They All Float Down There.

“Even the people who are supposed to like clowns — children — supposedly don’t. In 2008, a widely reported University of Sheffield, England, survey of 250 children between the ages of four and 16 found that most of the children disliked and even feared images of clowns. The BBC’s report on the study featured a child psychologist who broadly declared, ‘Very few children like clowns. They are unfamiliar and come from a different era. They don’t look funny, they just look odd.'”

Can’t Sleep Clowns Will Eat Me…The Smithsonian‘s Linda Rodriguez McRobbie looks into the history and psychology of scary clowns. “[P]erhaps as much as 2 percent of the adult population will have a fear of clowns. Adult clown phobics are unsettled by the clown’s face-paint and the inability to read genuine emotion on a clown’s face, as well as the perception that clowns are able to engage in manic behavior, often without consequences.”

We…learn. We…feed.


“‘Slime mould’s remarkable problem-solving capabilities are well-documented and include finding the shortest path between different food sources. It also displays memory, in a similar way to a novel electrical component called a memristor, which has in turn been likened to the functionality of biological brains. ‘It’s one of the simplest organisms that can learn,’ says Gale.”

And now, IT HAS A FACE. Scientists program an old-timey robot to dramatize the electrical signals emanating from slime mold. In a 100,000 years, this is going to seem like one of those Skynet-level bad ideas. And the hat is particularly creepy touch — Very Something Wicked This Way Comes.

Return I Will, to Old Brazil.

“An opening title card declares that Brazil takes place ‘somewhere in the 20th century,’ but the date and location are deliberately muddy; it’s a dystopian world built from a mishmash of eras, part future and part past. Sam Lowry (played by Jonathan Pryce) is a competent, content functionary in a world ruled by a hideously broken bureaucracy, under assault by unknown terrorists, and compensating with kidnapping and torture…in Brazil, over and over again, people turn to fantasy to let them briefly step outside a junky, dysfunctional world controlled by an oppressive yet strikingly indifferent government.”

“Sometimes, madness is the right response to a mad world. Sometimes, illusion is the only way out.” By way of a longtime reader, The Keynote‘s Tasha Robinson discusses the origins and greatness of Terry Gilliam’s Brazil, one of my trifecta of all-time favorite films (along with Amadeus and Miller’s Crossing) and at least partly the namesake of GitM (Ere I am, JH…) — I got the still above signed at a Gilliam event in NYC in October 2006. Some great stuff in here — I actually never knew, or had forgotten, how close this came to being a Tom Cruise vehicle — That would’ve been a error of Tuttle/Buttle proportions. Da dum, da da da da da dee dum

Lawyers, Guns, and Money.

Lots of catch-up to do in the Trailer Bin…

Finally out of The Master‘s clutches, a lonely Joaquin Phoenix falls in love with, for all intent and purposes, Siri (Scarlett Johansson) in the first trailer for Spike Jonze’s Her, also with Amy Adams, Olivia Wilde, Chris Pratt, and Rooney Mara. I believe this is called going the full-Lars. (Also, I’m never not going to hear the name of this film as “Her?”)

Alan Rickman and Donal Logue — now there’s one of the best buddy pairings on film since Ray Winstone and Brendan Gleeson in Beowulf — meet a lot of 24 Hour Party People American-style in our first look at CBGB’s, with Ashley Greene, Freddy Rodriguez, Johnny Galecki, Bradley Whitford, Rupert Grint, Justin Bartha, Stana Katic, and Malin Ackerman (as Debbie Harry?) I see Severus is now teaching young Mr. Weasley a completely different set of Dark Arts. Hrm, maybe.

Michael Fassbender finds he’s taken a wrong turn into Cormac McCarthy land in the newest trailer for Ridley Scott’s The Counselor, with Penelope Cruz, Cameron Diaz, Javier Bardem, Brad Pitt, Goran Visnjic, and Dean Norris. Looks very McCarthyish, and no mistake. The good news is Ridley Scott still owes Fassbender a solid film after Prometheus.

It belongs in a museum! WWII soldiers George Clooney and Matt Damon put together a crack team to save priceless art and artifacts in the first trailer for Clooney’s The Monuments Men, also with John Goodman, Bill Murray, Bob Balaban, Jean Dujardin, and Cate Blanchett. As one wag aptly noted on Twitter, this is basically an Elseworlds Ocean’s movie, but I trust Clooney’s choices. Still, here’s hoping it works out better than Clooney & Blanchett’s last trip to Germany.

Over an unfortunately poppy soundtrack, Idris Elba and Naomie Harris channel Nelson and Winnie Mandela in the first trailer for Justin Chadwick’s Mandela: Long Walk to Freedom. This looks a bit standard-issue-biopic-y, I’ll admit. But I’ll watch just to see Elba as Mandela — just no Henley poems, k?

Team Silver Linings Playbook joins forces with Team Fighter (sans Wahlberg) to dabble in the luxurious world of art forgery in this brief trailer for David O. Russell’s next, American Hustle, with Bradley Cooper, Christian Bale, Amy Adams, Jennifer Lawrence, Robert DeNiro, Louis CK, Jack Huston, Alessandro Nivola, Michael Pena and Elizabeth Rohm.

Lowry? Has anybody seen Sam Lowry? Er, sorry, that would be Mitty, as in Ben Stiller’s adaptation of James Thurber’s The Secret Life of Walter Mitty, with Stiller, Kristen Wiig, Sean Penn, Adam Scott, Patton Oswalt, and Shirley MacLaine. I have to admit, this looks much fresher than I anticipated. Definitely maybe.

A terrible accident, an unexpected boon, and A Simple Plan all add up to another bad day for Sam Rockwell in the trailer for David Rosenthal’s A Single Shot, also with William H. Macy, Jason Isaacs, Jeffrey Wright, Kelly Reilly, Ted Levine, Melissa Leo, and W. Earl Brown. A great cast through and through, but you had me at Rockwell.

And if you need another reason to worry about Found Money, Alice Eve gets into trouble with the Russian mob, in the form of Bryan Cranston, in the trailer for Cold Comes the Night, also with Logan Marshall-Green. If nothing else, it’ll be good for Cranston to get some more menacing reps in before signing up with LexCorp (although, in that department, Mark Strong’s a solid choice as well.)

Where’s a mermaid when you need one? Tom Hanks is in considerable peril on the sea in our second look at Paul Greengrass’ Captain Phillips, also with Catherine Keener, Max Martini, Yul Vazquez, Michael Chernus, Chris Mulkey, Corey Johnson, David Warshofsky, John Magaro and Angus MacInnes.

I thought Greengrass’ most recent film, 2010’s Green Zone, was an overly preachy dud — I get annoyed with edutainment that aggressively berates me to endorse opinions I already hold. (I’m looking at you, Aaron Sorkin.) But Greengrass has a lifetime pass after United 93, Bloody Sunday, and the Bournes, so hopefully this is a return to form.

Thor Odinson, meet Clarice Starling: In a tight spot with a new Big Bad, Earth’s mightiest Asgardian (Chris Hemsworth) is forced to enlist help from his brother in the joint in the second trailer for Thor: The Dark World, also with Tom Hiddleston, Natalie Portman, Christopher Eccleston, Idris Elba, Anthony Hopkins, Rene Russo, Jaimie Alexander, Kat Dennings, Stellan Skarsgard, and Ray Stevenson.

After The Dark Knight, Skyfall, and ST:ID, I’m not sure we need any more villains unfolding their master plans from behind prison bars this decade — Heck, even Loki himself was doing this same shebang in The Avengers last year. Still, the first Thor was better than expected, and Marvel’s on a pretty consistent streak at the moment. I’m in.

I also thought the Nick Stoller’s 2011 reboot of The Muppets was decent enough, but I’m not getting good vibes at all from this first teaser for James Bobin’s Muppets: Most Wanted, with Ricky Gervais, Ty Burrell, Tina Fey, Salma Hayek, Frank Langella, Till Schweiger, Debby Ryan, Danny Trejo, Ray Liotta, and Christoph Waltz. Early yet, and I do like Stoller and Bobin’s prior output, but right now this looks like it’ll hit at about Smurfs 2 level.

So, yeah, Harrison Ford hasn’t gotten all that much better at voiceovers since Blade Runner, has he? Anyway, there’s also a new trailer for Gavin Hood’s Ender’s Game, also with Asa Butterfield, Ben Kingsley, Viola Davis, Hailee Steinfeld, Abigail Breslin, and a ridiculous number of clichés (the Inception BWOMP, “We’re running out of time,” etc.) Everyone wants a Ford comeback, but it’s hard to imagine this one getting my money, even if Orson Scott Card wasn’t a jackass. Oh well.

Keep Calm and…Oh, Never Mind.

“We all know that the dangers facing us today are greater by far than at any time in our long history. The enemy is not the soldier with his rifle nor even the airman prowling the skies above our cities and towns but the deadly power of abused technology. But whatever terrors lie in wait for us, all the qualities that have helped to keep our freedom intact twice already during this sad century will once more be our strength.”

Along the lines of Richard Nixon’s paean to the fallen Apollo 11 astronauts, a draft, circa 1983, is unearthed of Queen Elizabeth’s potential remarks on the start of World War III. “The moving words were written by an imaginative speech writer taking part in a disaster planning exercise.”

Alone in the Dark.

“‘I like going to movies alone, especially during the day when it’s not too crowded,’ said the sad man, who attended the first Red movie by himself three years ago, just last week saw World War Z alone, and, good Christ, made plans with himself to see Before Midnight on opening day last month. ‘It’s relaxing.'”

Ooh, he should like Before Midnight. In any case, this cut a little close to the bone (even if I did see Red and Before Midnight with other people): F**king Loser At Movie All By Himself. Hey, everybody needs a hobby.