“As a rule, film score classical music is used as a shorthand: Handel indicates that the snobs have arrived, Mahler that someone is about to die, but not before pouting about it, and Wagner is a sure sign that big trouble’s a-brewing.” By way of Girlhacker, The Guardian‘s Joe Queenan dissects the most overused classical music tropes in film. “Vivaldi’s ludicrously overplayed Four Seasons invariably indicates that the stuffed shirts are having brunch; Beethoven’s Ode to Joy announces that Armageddon may be just around the corner; and anytime an aria by Verdi, Bellini or Puccini is heard, you can bet your bottom dollar that someone is going to get raped, stabbed, blinded, buried alive or impaled.”
Tag: Ludwig Van Beethoven
Amadeus Chic.
Fans of period pieces and the ultraviolence take note: Today brings our first looks at Ed Harris as Ludwig Van in Copying Beethoven and Kirsten Dunst as Marie Antoinette in Sofia Coppola’s forthcoming biopic of the Austrian princess.