Towers of Stone.

If you’re going to see only one movie about 9/11, see Paul Greengrass’ United 93, far and away the best movie of the year. If you’re going to see two movies about 9/11, see United 93 and Spike Lee’s The 25th Hour, still the best film I’ve seen about the day’s aftermath here in Gotham. And, if you’re going to see three movies about 9/11…hmm, now that’s a tough one. Maybe add the first hour of Steven Spielberg’s War of the Worlds and the first half-hour of Oliver Stone’s surprisingly rote World Trade Center? While much better than the godawful Alexander or the misfiring Any Given Sunday, World Trade Center nevertheless suggests that Stone is still somewhat off his game. The movie has some moments of genuine power, particularly in its first act (as it would have to given the potency of its source material), but it’s hard to believe the director of JFK, Platoon, Natural Born Killers, and Nixon would make such a staid and conventional Lifetime movie-of-the-week from the defining tragedy of our decade. (Even more unStonelike, aside from an indirect dig at the blathering television newsmedia, who continuously recycle the morning’s events well past everyone’s endurance, WTC is also resolutely apolitical and uncontroversial.) In sum, World Trade Center is crisply-made and at times affecting, but nowhere near as interesting or eventful a movie as you might expect. As EW’s Owen Gleiberman aptly summed it up, “World Trade Center isn’t a great Stone film; it’s more like a decent Ron Howard film.

Much like United 93, World Trade Center begins in the wee morning hours of Tuesday, September 11, 2001 (3:29 am, to be exact), as some of New York City’s earliest risers — and, indeed, the City itself — wake up to face another day. Among the bleary-eyed morning commuters are two of the Port Authority’s finest, family men Sgt. John McLoughlin (Nicolas Cage) and rookie officer Will Jimeno (Michael Pena). We follow McLoughlin and Jimeno through the beginnings of their usual routine — walking the beat at the Port Authority bus terminal — until the shadow of a jet zooms overhead, and the horrors of the day start to unfold. An expert on the World Trade Center since before the 1993 bombing, McLoughlin quickly leads a busload of anxious Port Authority cops down to what will soon become known as Ground Zero, where he and a small team (including Jimeno), after choking back their awe and fear, enter the mall concourse between the towers. As metal coughs, creaks, and grinds onimously in the background, these first responders gather up their gear and prepare for their trek up Tower 1. But, just when McLoughlin gets wind that there may be something wrong in Tower 2 (news which Jimeno heard on the way down), a terrible Wrath-of-God rumbling begins, and the World caves in. Having barely made a desperate sprint to the elevator shaft, which McLoughlin — thankfully — had known was the strongest part of the building, the surviving members of his team find themselves entombed (and partially crushed) amid a hellish morass of concrete and twisted steel. Then — although they have no clue what’s going on — the other Tower falls, and McLoughlin and Jimeno are left alone in the dark, hopelessly pinned underneath the smoldering wreckage of the two towers.

Up to this point, Stone’s movie is almost completely riveting, and the scenes in the doomed (and painstakingly recreated) WTC concourse in particular have a horrifying “I can’t believe I’m seeing this” feel to them…Unfortunately, we’re only about thirty minutes into the film. For the next ninety minutes, WTC switches back and forth between these two dying peace officers and the anxious pacing of their confused and griefsick wives, Donna McLoughlin (Maria Bello, wearing really distracting blue contacts that make her look Fremen) and a pregnant Allison Jimeno (Maggie Gyllenhaal). Alas, horror yields to hokum, and the film pretty much wallows in melodramatic platitudes for the remainder of its run. This is not to say that the rest of World Trade Center is terrible — It’s competently made and, given the human drama at stake here, even moving at times. But it’s also breathtakingly conventional, with Stone (and WTC‘s writer Andrea Berloff) pulling every single disaster-movie-tearjerker cliche out of the book by the end: flashbacks to happier times, ghostly visions of loved ones (as well as a faceless Jesus, which is the closest Stone gets to his usual obligatory shaman cameo), the kid who won’t accept the situation at face value, the musing over last words spoken, etc. (The bromides also extend to the brief and not very realistic characterizations of some of the post-collapse rescuers, which include Stephen Dorff, Frank Whaley, and Michael Shannon.)

Along those lines, I don’t want to make it sound like I’m criticizing the true story of McLoughlin and Jimeno — their story is a miracle, and one of the few small beacons of cheer from that terrible morning. But, when a movie called World Trade Center ends up focusing so narrowly on these two survivors and — big spoiler, but it’s in the poster — ends with happy reunions and two families getting unexpectedly wonderful news, something seems off. Unlike United 93 which managed to recapture both the primal nightmare and unexpected heroism of that day and did so unblinkingly, without sugar-coating the fate of the fallen, WTC instead transmutes the stark emotions of 9/11 into saccharine, easy-to-swallow caplets of Hollywood sentiment. Some people may like this alchemy better, I suppose, but, in all honesty, to me it felt like an overly-sanitized cop-out (or two cops-out, in this case.) World Trade Center means well and is a decent film in every sense of the word. But the first half-hour notwithstanding, it also feels superfluous — which, given the confluence of director and material here, is somewhat surprising.

Terror Firma.

A day after Scotland Yard announces it managed to prevent a major terrorist incident (with the help of Pakistan), terror is back on the menu here at home, with the GOP invoking 9/11, 9/11, 9/11 and Lieberman — absolutely wallowing in shamefulness now — actually calling Lamont’s recent victory a boon for plane-bombers. This was a terrifying near-event indeed — were it not for top-notch intel work by British authorities, the world might’ve experienced another horrific day akin to September 11 in very short order. But, look closely, and you’ll find this plot by homegrown British terrorists bears the likely marks of Al Qaeda, which, last I recall, we left somewhere near Afghanistan to go dink around in Iraq. Crossover Joe and the GOP can shout terror to the heavens, but the fact is that Osama bin Laden and Al Qaeda are more of a threat to us today because of Dubya’s non-sequitur Iraq sideshow. Make no mistake: America is less safe because Dubya and the neocons chose to cut and run in Tora Bora so they could prosecute their war of choice in Baghdad.

The Enemy of my Enemy.

“There’s a broader lesson here, and it speaks to the Bush administration’s present jam throughout the Middle East and in other danger zones. If the British had adopted the same policy toward dealing with Pakistan that Bush has adopted toward dealing with, say, Syria or Iran (namely, it’s an evil regime, and we don’t speak with evil regimes), then a lot of passenger planes would have shattered and spilled into the ocean, hundreds or thousands of people would have died, and the world would have suddenly been plunged into very scary territory.” In light of yesterday’s foiled plot, Slate‘s Fred Kaplan points out one of the critical flaws of Dubya Diplomacy (which, thankfully, the British do not share.)

Democracy Dubyaed Down | Condi’s PhD Shield.

“Once again, Bush demonstrated that he doesn’t understand what makes young democracies flourish or why Hezbollah has appeal even to many nonterrorists. He doesn’t seem to realize that democratic governments require democratic institutions and the resources to make them thrive. He evinces no awareness that the longer Israel bombs Beirut into oblivion, the harder it becomes for Siniora (who has few resources) to retain legitimacy — and the easier it becomes for Hezbollah (which has many more resources) to gain still greater power.Slate‘s Fred Kaplan parses yet another dismaying press performance by Dubya regarding the current international scene.

Update: “Scholars who enter the chambers of power should use their training as a tool to help them make decisions. Condi Rice is using hers as a chant to wish away the consequences.” In a related piece, Kaplan examines Condoleeza Rice’s tendency to hide behind her PhD when faced with tough questions. Well, she may be a “student of history,” but as Sean Wilentz noted earlier, she’s never been a very good one when you get right down to it (although, to her credit, she has been very busy creating work for future members of the profession.)

Moving right out of Babylon.

In a special Africa-themed edition of the movie bin, a young Scottish doctor (former faun James McAvoy) hangs with Ugandan dictator Idi Amin (Forrest Whitaker) and Gillian Anderson in the new trailer for The Last King of Scotland, potentially crooked cop Nic Vos (Tim Robbins) spurs Patrick Chamusso (Derek Luke) to rally against South African apartheid in the trailer for Phillip Noyce’s Catch a Fire (which continues the director’s move from Patriot Games-type thrillers to global-political fare such as Rabbit-Proof Fence and The Quiet American), and things go awry in Morocco for Brad Pitt and Cate Blanchett (and elsewhere for Gael Garcia Bernal and Clifton Collins Jr.) in this look at Alejandro Gonzalez Inarritu’s Babel. (Let’s hope it’s better than Inarritu’s woeful 21 Grams.)

Hamstrung by Choice.

“This has constrained U.S. foreign policy in many damaging ways…The United States does not have effective diplomatic channels for managing the situation, much less resolving it.” Former members of Bush administrations past and present criticize the Dubya White House for their complete lack of diplomatic avenues with Syria, Iran, the Palestinians, or anyone else that might be able to mitigate the current Middle East crisis. “As unattractive as they are, the Syrians are in a position to affect U.S. interests in Iraq and Lebanon…We should be having a broad-based dialogue with them — not as a favor to them but as a favor to ourselves.

Glass Joe.

“What [Connecticut] tells us about the fall is something I think we’ve known all along, and that is the status quo in Iraq is unacceptable. It’s unacceptable to Democratic primary voters, it’s unacceptable to independents and it’s unacceptable to a large minority of Republicans. Iraq is the number one issue and the message is exceptionally simple: We cannot abide the status quo.” As Joe Lieberman likely nears the end of his days as a Democrat, Hillary, the DLC, and other centrist Dems prep for the fallout from the Connecticut primary.

Government Accounting: The Ken Lay Way.

As reported over the weekend in the NYT, an audit finds that the US Agency for International Development (AID) has been using funny math to hide huge cost overruns for Iraqi reconstruction projects. “The agency hid construction overruns by listing them as overhead or administrative costs, according to the audit…[for one new power station]the project’s overhead, a figure that normally runs to a maximum of 30 percent, was a stunning 418 percent.

The Round Mound is Sound.

“The word conservative means discriminatory practically. It’s a form of political discrimination. What do the Republicans run on? Against gay marriage and for a war that makes no sense. A war that was based on faulty intelligence. That’s all they ever talk about. That and immigration. Another discriminatory argument for political gain.” Basketball legend Charles Barkley sets the story straight about his political affiliation: “I was a Republican – until they lost their minds.” (Via Now This.)

A gal walks into a bar…

Best of luck to all the local folks sitting down for the first installment of the 2-day New York Bar exam this morning (including one of my favorite people these days.) While I’m loath to concur with anybody from the von Mises Institute, I’ve always been inclined to agree with this article, which points out that, much like the AMA over on the doctor side, the primary purpose of bar organizations ever since the progressive era has been to create arbitrary barriers to entry and thus raise the salaries of practicing lawyers, to say nothing of the cost of both law school and legal services. Having now witnessed the bar-prep experience from some remove, I have to say that my suspicions about the somewhat shady nature of the whole enterprise have been sharpened, what with the seeming Bar/Bri monopoly on prep courses and what appears to be the test’s extreme emphasis on rinkydink legal minutiae that could very easily be looked up when (or if, so much of it being archaic and obsolete — dueling, anyone?) it ever became necessary. All that being said, the bar is obviously aptly named, so here’s hoping any and all GitM readers/lawyers-to-be in the NY area hurdle it with maximum dexterity and minimum fuss over the next two days. 🙂