THE WEBLOG OF KEVIN C. MURPHY: CONJURING POLITICAL, CINEMATIC, AND CULTURAL ARCANA SINCE 1999

Recently in Mad Men Category

Red Queue, Blue Queue.

| | Comments (1) | TrackBacks (0)

By way of the NY Times, here's a map of what Americans are renting from Netflix. Apparently, the Fort Myers military base at zip code 22211 has radically different viewing tastes than the rest of DC, and Manhattan and Brooklyn (but not New Jersey) love them some Mad Men.


"A more interesting measure of the show's impact is the fact that its title has become a kind of shorthand: you can now talk about a Mad Men skirt or lampshade or pickup line where once you might have used 'space age' or 'Kennedy era' or 'Neanderthal.' But while the show, like its subject, has many surface pleasures--period design, period bad behavior (if you like high modernism, narrow lapels, bullet bras, smoking, heavy drinking at lunch, good hotel sex, and bad office sex, this is the series for you)--at its core Mad Men is a moving and sometimes profound meditation on the deceptive allure of surface, and on the deeper mysteries of identity. The dialogue is almost invariably witty, but the silences, of which there are many, speak loudest."

It's that time of year again: As seen pretty much everywhere of late -- the quote above is via Bruce Handy at Vanity Fair -- AMC's Mad Men returns for Season 3 this Sunday.

I musta been Mad.

| | Comments (0) | TrackBacks (0)

The boys are back in town, but the times they are a-changin'... Mad Men Season 2 starts tonight on AMC, 10pm EST (or, in this household, right after Generation Kill.)

The 60th annual Emmys nominees are announced, with plenty of justifiable love for John Adams (23 nods) and Mad Men (16). But, really, The Wire was overlooked again? No Mary McDonnell for Galactica? 2 and a Half Frickin' Men(?!) over Flight of the Conchords for Best Comedy? I just can't take these media monkeys or their plastic pantomime at all seriously anymore.

"I can start the story fresh, and at the same time there will be all these events that happened in between that will provide additional storytelling energy." Don Draper's destination? 1969. Apparently, Matthew Weiner and Mad Men have a five-season, ten-year mission, and will jump a year or so ahead after every season. (As noted here, Season 2 picks up on Valentines Day, 1962.)

Also in TV news, HBO announces its upcoming slate, which includes Treme ("Trah-May", a.k.a. David Simon in Nola), True Blood (Alan Ball does Southern Gothic), more Curb, a Scorsese project, and -- alas -- absolutely no Deadwood.

The Men Nobody Know.

| | Comments (1) | TrackBacks (0)

"Knowing that these unsuspecting sexists and bigots sit on the brink of their doom is all part of the fun. It is also perverse entertainment of a sort (Weiner calls it pornography) to watch them smoke like chimneys (including pregnant women), drink like extras from 'The Lost Weekend' and eat steak, cheesecake and creamed corn without consequences. Or mostly.'" In the NYT magazine, Alex Witchel catches up with Mad Men showrunner Matthew Weiner, and teases some aspects of the second season (starting July 27.) "The first season ended on Thanksgiving 1960, and the fact that I knew that the second season picks up [Spoiler] on Valentine’s Day 1962 horrified him."

Invisible Spinning Globes.

| | Comments (2) | TrackBacks (0)

If they hold an awards ceremony in the middle of the 'Wood and there's no around to hear it, does it make a sound? Why, yes, yes, it does. And the Golden Globe winners are...

  • Best Drama: Atonement. Uh, no. My top drama would've been No Country for Old Men.
  • Best Com/Mus: Sweeney Todd. Didn't see it. Not even a nod for I'm Not There?
  • Best Foreign: The Diving Bell and the Butterfly. Solid, and easy choice.
  • Best Actor [Drama]: Daniel Day-Lewis, There Will Be Blood. Hmm, yeah, ok. Better than giving TWBB Best Drama.
  • Best Actor [Com/Mus]: Johnny Depp, Sweeney Todd. Didn't see it.
  • Best Actress [Drama]: Julie Christie, Away from Her. Didn't see it either, but Christie is definitely this year's "Helen Mirren"-style lock for an Oscar.
  • Best Actress [Com/Mus]: Marion Cotillard, La Vie En Rose. Didn't see it. Since she's a bit of an unknown, it's too bad she missed out on giving a speech.
  • Best Supporting Actor: Javier Bardem, No Country for Old Men. Great choice, and no real surprise.
  • Best Supporting Actress: Cate Blanchett, I'm Not There. That works, although Gone Baby Gone's Amy Ryan would've worked too. At least INT won something.
  • Best Animated Film: Ratatouile. Yeah, ok. Didn't see Persepolis, and it wasn't even nominated.
  • Best Screenplay: Joel and Ethan Coen, No Country for Old Men. Usually given to the movie that was "clever" more than "good" -- I'm surprised this didn't go to Juno.
  • Best Score: Dario Marinelli, Atonement. Also a good, easy choice. It was the most memorable score of 2007.
  • Best TV Show: Mad Men. Nice! And it looks like Jon Hamm won Best Actor too.

    So there you have it. In case you missed it, my own best of 2007 list is now buried deep beneath the political coverage.

  • Figwit, get an eyepatch.

    | | Comments (0) | TrackBacks (0)

    Wait, what? Maybe I'm just late to the plastic pantomime, but my sister informed me over the holidays that Bret McKenzie of Flight of the Conchords was previously Figwit(!) Strangely enough, I'd never made that mental connection. In any case, in honor of one of my two favorite new shows of 2007 (the other being Mad Men), here's one of the funnier television moments of the year: Jemaine as Bowie (Ashes, Labyrinth.) It is quite freaky, isn't it?

    Keanu Barada Draper.

    | | Comments (0) | TrackBacks (0)

    Peace on Earth, goodwill to Mad Men: Jon Hamm, a.k.a. Dick Whitman/Don Draper, joins the cast of Scott Derrickson's The Day The Earth Stood Still remake, currently starring Keanu Reeves (the alien) and Jennifer Connelly. "Hamm will play Dr. Granier, a NASA official who recruits Helen (Connelly) for the scientific team investigating an alien's arrival on Earth." Hamm's impressive on Mad Men, and it'll be good to see him make the leap to the Big Screen...but an unnecessary remake of a 50's sci-fi classic from the director of The Exorcism of Emily Rose? I have doubts.

    Steven Spielberg and Peter Jackson's previously-announced Tintin trilogy finds a writer in Doctor Who scribe Steven Moffat, of the Season 3 episode "Blink." Speaking of which, I've run hot and cold on BBC's Doctor Who update thus far, and have found showrunner Russell Davies' campy contributions to be mixed at best. But the second half of Season 3 has been exceptionally good Who. From "Blink" to the "Doctor goes Human" two-parter in pre-WWI England ("Human Nature/"The Family of Blood") to Derek Jacobi's turn as a lonely, befuddled scientist at the end of time in "Utopia" to the Master taking Tony Blair's job in "The Sound of Drums," I'd say this most-recent run can hold its own with the best of the Pertwee-Baker years. (I haven't seen "Last of the Time Lords," the Season 3 finale, yet, but I dig John Simm as the Master, and his evil companion is a real kick.)

    Off-topic, but also on the television front, I've recently boarded the 5:23 Mad Men commuter train. It's a show I've been shying away from despite the good reviews, mainly because I feared it'd be 85% Rat Pack kitsch, i.e. its raison d'etre would be primarily to wallow in the unregenerate un-PCness of the early Sixties. But, while I'm still living a few episodes behind present-time, Mad Men makes for pretty solid television, even if, as with Miller's Crossing, it can be hard to watch without a glass of Jamesons and clinking ice in hand. Jon Hamm's Don Draper and John Slattery's Roger Sterling are particularly good, and, as someone noted on The House Next Door, Michael Gladis' Paul Kinsey is an eerie facsimile of the young Orson Welles. Plus, with all due respect to Officers Bunk and McNulty, it's a nice change of pace to watch smart, well-written characters in a TV drama that aren't cops, doctors, or mobsters.

    Finally, I never much cottoned to it anyway, but after the Season 2 premiere, NBC's Heroes is getting kicked off the DVR. As I said last Spring, the blatant, unattributed ripping off of Watchmen and the X-Men's "Days of Future Past" in Season 1 was already hard to swallow. And, judging from the first week's installment, Kring & co. have decided to go back to the well, and have stolen the Comedian storyline straight out of Watchmen too. Given that their poorly-written, overstuffed show is usually as artless as their theft here, count me out.

    Bret? Present. Jemaine? Present. Murray? Present. Good...Everyone's present and accounted for as HBO renews Flight of the Conchords for a second season (along with more Entourage.) Due to Deadwood, I tried valiantly, but I could never grok David Milch's puzzling and pretentious John from Cincinnati all that much. And, so far, the much-praised Mad Men and Damages are just filling up DVR space -- I haven't broken into them yet. But, I do love me some Flight of the Conchords these days, and am glad to see Bret and Jemaine getting more run. It's Business Time.

    About this Archive

    This page is a archive of recent entries in the Mad Men category.

    John Adams is the previous category.

    Star Trek is the next category.

    Find recent content on the main index or look in the archives to find all content.

    Powered by Movable Type 4.31-en

    KcM Links

    Categories