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Arrested Development

Them?

“Season four’s masterstroke – the element that welds the show’s extreme self-consciousness and (yes!) cornball sincerity — is its decision to build our fears and anxieties about a resurrected Arrested Development right into the master narrative…It’s all about elapsed time and lost opportunities, and how families grow apart geographically and emotionally, and make peace with their personal limitations (and their families’), or continue to live in denial, or force some kind of confrontation, or stumble into one, and end up taking baby-duckling steps toward enlightenment. That’s why so many people have described it as sad, or dark, or depressing: It has a heart, but you can see how bruised it is.”

At Vulture, Matt Zoller Seitz sings the praises of Netflix’s Arrested Development revival. “Like The Godfather, Part II…season four of AD manages to be true to the spirit of the original while tinkering with its structure, rhythm, and themes. It’s very different from yet artistically equal to the show’s first three seasons.”

Having watched Season 3 (again) and Season 4 this past week, I’m much closer to Seitz’s awed appreciation of the Bluths’ return than, say Alan Sepinwall’s more disgruntled view. Although admittedly it takes an episode or three to vibe into what Hurwitz et al are doing, take away the rosy retrospection and Season 4 seems very much on a par with the first few seasons. I for one was increasingly impressed, and amused, by the recursive, Mobius strip intricacy of the whole proceedings, and, as you might expect, there are a lot of very funny lines throughout. (“Handcuff the King of the Jews!”) Also, since it’s already supercutted, the Sound of Silence bit made me laugh every time.

Now about those cliffhangers…don’t leave us with a Black Lodge situation, Netflix — do the right thing. You know there’s more money in the banana stand.

Update: “We couldn’t get Franklin. He was touring. He’s very big in Japan. He has a vodka ad that put him over the top.” Vulture post-mortems Season 4 with Mitch Hurwitz.

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