Author: KcM

(L)East Meets West.

In this week’s trailer bin, M. Night Shyamalan tries to get his groove back with some help from Nicktoons in the new trailer for his live-action version of The Last Airbender, with Noah Ringer, Nicole Peltz, Jackson Rathbone, Dev Patel and Aasif Mandvi. Sorry, M. Night, but after Signs, The Village, Lady in the Water, and that Mark Wahlberg Triffids movie (Google reminds me: The Happening), I’m skipping this unless reviews say otherwise.

And, elsewhere on Yahoo…what’s wrong with your FACE? Josh Brolin mounts up for his own third-tier comic book film in the first trailer for Jimmy Hayward’s Jonah Hex, also with Megan Fox, John Malkovich, Will Arnett, Michael Shannon, and Lance Reddick. Oof…seems pretty clear I’ll have to get my drink on before this bad boy.

You Know You’re Gonna Be A Star.

“‘This is something you’re going to tell your grandchildren about,’ the spokeswoman said on a recent tour of the lab. “You were here when they were about to get fusion ignition. ‘It’s like standing on the hill watching the Wright brothers’ plane go by.’” CNN’s John Sutter checks in with Livermore Labs’s National Ignition Facility, a few months shy of a long-awaited experiment in nuclear fusion.

If it works, it’ll be big doings, obviously, although we’re still several decades away from a miracle energy source even by the most optimistic predictions. “‘One gallon of seawater would provide the equivalent energy of 300 gallons of gasoline; fuel from 50 cups of water contains the energy equivalent of two tons of coal,’ the Livermore project’s website says.“

Rewrite of the Titans.

“The most drastic changes in the film come at the expense of the gods. Many watching the movie wonder why Danny Huston would have been hired to play Poseidon when he has almost absolutely nothing to do in the film; the answer is that nearly two thirds of the business with the gods was edited out of the film, and the very tenor of the god scenes was changed in fundamental ways.“

As the unnecessary sequel train leaves the station, CHUD’s Devin Faraci details the many major post-production rewrites (re: studio-mandated dumbing down) that afflicted Louis Leterrier’s recent Clash of the Titans. Unclear if it would have salvaged the movie, but the original version does sound a good bit better than what ended up on screen.

“Law & Order: Civil War Unit.”

“Redford says he didn’t want to simply re-create Lincoln’s assassination and deals with that mainly as setup. ‘All the President’s Men was very similar, because you had this big historical event taking place, but what people didn’t know was what these two reporters did, digging in under the radar. You didn’t need to show Nixon a lot,’ he says.“

USA Today checks in on the set of Robert Redford’s The Conspirator, about the trial of Mary Surratt, with Robin Wright Penn, James McAvoy, Toby Kebbell, and Alexis Bledel. (This is not to be confused with the long-gestating film adaptation of Manhunt or Steven Spielberg’s seemingly cursed attempt at a Lincoln biopic.)

Good Fences Make Good (Intergalactic) Neighbors.

“‘We only have to look at ourselves to see how intelligent life might develop into something we wouldn’t want to meet.'” As seen all over the place of late, Stephen Hawking warns of the perils of First Contact. “He concludes that trying to make contact with alien races is ‘a little too risky’. He said: ‘If aliens ever visit us, I think the outcome would be much as when Christopher Columbus first landed in America, which didn’t turn out very well for the Native Americans.‘” Hey, don’t blame me. I voted for Kodos. (FWIW, many astrobiologists disagree.)

The Great Deficit Witchhunt.


“‘The frame of the debate is between those who think the witches have taken over the entire community and the whole lot of them should be burned and those who think there are only a few witches and burning just a few of them would be enough to appease the demons,’ said James Galbraith, the Lloyd M. Bentsen Jr. Chair in Government at the University of Texas. ‘There are a few of us operating safely removed from the bonfires who maintain there is no such thing as witchcraft.‘”

As more troubling details emerge about its funding and backers, and as commission member Andy Stern, late of SEIU, settles into a troubling Lanny Davis-ish “those fringe liberals are ruining everything” mode, The Huffington Post‘s Sam Stein reports in on the early doings of Obama’s deficit commission.I went over my thoughts on deficits and this commission in my SotU post a few months ago, but to repeat myself:..

On deficits: “We know exactly what happens when you cut spending too quickly after a virulent recession — It was called the 1937 Roosevelt recession, and it would be flagrantly idiotic to repeat it. Just because the GOP doesn’t seem to understand basic Keynesian economics doesn’t mean we should follow them down the rabbit hole of flat-earth thinking, just so we can look bipartisan…[Besides, p]eople were not looking to President Obama for this sort of deficit tsk-tsking and small-bore, fiddling around the margins.“

On this commission: “It’s clear to everyone involved that the entire point of this commission is CYA: i.e, to create political cover for raids on entitlement spending, while once again ignoring the grotesquely swollen defense budget…In other words, this commission will basically just be a chance for deficit peacocks to pretend they’re Serious People and ‘make tough decisions,’ while in fact the one really tough idea that actually needs to be tackled — reining in defense spending — will be completely avoided.“

What I said then still stands. At best, this commission always sounded to me like centrist kabuki theater for deficit peacocks, and, given what we’re learning about some of its backers, it could end up being much, much worse.

The Tyranny of the Bullet (Point).

“‘When we understand that slide, we’ll have won the war,’ General McChrystal dryly remarked.” By way of a friend in the office, our military at the highest levels has apparently been infiltrated and subdued by Powerpoint groupthink. “‘PowerPoint makes us stupid,’ Gen. James N. Mattis of the Marine Corps, the Joint Forces commander, said this month at a military conference in North Carolina…’It’s dangerous because it can create the illusion of understanding and the illusion of control,’ General [H.R.] McMaster said in a telephone interview afterward. ‘Some problems in the world are not bullet-izable.‘”

The first thing that came to mind when I saw that ungainly graph above: The Daughters of the American Revolution’s “spider chart” in the 1920’s, which aimed to prove beyond a shadow of a doubt that the women’s peace and disarmament groups of the time were in fact the fifth column of international socialism. What goes around, comes around, I guess.

Got No Secrets to Conceal.


Let’s get right down to brass tacks: Sylvain White’s The Losers is not very good. Both the second edgy comic adaptation (after Kick-Ass) and the second elite-ops-on-a-suicide-mission movie (after Clash of the Titans) in a summer full of them (The A-Team, The Expendables, arguably Salt), The Losers feels shoddily written, by-the-numbers, and altogether pedestrian. (In fact, notorious hackmeister Akiva Goldsman has a producer cred here – that’s a pretty good tip-off for what you’re in for.)

And yet, even though The Losers is one of those movies where you sit around dutifully ticking off the one-liners, action beats, and omg-‘splosions from the trailer as they happen, just so you can figure out when you get to go home, I’ll say this: The movie’s got charisma to spare. I mean, The Comedian, Stringer Bell, Johnny Storm, Uhura (or, if you liked Avatar more than I did, Neytiri)…all in a B-movie, rock-’em-sock-’em action flick? That should work, right? And that’s not even counting appealing presences like Columbus Short, Oscar Jaenada, and Holt McCallany along for the ride.

And so there’s a strange, vaguely entertaining tension playing out at the heart of The Losers, almost despite itself. Are the amiable actors on display here enough to compensate for a film that is so lazy and perfunctory in pretty much every other aspect of its production? And, the answer is…no, not really. With one notable exception, all the players here eventually check out and succumb to the lethargy of the proceedings. (Losers, indeed.) Still, unlike Clash or Alice in Wonderland, Losers is never an irritatingly, in-your-face terrible experience. It’s just a ho-hum 100-minutes of blah that I’m sure will end up feeling perfectly harmless when TNT runs it into the ground a few years hence.

Anyway…The Losers, you say? Based on a Vertigo comic by Andy Diggle and Jock (I haven’t read it. The only DC Losers I’m familiar with are the WWII tank outfit that died in the Crisis), The Losers are basically your standard-issue coterie of black-ops, get-any-job-done paramilitary badasses, as per most every other film in this genre. Oh, and, as you might expect, they’ve been betrayed and left for dead by their handler, the mysterious and very well-connected Max (Jason Patric, way over the top but it’s not really his fault. Whatcha gonna do when the part is, for all intent and purposes, Dr. Evil?)

So, yes, this is basically the exact same story as The A-Team, or, for that matter Machete (once of Grindhouse, now, somewhat depressingly, its own full-length flick, coming to a theater near you this fall.) Only this time, somebody’s “f**ked with the wrong Mexican” — that would be laconic, eagle-eyed sharpshooter Cougar (Jaenada) — and his four friends: Clay (Jeffrey Dean Morgan), the hard-livin’ leader with woman troubles; Roque (Idris Elba), the grouchy #2 and knife specialist; Jensen (Chris Evans), the motor-mouthed hacker and comic relief; and Pooch (Short), the pilot and family man.

The X-Factor in this all-too-predictable tale is the lovely Aisha (Zoe Saldana), an alluring assassin who recruits the Losers in Bolivia, as they lick their wounds post-double-cross, and who makes the team a Godfather offer: She’ll get them back in the US if the Losers promise to take out Max for good. That sounds like a win-win for everybody…but what is Aisha’s game, exactly? Well, do you really want me to tell you? There aren’t too many surprises to be had here, so best keep that one quiet for now. (I will give away this: poor Saldana doesn’t get much to do but look great, drop some exposition now and again, and occasionally blow stuff up.)

Then again, she’s not alone in that regard. Anyone who’s ever watched The Wire knows that Elba is a charisma-bomb on most occasions. As Stringer Bell, he always commanded one’s full attention. But, here, he just seems bored and in a funk. Same goes for Morgan, who made a decent impression as the Comedian in Watchmen but, again, doesn’t have either the wherewithal or the ambition to spin gold from lead here. Somehow, someway (and just like Clash of the Titan‘s “power of Medusa”), this movie just seems to suck the life right out of people — It’s as if everyone realized at some point they were in a second-rate action movie and recalibrated their behavior accordingly.

The one notable exception I mentioned earlier, tho’, is the future Captain America, Chris Evans. Perhaps, thanks to his quality turn as the Human Torch in the otherwise atrocious Fantastic Four films, Evans has already had some practice in how to be the best thing in a bad movie. (He’s also quite good in the promising but maddeningly uneven Sunshine.) Or perhaps it’s just because his character, Jensen, is given the meatiest stuff to work with. Nonetheless, Evans sells it — The Losers is a zippier, vervier film whenever he’s onscreen. Which I guess makes him the winner of The Losers [rimshot]…Mama didn’t raise no fool.

Like a Bad Penny.


“Decision Point: Is it a good idea for me to land on an aircraft carrier in a flight suit with a sign that says ‘Mission Accomplished‘? Key Decision: How is it not a good idea?” On the announcement that former President Bush’s forthcoming memoirs will be called, um, Decision Points, the wags at the Gawker crime lab have some fun with Photoshop. (Speaking of decision points, I will concede that it’s very smart of the GOP powers-that-be to wait until the week after Election Day to remind America of the Dubya years.)

Bank to Basics.


“The big U.S. banks were the source of the global financial crisis, in part because their bigness and their practices were copied by major banks around the world. What happens in this reform effort is being watched avidly in many countries, because it will say much about how global finance is to be conducted. What is often missing in these discussions are the assumptions people make about banking and its role in a modern economy. We should begin therefore with some first principles.“

As the manifestly fradulent behavior by Goldman Sachs of late comes to full light — one among many, it seems — Numerian of The Agonist goes back to basics to make a case for strong banking reform. “The very first lesson we should learn from this crisis, which we thought this nation learned in the 1930s, is never again…The second lesson we should learn from this crisis is that we should not as a nation have to learn these lessons over and over again every 80 years. Something has to be done to make the legislative changes this time stick.”