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Twin Peaks

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The Return.

“[A]s the giant once foretold: It is happening again. Twin Peaks: The Return — the Showtime reboot of the Lynch series — didn’t just exceed its progenitor’s what-the-fuck quotient right out of the gate; as it meanders through a series of daringly protected, often mysterious scenes, the show seems determined to destroy any preconceptions we had about what another Twin Peaks would look like, or even what post–Twin Peaks television could aspire to be. What Lynch and Frost are doing feels so new to TV that even showrunners whose triumphs are built on Lynchian foundations are in awe of it.” — Matt Zoller Seitz, “The Best Show on TV is Twin Peaks: The Return.

The 2016 movie list may finally be done and the 2017 list is right around the corner. And there are a lot of great TV shows on these days — Legion, Bojack Horseman, Halt and Catch Fire, Preacher, Fargo, the waning-but-still-entertaining Game of Thrones. But it’s safe to say that I’m not going to see a movie or TV this year, or for awhile thereafter, that I love as unabashedly as Twin Peaks: The Return. 27 years ago, before there was a GitM or even all that much of an Internet, I was just a high school sophomore in Florence, South Carolina who couldn’t wait for the weekend to bring the next installment of Twin Peaks. For 16 Sundays this summer, as soon as the classic theme kicked in, that 1990-91 experience came viscerally roaring back.

If, like me, you still find yourself dwelling on the deeply melancholy final episode — and with the caveat that the real Judy/Jiao Dai is apparently “to explain” — here’s the best and most in-depth fan explanation going around, at least until Mark Frost’s Twin Peaks: The Final Dossier comes out on Halloween. As someone notes in the comments, this theory makes a good deal of sense, but still doesn’t quite feel right. Whatever else was going on from Odessa to “Alice Tremond’s” house, it was emotionally clear that Coop hadn’t (yet) saved the day, and Laura was still — and may forever be — haunted by forces vast and cool and unsympathetic. [Update: It’s since come out that this theory was written up by one of Milo Yiannopoulos’s media pen pals, so the author’s sense of judgment should be considered even further suspect.]

In its mournful finale, and in its curtain calls for so many beloved original cast members who have left us — Catherine Coulson, Miguel Ferrer, Don Davis, Jack Nance, Frank Silva, David Bowie, now Harry Dean Stanton — the new Twin Peaks also made clear that, however much you may want to, you can’t really turn back the clock, at least not in the way you ever expected. As The Ringer‘s Alison Herman put it, “it was immediately obvious upon The Return’s premiere in late May that this was not going to be the Twin Peaks of the ’90s, with its soap opera shape, good-natured quirk, and Angelo Badalamenti’s steadying compositions. What was not obvious, however, was just how aware Lynch and Frost were of our yearning for the original Twin Peaks, or how they would capitalize upon it to maximize the uncanny horror and visceral sadness of The Return.”

Twin Peaks came back to us completely transformed in 2017, and yet, in its own way, still as captivating and chimerical, inspiring and visionary, funny and true as it was a quarter-century ago. In these cynical, Trumpian times, what a gift it was to have this show back again — still expanding the boundaries of what is possible on TV, still serving up damn fine cups of coffee (and musical numbers), still pushing us to rail against the darkness and malevolence in our midst.

Diane, Meet Siri.

“‘I’m very excited to return to the strange and wonderful world of Twin Peaks…May the forest be with you.'” But how’s Annie? Official announcement is made that the well-preserved Kyle MacLachlan is back for Twin Peaks 2016. Damn fine news.

Which reminds me: I finally finished my Peaks re-viewing and, yeah, that back half of Season 2 — what with Confederate Ben Horne and Lana the temptress and James biking into cliches and all — is a little more ragged than I remembered as a sophomore in high school. Still, what an ending.

Update: Laura and Bobby are announce their return, and it sounds like Audrey Horne’s coming too.

It is Happening Again.

“To quote Agent Cooper, ‘I have no idea where this will lead us, but I have a definite feeling it will be a place both wonderful and strange.'” It is happening again: In far and away the biggest culture news this past month I’ve been away, after 25 years (as promised), Twin Peaks is returning to TV(!!) “According to a press release from Showtime, “Twin Peaks” will be a limited series of nine episodes. Lynch and Frost will write and produce each one and Lynch will direct all nine.” (More details here.)

Now this here is big doings, and no mistake. (And, whatever else may be depressing about life in the so-called space age, how great is it that we live in a world that provides MOAR Twin Peaks, MOAR Arrested Development, MOAR Doctor Who, MOAR Farscape, MOAR Han-Luke-Leia Star Wars outings? Let’s get cracking on Deadwood‘s return already!)

Since this announcement, I’ve been rewatching Twin Peaks again while packing up boxes and — while I’m only into early Season 2 — been delighted to find that it totally holds up. Like many folks around my age, the show was a staple of my early high school years, and watching it is as much of an instant time capsule to the early 1990’s as the 120 Minutes archive. Finally actually finding out what happened to Dale after the Black Lodge? Now that is something I did not expect. Can’t wait.

Midichlorians? Garmonbozia… | Leland ’14.


He’s more machine now than man, twisted and evil. David Lynch’s Return of the Jedi. (Hey, it almost happened.) I’ll admit, the Sy Snootles gag cracked me up.

“You’ve been dead for around 25 years now.” Also in the Lynch department: For the new Blu-Ray collection Twin Peaks: The Entire Mystery (take my money!), David Lynch interviews the Palmer family, in character. The Leland/Ray Wise one is below. It’s, er, weird…but you already knew that.

At the Bayou of Madness.

“For many fans of weird fiction, the surprising appearance of this madness-inducing play into what ostensibly appeared to be just another police procedural was a bolt of lightning. Suddenly, the tone of the show changed completely, signaling the descent into a particular brand of horror rarely (if ever) seen on television.”

In io9, Michael Hughes explores True Detective‘s many references to The King in Yellow, an 1895 collection of short stories by Robert Chambers, and a “fictional play…that brings despair, depravity, and insanity to anyone who reads it or sees it performed.”

As Molly Lambert of Grantland pointed out of HBO’s dark and addictive mini-series, “True Detective’s closest relative is Twin Peaks, which mined similarly nocturnal depths. Both shows espouse mythologies that feel extremely personal to the creators but also eerily universal, tapping into the same brain waves as paradoxical sleep.”

For his part, show creator Nic Pizzolatto recently talked about his debt to another Weird Fiction author, Thomas Ligotti. “I first heard of Ligotti maybe six years ago, when Laird Barron’s first collection alerted me to this whole world of new weird fiction that I hadn’t known existed. I started looking around for the best contemporary stuff to read, and in any discussion of that kind, the name ‘Ligotti’ comes up first…[H]is nightmare lyricism was enthralling and visionary.

On top of everything else, True Detective also has one of the more captivating credit sequences in recent years, as per below. (It apparently owes a heavy debt to the work of artist/photographer Dan Mountford.)

From the Files of Dr. Jacoby.

“Because there was no still photographer on the set during the filming of the last Twin Peaks episode, Richard Beymer (aka Benjamin Horne) was given permission by David Lynch to shoot some pictures on the set. The resulting ‘behind the scenes’ photos are nothing short of stunning.”

Cinephile Archive offers a smattering of rare Twin Peaks arcana. Worth a look-thru if you’re Peaks-inclined…Alas, it still doesn’t answer the real question: How’s Annie?

Without Chemicals, He Shakes.


If you’ve also been wondering how Agent Cooper has been faring in the Black Lodge after two decades — presuming you never got him out — the answer is: NOT WELL. (Also, I thought I was relatively well-versed in bizarre Internet memes, but this Harlem Shake business had to this point totally passed me by.)

Update: Harlem is not amused.

Twenty Years of Garmonbozia.

Does it work if you haven’t seen the TV show? As Lynch might put it, gosh, no. (It’s a prequel, but it bends time and space to wrap up a few stray plot threads from the series — if you’re working your way through the show on DVD, treat the movie like a coda or you’ll be lost.) But that’s what’s fascinating about it — in some ways, Lynch’s most uncompromising and unrelenting movie is the one he made while beating the dead ghost-horse of a canceled soap opera.”

Twenty years after its opening, Grantland‘s Alex Pappademas takes another look at Twin Peaks: Fire Walk With Me. I never understood the hate this film received. (Then again, I also liked Peaks’ much-maligned second season.) Sure, it’s a bit all over the place, but there are impressionistic moments in Fire Walk With Me — the trapped Leland monkey, the picture-within-a-picture, the phantom Bowie — that still frighten me for reasons I find impossible to explain, much in the same way some of the third act bizarroland suicide stuff in Mulholland Drive — the blue box, the creepy homeless guy, the little tourists — seems to bypass my brain completely and just frazzles my spinal cord. And what’s not to like about Special Agent Chet Desmond?

hOw’S aNnIe?

The good Dale is in the Lodge, and he can’t leave. Write it in your diary.” Since, two decades later, we never got a satisfactory resolution on Agent Cooper’s fate in the Black Lodge — although I guess it’s possible Ed Helms freed Annie from there during his epic Hangover — some enterprising soul has turned Dale’s attempted escape into a downloadable 8-bit game (available here, and here’s the source material.) Extra points for the 8-bit “Sycamore Trees.”

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