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Ireland

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A Free-Born Woman of the USA.

Artistic Director Kevin McKenzie called her, ‘a joy…for every minute of 20 years! She is gifted and smart, willing to absorb from her peers and be an example at the same time. We have watched her grow organically into her potential – blossoming into a truly unique American ballerina with an astonishing command and range of repertoire.'”

As she celebrates her 20th season with ABT, Gill makes the cover of Irish America, and is named one of their inaugural “Top 50 Power Women”. Brava!

Ryan’s Slaughter.

“[Y]ou can’t help noticing the deep historic irony that finds a Tea Party favorite and descendant of famine Irish using the same language that English Tories used to justify indifference to an epic tragedy…Ryan boasts of the Gaelic half of his ancestry…But with a head still stuffed with college-boy mush from Ayn Rand, he apparently never did any reading about the times that prompted his ancestors to sail away from the suffering sod.

In the NYT, historian Timothy Egan notes Paul Ryan’s rhetorical debt to those who helped perpetrate the Great Hunger in Ireland. “You never hear Ryan make character judgments about generations of wealthy who live off their inheritance, or farmers who get paid not to grow anything…Dependency is all one-way. ‘The whole British argument in the famine was that the poor are poor because of a character defect,’ said Christine Kinealy, a professor of Irish studies and director of Ireland’s Great Hunger Institute at Quinnipiac University. ‘It’s a dangerous, meanspirited and tired argument.'”

Those Pipes, Those Pipes Still Calling.

“‘Its long-time popularity, especially among the Irish diaspora in America and Britain, has made it a bonding agent for exiles,” adds Brian Mullen. ‘It is a way for them to recognise themselves, and others to recognise them, as a group.'”

Among them, of course, Leo O’Bannon: On its 100th anniversary, BBC surveys the enduring popularity of Danny Boy. “All the flowers are dying, and they will be for a long time, but then they’ll bloom again and Danny will still be on the road. You never know, because somewhere the pipes, the pipes will be calling.”

In Brendan Behan’s Footsteps.

“While MacGowan remained the undisputed Pogues leader and frontman, the more restrained Chevron was a rock-strong accomplice, comfortably taking on occasional lead vocals, turning his hand to banjo and mandolin as well as guitar when the occasion demanded, and pitching in with more overtly tuneful material like Thousands Are Sailing and Lorelei.”

Did the old songs taunt or cheer you? And did they still make you cry? The Pogues’ Phil Chevron, 1957-2013. “In 2007 he was diagnosed with esophageal cancer. His last appearance was at a testimonial concert in his honour in Dublin in the summer.”

Potemkin Prosperity.

“What they’ve done is they have filled the shop front window with a picture of what was the business before it went bankrupt or closed. In other words, grocery shops, butcher shops, pharmacies, you name it, they have placed large photographs in the windows that if you were driving past and glanced out the window, it would look as if this was a thriving business. It’s an attempt really by the local authority to make the place look as positive as possible for the visiting G8 leaders and their entourages, and it’s really tried to put a mask on a recession that has really hit this part of Ireland really very badly indeed.”

Not from The Onion: The Northern Ireland town of Enniskillen preps for the G8 summit by constructing a Potemkin village untouched by Britain’s disastrous austerity measures. “This is one big initiative really stemming from the Foreign Office in London. This is David Cameron’s gig. It’s his invitation, it’s his decision to host the G8 in County Fermanagh, which is, don’t forget, part of the United Kingdom.”

Chained to Work.


“‘The United States is the only advanced economy in the world that does not guarantee its workers paid vacation days and paid holidays,’ said John Schmitt, senior economist and co-author of the report. ‘Relying on businesses to voluntarily provide paid leave just hasn’t worked.'”

A new CEPR report finds — once againthat Americans are working inordinately hard. “Workers in the European Union are legally guaranteed at least 20 paid vacation days per year, with 25 and even 30 or more days in some countries. Canada and Japan guarantee at least 10 days of paid vacation per year. U.S. workers have no statutory right to paid vacations.”

Nectar of the Gods.


All Guinness sold in Ireland, the U.K., and North America is made in Dublin — so the time it takes for a keg to cross the Atlantic puts it at an immediate disadvantage. What’s more, since your average Irish watering hole probably sells more Guinness than its American counterpart, the chances are much higher that a patron there will get a pour from a fresh keg.

In honor of President Obama reconnecting with his Irish ancestry in Moneygall, Slate‘s Maura Kelly explains why Guinness tastes better in Eire. Hey, it tastes pretty good here too.

Life Through Other Means.

In the trailer bin of late:

  • Whatever they may show in the trailer for Jodie Foster’s family dramedy The Beaver, I’m guessing Mel Gibson’s imaginary puppet friend says unspeakably filthy things in his downtime. Anyways, The Beaver also has Foster, Anton Yelchin, Jennifer Lawrence, and Cherry Jones. Tell me if it isn’t terrible.

  • Rome‘s Ray Stevenson gets his chance to shine as a son of Eire among the seventies Mob in the trailer for Jonathan Hensleigh’s Kill the Irishman, based on the true story of Danny Greene and co-starring Val Kilmer, Christopher Walken, Vinnie Jones, Linda Cardellini, Vincent D’Onofrio, and a whole lot of usual suspects in the mobster kingdom (Steven Schirippa, Robert Davi, Mike Starr, Paul Sorvino.) Eh, definitely maybe.
  • HUGH JACKMAN. BOXING ROBOTS. SHAWN LEVY’S REAL STEEL. 10.7.11 (Oof. Only if there’s a lot of drinking involved beforehand.)
  • There’s a distinct visual look, and a grand scope, and even of a sense of narrative (sort of). What’s hinted at here is a big-canvas movie in the best sense, one with both cosmic significance and intimate drama.” Sadly, the trailer that prompted this post doesn’t seem to be online yet. Nonetheless, in front of Black Swan last week was our first look at Terence Malick’s eagerly-awaited The Tree of Life. And it looks appropriately mystical and Malickian: May 27th, 2011. Update: It’s finally up.

Thousands are Sailing.

“‘The potential for exit in terms of emigration is huge and it’s a major part of the Irish story’…’Ireland is on the verge of losing a whole generation. People are simply not able to get a job in Ireland, not happy with the quality of life here and they are upping and leaving.

Faced, like so many other nations, with a bank-fueled financial meltdown and a grueling austerity program to make up the slack (sound familiar?), the Irish are — well, according to Reuters at least — either leaving or taking it in stride…for now. “‘It’s a cultural characteristic of the Irish people,’ said portrait photographer Kevin Abosch as he strode down O’Connell Street. ‘Generations of pacifism have been bred into them.’

Particularly as I was just writing up The Town, it reminds me of that line from The Departed: “If we’re not gonna make it, it’s gotta be you that gets out, cause I’m not capable. I’m f**king Irish, I’ll deal with something being wrong for the rest of my life.

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