Snakes and Cruises.

“Enough is enough! I’ve had it with these snakes!” In the weekend trailer bin, another look at M:I:III, the full trailer for Wolfgang Petersen’s remake of Poseidon, and, yes, some footage from the highly anticipated Samuel Jackson vehicle Snakes on a Plane.

Fawkes News.

Verily, my view on V for Vendetta vacillates. Even with visage veiled, the venerable Hugo Weaving’s voice brings vim and verve to the verbose, volatile, and vindictive vigiliante. Natalie Portman is vivacious enough as V’s volunteer, and varied English veterans (Stephen Rea, Stephen Fry, John Hurt) bring valuable versimilitude to V’s environs. But, various vignettes notwithstanding, this vaunted venture is less vibrant and versatile than I’d hoped. V is too virtuous, and the villains — from a venal vicar to a vainglorious video host — too vile. Vendetta is a viable version of Alan Moore’s violent vision, I suppose, but a vulgarized one.

If you thought the last paragraph was clunky, be prepared for more of the same in V. Vendetta is an enjoyable night at the movies, and definitely an above-average, smarter-than-usual actioner. And Weaving is amazingly dynamic behind the static mask — It’s hard to think of anyone else who could’ve pulled this off quite as well. But, like the last two Matrix films, V‘s bravura moments — the escape from the BBC, V’s talk with the botanist (Sinead Cusack), the domino scene — are too often interspersed with leaden, expository-heavy scenes where the pacing of the film just goes slack. Particularly egregious in this regard is our Batman-ish introduction to V very early in the film, where even Weaving’s mellifluous phrasing can’t salvage a similarly V-intensive monologue. (Frankly, the whole scene needed a rewrite.) The film does eventually recover from this Act I stumble, but it takes awhile.

And the larger problem with V for Vendetta is that, for all its pretense of moral complexity, it stacks the ethical deck in favor of our terrorist-protagonist. It’s been awhile since I’ve read the graphic novel, but I remember V coming across as a much more unlikable character. He’s a monster created by monstrous circumstances, and as much a symptom as the cure of his society’s larger sickness. But here, V is too (anti-)heroic and charismatic, even given the second act twist, and the government too Orwellian and depraved by far. Who wouldn’t sympathize with rising up against this Taliban-meets-the-Tories outfit? As such, the subtler elements of Moore’s moral economy have been flattened out, and all the choices have been made for us. But perhaps it’s a problem of medium — what worked well on the page comes across as overkill on the big screen. (Exhibit A: Big Brother John Hurt…I liked him better as Winston Smith.)

All in all, I’d say V for Vendetta is much better comic adaptation than LXG or, say, Fantastic Four, and on par with the other Vertigo films, From Hell and Constantine. But it’s not a slam-dunk: Vendetta‘s heart is in the right place, but, sadly, something doesn’t quite translate.

Kiss Me, I’m IrVsh.

“May you have warm words on a cold evening, a full moon on a dark night, and a road downhill all the way to home.“

A very happy St. PaVtrick’s Day to you and yours. I expect my own holiday will involve some permutation of NCAA basketball, slightly too much Guinness, and a vicinal viewing of Vendetta (which is getting mixed reviews thus far — Still, as far as Alan Moore adaptations go, it has to be better than LXG, and I’d only be moderately disappointed if it’s comparable to the Hughes Brothers’ take on From Hell.) At any rate, have a good one…and be sure to don some green!

The Dilating Dubya Debt.

Hooked on Dubyanomics yet? Once again, the GOP will be forced today to up the national debt limit in order to avoid the government going into default. “The debt limit bill is the fourth such measure required since Bush took office five years ago. If approved, the latest version would mean that the debt had grown over that span from about $6 trillion to $9 trillion — about $30,000 for every man, woman and child in the United States.” Update: It’s a done deal.

Would it help to confuse them if we run away more?

“‘I haven’t read it,’ demurred Barack Obama (Ill.). ‘I just don’t have enough information,’ protested Ben Nelson (Neb.).” As Senator Tom Harkin signs on as a co-sponsor of Russ Feingold’s censure resolution — which, word has it, is also now backed by John Kerry, Barbara Boxer, and Robert Menendez — the Post‘s Dana Milbank watches the rest of our party head for the hills. “Hillary Rodham Clinton (N.Y.) brushed past the press pack, shaking her head and waving her hand over her shoulder. When an errant food cart blocked her entrance to the meeting room, she tried to hide from reporters behind the 4-foot-11 Barbara Mikulski (Md.). ‘Ask her after lunch’ offered Clinton’s spokesman, Philippe Reines. But Clinton, with most of her colleagues, fled the lunch out a back door as if escaping a fire.”

Digital Empire.

“It costs about $1,200 for a print and about $200 for a digital print. So what you do is charge the distributor the same $1,200 they would ordinarily be charged, and $1,000 of it goes into a pot that eventually pays for all the projectors and everything. In about five years you would basically reconvert the entire industry.” TIME‘s Richard Corliss discusses Indy 4, the Star Wars TV show, and the future of cinema with a “retired” George Lucas.

“An Unbelievable Mess.”

“We may have been seduced into something we might be inclined to regret. Is strategic failure a possibility? The answer has to be ‘yes.'” Several internal Downing Street memos, recently obtained by the Guardian, suggest that our British allies have been wary of US mismanagement in Iraq since at least 2003, when Baghdad envoy John Sawers called the US post-invasion operation “an unbelievable mess.” (By way of Dateline: Bristol.)