don’t and needn’t really apply to us…Take it from The New York Times, our paper of record. Other nations forcing water into a prisoner’s lungs is torture. When we do it? Enhanced interrogation. America doesn’t torture. We’re the good guys!”

A late but welcome reassessment from Conor Friedersdorf: Breaking Bad as an analogy for post-9/11 America. “The world dealt us an unfair blow, and we used it as an excuse to break bad…We became inured to the selfishness of our actions. We slid predictably down the slope upon which we stepped, and the farther we go the uglier it gets. We haven’t hit bottom yet or anything close to it.”

Blue Man Group | Examine Meth.

“What, exactly, does it mean to be a ‘man’? It’s a question that sits at the dark, warped heart of the entire series and its anti-hero protagonist. A nerdy chemist whose brains haven’t earned him any power or respect from the world at large, the terminally ill Walt decides that he’s finally going to get that power and respect through whatever means necessary (and whenever possible, using science). The show doesn’t just trace Walt’s arc from Mr. Chips to Scarface, as Gilligan famously described it, or from Walt to Heisenberg; it also maps his journey from being a ‘pussy’ to being a ‘man.’ And while he succeeds in his goals, it’s a transformation that comes at a high price.”

You’re not wrong, Walter, you’re just an asshole! In a well-thought-out and close reading of the show as a whole, Wired’s Laura Hudson discusses “the toxic masculinity of Breaking Bad.” “The series begins with what seems like an odd image: a pair of pants, flying through the air. Much of what follows is about who gets to wear them.”

Also among the many farewells, homages, and critiques of Breaking Bad as it departs: screenshots from the Breaking Bad text-adventure game. Admittedly, this sort of article is basically just egregious click-bait, only one step higher on the content chain than Buzzfeed listicles. (Breaking Bad as a Nintendo Game/Choose Your Adventure Book/series of commemorative plates!) Still, I’m always down for a little Infocom nostalgia.

The Lowliest Adventure.

“Times are getting hard, boys. Money’s getting scarce. If things don’t get no better, boys, gonna leave this place.” Not to spoil anything for all those a few chapters or seasons behind, but, as you’ve probably heard, Breaking Bad has been firing on all cylinders in its final few episodes.

One comedy highlight in an event-filled and otherwise jet-black episode this past Sunday (and since I’m a sucker for both Glenn Yarbrough ditties and Sisyphus metaphors): Walter White rolling through the desert (even past his old Season 1 pants.) As such, here’s this week’s current earworm, and no mistake: “Take My True Love By the Hand,” by Glenn Yarbrough and the Limeliters. Enjoy.

Knocker of Knocks.

Round the decay of that colossal wreck, nothing beside remains: In anticipation of the final eight episodes, Bryan Cranston’s Walter White reads Percy Shelley’s Ozymandias. Breaking Bad returns Sunday, August 11th, meaning you now have less than two weeks to beat the Lego game.

Story Matters on A(TV)C.

“All in all, these AMC series remind me of American movies made in the early-to-mid-’60s, when Puritanical content restrictions were starting to break down and commercial films were embracing a new frankness, but filmmakers hadn’t yet gone into the ‘anything goes’ mode that dominated the final quarter of the 20th century…[A]s mid-’60s American film demonstrated, there’s more than one way to be ‘adult.’ AMC seems to have realized this and embraced it, and it’s one of the reasons the channel is flourishing.”

Salon‘s Matt Zoller Seitz (formerly of The House Next Door), sings the praises of AMC, home to Mad Men, Breaking Bad, The Walking Dead and Rubicon. I watch all of those except Rubicon, which is still languishing on the DVR for the time being. (Now that it’s canceled, unfortunately, I may never get around to uncorking it. This was also the fate of Carnivale.) As for The Walking Dead, it’s seriously overwritten at times — the sisterly pow-wow about fishing at the top of Episode 4 was just embarrassing — but I’ll stick around through the first season at least.

The Sultan Plays Creole. | Time to Cook.

David Simon’s Treme, his long-awaited follow-up to The Wire about musicians in post-Katrina New Orleans (and starring Wendell “Bunk” Pierce, Clarke “Freamon” Peters, Steve Zahn, Khandi Alexander of The Corner, Kim Dickens of Deadwood, and Melissa Leo of Homicide), gets a Home Box Office teaser and a start date: Sunday, April 11. Sounds like it’s almost time for the (HBO) re-up.

Update: Speaking of which, it’s almost time to cook: Also coming up on the television schedule this spring, Season 3 of Breaking Bad begins March 21 on AMC. Until then, stay out of Walt’s territory.