“It costs about $1,200 for a print and about $200 for a digital print. So what you do is charge the distributor the same $1,200 they would ordinarily be charged, and $1,000 of it goes into a pot that eventually pays for all the projectors and everything. In about five years you would basically reconvert the entire industry.” TIME‘s Richard Corliss discusses Indy 4, the Star Wars TV show, and the future of cinema with a “retired” George Lucas.
Tag: Cinema
Benicio Del Lobo.
After finishing up Che, Benicio del Toro will channel Lon Chaney Jr. in The Wolf Man, yet another remake in the pipeline. Hopefully it’s more Mummy than Van Helsing.
Hope you like leftovers.
Dallas (with Jennifer Lopez, Luke Wilson, John Travolta, and Shirley MacLaine)? Welcome Back Kotter (with Ice Cube)? The Dirty Dozen (now with “a personal element to it,” ’cause the original wasn’t a classic or anything)? Yep, it’s looking bleak in Hollywood these days on the new idea front.
King Effing Kong.
After winning Empire Magazine’s Best Picture award, PJ offers up a slow-loading and decently funny King Kong blooper reel, which includes several F-bombs, a chronically mumbling Jack Black, and the missing “Back to New York” scene. Update: Try here instead.
Bedstuy Parade.
True, a day as nice as today should really be spent outside. That being said, it’s hard to come up with a better “first-day-of-spring” movie than the wickedly funny, rousingly optimistic hip-hop concert flick Dave Chappelle’s Block Party, directed by Eternal Sunshine of the Spotless Mind‘s Michel Gondry. Chronicling a September 2004 shindig thrown in Bedstuy and featuring performances by Kanye West, Common, Mos Def & Talib Kweli, Dead Prez, Cody Chestnutt, Erykah Badu, Jill Scott, The Roots (w/ oldschoolers Big Daddy Kane and Kool G Rap), and the reunited Fugees, Block Party bounces with cool, infectious verve and power-to-the-people, DIY exhilaration. In short, this movie just brings a smile to your face. (Yeah, ok, it definitely helps to have an appreciation for hip-hop, but as this movie points out, you may have one and not even know it.)
For those of you anxiously awaiting Season 3 of Chappelle’s Show, be heartened: This is Chappelle’s show. Be he ambling through his Ohio hometown doling out “Golden Tickets” to unsuspecting passers-by, tooling around Brooklyn hyping the event (“Attention, Huxtables!“), or MC’ing the Bedstuy proceedings with a deft, light-hearted touch (and a James Brown rimshot), Chappelle’s wry irreverence and broad, encompassing good humor are contagious. Often, it seems, he can’t believe his luck at becoming the jester-king of Brooklyn for a day, and he grounds and permeates the film with his antic enthusiasm and sardonic, puckish charm.
And then there are the performances. From Kanye West amping up “Jesus Walks” with the aid of the Central State University band, to Def & Kweli jamming over “Umi Says”, to Dead Prez getting PE/KRS-1-righteous with “Turn Off Your Radio,” to sirens Erykah Badu and Jill Scott dueling over The Roots’ “You Got Me,” to Lauryn Hill’s sultry, heartfelt “Killing Me Softly,” Block Party definitely delivers the goods in terms of the hip-hop. All the performances are infused with enough energy and momentum to get the whole theater audience jumping. (Slightly off-topic, when I was ten years old, I was pretty sure the coolest guy in the world was Han Solo. Now that I’m an older and wiser 31, I have to concede that, that GMC Denali ad notwithstanding, it may just be Mos Def. And, speaking of Def, his “straight-man” (a la Ed McMahon) sounds a lot like Ford Prefect.)
In the end, after all the jokes, beats, and rhymes, two hip-hop truths emerge from Dave Chappelle’s Block Party: “Life is a funny, unpredictable thing,” as Chappelle puts it at one point. And, as many others — both rap superstars and ordinary people like you and me — come to point out throughout the film, this world is what you make it, so do something good and have some fun out there, y’all.
Red Sun Rising.
Ken Watanabe will head the cast of Clint Eastwood’s Red Sun, his forthcoming companion piece to Iwo Jima film Flags of our Fathers. “Eastwood, who is in post with ‘Flags,’ will shoot the companion entirely in Japanese.”
The Cars that go Boom.
AOL Moviefone gets the new trailer for Pixar’s Cars, and it appears to be one part Ricky Bobby, one part Doc Hollywood…and far afield from Toy Story or The Incredibles.
A Handful of Dust.
I’m a few days behind on this one: Layer Cake‘s Matthew Vaughn is writing, producing, and directing an adaptation of Neil Gaiman’s Stardust, which will star Charlie Cox, Sienna Miller, Claire Danes, Robert DeNiro, and Michelle Pfeiffer. I haven’t read Gaiman’s book, but all signs point to this being a very interesting project.
Two for III.
In today’s movie bin, the full trailer for Brett Ratner’s X3: The Last Stand shows up online. Hmm, I’m still not feeling it. To quote an AICN talkbacker, “Too much wire fu makes Homer go something something“…although I did kinda dig the scene with Juggernaut chasing Kitty Pryde. (Insert your own I’m the Juggernaut, b***ch joke if you’d like.) Also out today is the new Japanese M:I:III trailer, now with considerably less Philip Seymour Hoffman.
Munichan Holiday.
Steven Spielberg announces he’s taking a hiatus in 2006, meaning that both his Lincoln biopic with Liam Neeson and Indy 4 (currently being polished by Spiderman scribe David Koepp) might take longer than expected to hit theaters.