Don Young’s Lincoln Lies.

“Congressmen who willfully take action during wartime that damage morale and undermine the military are saboteurs, and should be arrested, exiled or hanged.” In vaguely-related news, conservative congressman Rep. Don Young trots out an obviously-fake Lincoln quote to bash Dems on Iraq. [ThinkProgress has the video.] ”’Now that he’s been informed these are not the actual words of Lincoln, he will discontinue attributing the words to Lincoln. However, he continues to totally agree with the message of the statement,’ [spokeswoman] Kenny said.” (For the record, and despite his suspension of habeas corpus, President Lincoln was a lenient sort, and assuredly not a believer in the reforming potential of public hangings.)

After Munich.

In a wide-ranging interview with one of his fansites, Steven Spielberg talks Indy 4 and other projects in his possible short-term future, including his long-rumored Lincoln biopic (with Liam Neeson, and based on Doris Kearns Goodwin’s recent Team of Rivals) and a new hard sci-fi project entitled Interstellar.

Crisis of the New Order.

“Observers describe Bush as ‘messianic’ in his conviction that he is fulfilling the divine purpose. But, as Lincoln observed in his second inaugural address, ‘The Almighty has His own purposes.’ Invoking also Lincoln’s remarks on the Mexican War, historian Arthur Schlesinger, Jr. laments the rise of preemption, senses dark forebodings in Dubya’s saber-rattling with Iran, and concludes that “there is no more dangerous thing for a democracy than a foreign policy based on presidential preventive war.

President’s Day 2006.

It is important, likewise, that the habits of thinking in a free country should inspire caution in those entrusted with its administration, to confine themselves within their respective constitutional spheres, avoiding in the exercise of the powers of one department to encroach upon another. The spirit of encroachment tends to consolidate the powers of all the departments in one, and thus to create, whatever the form of government, a real despotism…The necessity of reciprocal checks in the exercise of political power, by dividing and distributing it into different depositaries, and constituting each the guardian of the public weal against invasions by the others, has been evinced by experiments ancient and modern; some of them in our country and under our own eyes. To preserve them must be as necessary as to institute them…let there be no change by usurpation; for though this, in one instance, may be the instrument of good, it is the customary weapon by which free governments are destroyed. The precedent must always greatly overbalance in permanent evil any partial or transient benefit, which the use can at any time yield.” — George Washington, Farewell Address, 1796.

Whenever I hear any one arguing for slavery I feel a strong impulse to see it tried on him personally.” — Abraham Lincoln, “Speech to One Hundred Fortieth Indiana Regiment” (March 17, 1865)

Few men have virtue to withstand the highest bidder.” — George Washington

It is said an Eastern monarch once charged his wise men to invent him a sentence to be ever in view, and which should be true and appropriate in all times and situations. They presented him the words: ‘And this, too, shall pass away.’ How much it expresses! How chastening in the hour of pride! How consoling in the depths of affliction!” — Abraham Lincoln, “Address Before the Wisconsin State Agricultural Society, Milwaukee, Wisconsin” (September 30, 1859)

First Batty, now Booth.

Beware the finger of death, Confederate conspirators. Former fugitive, scoundrel, and president Harrison Ford is slated to track down Lincoln’s assassin in the forthcoming film Manhunt. Ford will play Everett Conger, the retired cavalry officer who helped catch John Wilkes Booth at the Garrett farm, near Port Royal, Virginia, twelve days after Lincoln’s shooting.

The Better Angels of our Nature.

My favorite portrait of Lincoln comes from the end of his life. In it, Lincoln’s face is as finely lined as a pressed flower. He appears frail, almost broken…It would be a sorrowful picture except for the fact that Lincoln’s mouth is turned ever so slightly into a smile. The smile doesn’t negate the sorrow. But it alters tragedy into grace. It’s as if this rough-faced, aging man has cast his gaze toward eternity and yet still cherishes his memories–of an imperfect world and its fleeting, sometimes terrible beauty.” Senator Barack Obama waxes eloquent on Abe. Worth reading in its entirety. (Via Cliopatria.)

Abe Lincoln and the World of Tomorrow.

“Bob Rogers, BRC’s founder and chairman…draws two circles, labeled ‘scholarship’ and ‘showmanship,’ on a sheet of yellow paper. The circles overlap, but only slightly. That tiny slice of shared space, he says, is where the museum needs to be.” By way of Dangerous Meta, the Washington Post examines the mild controversy surrounding high-tech exhibits at the Abe Lincoln library. If BRC is consulting a sizable number of outside historians on the scholarship, as they seem to be doing, then what’s the problem? Gimmicks like Tim Russert introducing 1860 campaign ads are a bit facile, sure, but if they help get more laypeople intrigued in Lincoln’s life and times (and don’t unduly misrepresent the history), I’m all for it. Besides, my feeling is, if historians don’t get behind such efforts, they’re going to happen anyway, and with much less historical rigor to them.

Kinsey on Lincoln.

Schindler, Rob Roy, Darkman, Qui-Gon, Kinsey…why not Honest Abe? Liam Neeson is apparently in talks to play Lincoln in a Spielberg-directed biopic, to be based on Doris Kearns Goodwin‘s forthcoming book, The Uniter. Ok, that’s not bad…but hopefully this project turns out better than Amistad.

Also in loosely related Lincoln-by-way-of-Kinsey news, Salon‘s Andrew O’Hehir casts a troubled eye at C.A. Tripp’s Intimate World of Abraham Lincoln. As he ably points out (as does George Chauncey in the excellent Gay New York), “the difficulty with assessing Lincoln’s private life (or that of anyone else who lived before the 20th century) is that the nature of private life has changed dramatically from his time to ours, and the distance between us distorts the view…Whether [Lincoln and Joshua Speed’s, with whom Lincoln shared a bed] relationship had a sexual component or not, it belongs to a vanished world of intimate male friendships of a kind almost unrecognizable to us.” In other words, sexual orientation is an historically dynamic idea. Homosociality does not necessarily imply homosexuality, and one cannot simply read 19th century sources and infer a 20th century mindset. You have to delve a little deeper. Update: Columbia’s David Greenberg also weighs in for Slate.

Sympathy for the Devils.

The mystery of the grassy knoll has finally been solved, and the second shooter was…John Wilkes Booth?! For the first time in an age, I took advantage of the New York theater scene last night and caught the much-heralded revival of Stephen Sondheim’s Assassins at the Roundabout Theatre, which chronicles the inner demons of Mssrs. Booth, Oswald, Hinckley, and assorted other murderers and would-be-murderers of presidents. All in all, I’d say I enjoyed it, although it took a musical number or two for me to warm to the material (some never made the leap — the guy next to me left outraged.) And there’s some memorable performances here, particularly Denis O’Hare as Charles Guiteau (Garfield’s assassin) and Michael Cerveris as Booth.

Still, the basic (and ahistorical) message of the play — that all assassins, whatever their surface motives, are just looking for a little happiness, a little love, and a little fame — was encapsulated much more succinctly by Peter Gabriel’s excellent “Family Snapshot” two decades ago. And, while I like that song and admire what this play was trying to be, this “everybody needs a hug” thesis is too reductively simplistic. Notwithstanding freak shows like Hinckley, assassination is by its very definition a political act, as is distressingly obvious to all of us given recent events in the Middle East. Sure, a lot of assassins are flat-out crazies…Hinckley, Mark David Chapman, Sirhan Sirhan. But others — Booth, Guiteau, Leon “McKinley” Czolgosz, James Earl Ray, Brutus — had a political agenda in mind that can’t be explained solely by “bad reviews” or a lack of affection as a child (which is perhaps why the Sondheim play ignores the Stalwart v. Halfbreed internecine strife propelling Guiteau to his foul deed.)

Still, if you can stomach the subject matter, Assassins is a moderately engaging fever dream rumination on American loneliness and presidential murder, replete with a sinister carnival barker and Moebius strip leaps in and out of historic continuity. Perhaps the most resonant effect in the play is that of the other assassins — eerie, floating, voiceless heads underlit to resemble Capt. Howdy in The Exorcist — watching their colleagues from the mists of History, or from the grave. Misery loves company, and from Cassius on, assassins just adore a conspiracy.

Prez Suicide, don’t do it!

Sweet steel! Come forth from out your sheath, And glist’ning, speak your powers; Rip up the organs of my breath, And draw my blood in showers!” Historians learn more about Abraham Lincoln’s Reznor period with the discovery of his long-rumored suicide poem, published in 1838 (when Abe was 29.)