“The two faiths have struggled with each other for years…In fact, probably no other organization in the nation has played a bigger role in perpetuating the idea that Mormonism is a cult than the Southern Baptist Convention.” In light of the Huckabee-Romney race to be seen as Christian-in-Chief (subliminal ads and all), friend and colleague Neil J. Young of Little Bit Left ruminates on the enduring Mormon-Baptist divide for Slate. And, in related news, DoL Robert Novak argues that Huckabee may suffer from lingering internecine disputes within the SBC — Apparently, for some of his co-religionists, he hasn’t been conservative enough. (Finally, while on the subject of Republican candidates, religion, and history, I was heartened to see Ron Paul knows his Sinclair Lewis.)
Tag: Neil Young
It’s Alright, Ma (He’s only from Yemen.)
Caught the first of Bob Dylan’s two NYC shows last night, and as always it was a powerful experience. Dylan (who spent most of the night on piano) definitely had an agenda for the evening. For one, the war in Iraq weighed heavily on the early part of the set. A cover of Don Henley’s “End of the Innocence” (?!) at the 4-spot led into the always-excellent “Things Have Changed” (as in the The-Times-They-Are-NOT-A’-Changin’) and, after a surprisingly rockin’ version of the Stones’ “Brown Sugar,” (?!), Bob gave us the one-two punch of “Masters of War” (self-explanatory) and “It’s Alright Ma (I’m only Bleedin’)” (in which he yelled the line “And even the President of the United States must have to stand NAKED.”)
For another, Dylan spent an inordinate amount of time playing other peoples’ songs, with Neil Young (“Old Man“) and Warren Zevon (“Mutineer“) tunes at the back end of the set. Considering also that the encore was “Knockin’ on Heaven’s Door” and “All Along the Watchtower” – two songs noted for other peoples’ versions of them – and it seems like Bob felt like paying credit to his colleagues tonight.
All in all, a great show, with “Just Like a Woman” and “Shelter from the Storm” also deserving special attention (The really hardcore Dylan fans’ highlight seemed to be the second song, “Yea! Heavy and a Bottle of Bread,” from The Basement Tapes…but to be honest, I didn’t recognize it until I saw the setlist.) The night also featured the following misheard exchange between me and my sister during a very loud “Drifter’s Escape:” Her (pointing at guy a few rows over dancing like crazy): “He’s jamming!” Me: “He’s from Yemen?” Ah well, I guess you had to be there. (Picture courtesy of Jim Lawhead.)