Lion and the Snakes.

Listen up, Cornyn: “There never was a more vicious or insidious doctrine announced for the consideration of a free people than the doctrine that our constitution or any part of it is suspended during a state of war. Our constitution was made for war as well as peace. Equally vicious is the doctrine that you must disregard the guarantees of the constitution and trample upon our civil liberties in order to save the constitution…[W]e can never get anywhere if we resort to the theory that the minority has no rights which the majority is bound to respect or that the constitutional rights of the citizen must give way to some supposed emergency. I think the greatest service the true American can render to the cause of orderly liberty is to demonstrate in this critical situation that we can deal with every confronting situation and meet every emergency without violating or disregarding to the individual citizen any of his rights under our constitution. If we have reached the point where we cannot take care of the situation without resorting to arbitrary methods, to undefined official discretion, then the enemies of this government may well say that our system has proved a failure.” — Sen. William E. Borah, “Letter to Austin Simmons,” January 21, 1920.

Swearingen to Progressivism in Two.

Seth Bullock

Deadwood, S.D.
August 25, 1920 [Almost a year after Bullock’s death]

Dear Sir:

After careful consideration I have come to the conclusion that it is my duty as a believer in the progressive principles it was my privilege to fight for under the leadership of Theodore Roosevelt, as well as my duty as a citizen, to support the democratic national ticket in this campaign. I have prepared a statement giving some of my reasons for reaching this decision, a copy of which statement I enclose. If you are sufficiently interested to read this and write me, how you, personally, react in the present situation I will be obliged to you.

Sincerely yours,
Harold Ickes

Ah, the archives are great fun.

Worst President Ever?

“Calamitous presidents, faced with enormous difficulties — Buchanan, Andrew Johnson, Hoover and now Bush — have divided the nation, governed erratically and left the nation worse off. In each case, different factors contributed to the failure: disastrous domestic policies, foreign-policy blunders and military setbacks, executive misconduct, crises of credibility and public trust. Bush, however, is one of the rarities in presidential history: He has not only stumbled badly in every one of these key areas, he has also displayed a weakness common among the greatest presidential failures — an unswerving adherence to a simplistic ideology that abjures deviation from dogma as heresy, thus preventing any pragmatic adjustment to changing realities.” As seen all over the place, historian Sean Wilentz wonders aloud in Rolling Stone if Dubya is the worst president in American history.

To my mind, the only other president that even comes close is James Buchanan. Sure, Warren Harding was lousy, but he knew it (“I am a man of limited talents from a small town. I don’t seem to grasp that I am President.“), and thus didn’t go out of his way to be actively terrible like Bush has been. (Plus, for all the corruption of the Ohio gang, Harding’s cabinet also included Charles Evans Hughes, Andrew Mellon, and Herbert Hoover, all impressive in their own right.) Speaking of Hoover, both he and Ulysses Grant have been given a bad shake. Even if the Depression basically ate his administration alive, Hoover — once renowned as the “Great Engineer” — was a more innovative president (and empathetic person) than he’s often remembered. And Grant’s administrations, although plagued by corruption, at the very least tried to maintain Reconstruction in the South. (In fact, I’d argue that Grant’s sorry standing in presidential history is in a part a reflection of the low esteem in which Reconstruction was once held by the now-woefully obsolete Dunning School.) Regarding the other Reconstruction president, Andrew Johnson is assuredly down near the bottom too, but to be fair, he faced an almost impossible situation entering office in the time and manner he did, and — as with Clinton — his impeachment was a bit of a frame-job. And Richard Nixon, for all his many failings, had China (as well as the EPA despite himself, and, although it didn’t pan out, the Family Assistance Plan.) Nope, I think it’s safe to say that we may be experiencing perhaps the most blatantly inept, wrong-headed, and mismanaged presidency in the history of the republic. Oh, lucky us.

Wishful thinking dept.?

The Bull Moose has temporarily turned into a performing elephant. But the Moose will be back — around March 2008, if everything goes according to plan.” As much of the press hammers John McCain for his blatant re-positioning maneuvers of late, Slate throws a lovefest of sorts for the mythical maverick today, with Jacob Weisberg arguing he’s really a TR progressive and John Dickerson promoting him as the happy crusader. I’ve used this line before, but it fits to a tee. Given McCain’s frequent bouts of water-carrying for the Dubya administration, my view of the Senator’s vaunted independence — until proven wrong — is the same as Sen. George Norris’ take on his progressive colleague William Borah, who indulged a similar maverick reputation back in the teens, twenties, and thirties: He only “shoots until he sees the whites of their eyes.”

Plot Foiled.

A quick book bash: I wasn’t going to write about Philip Roth’s The Plot against America, which I read a few weeks ago, until seeing C.S.A tonight crystallized my problems with it. I should say up front that I run hot and cold on Roth — I quite liked Portnoy and American Pastoral, but kinda loathed Goodbye, Columbus. And, while The Plot Against America is getting good reviews all around, I had a strongly adverse reaction to it. For those of you who haven’t heard anything about it, Plot describes an alternate USA in which famed aviator and rabid isolationist Charles Lindbergh defeats FDR in 1940, makes peace with Hitler, and begins a pogrom of sorts against Jewish-Americans, forcibly enrolling Jewish children (including the narrator’s brother) in Americanization programs and, eventually, attempting to relocate Jewish families to the Midwest. As per Roth’s usual m.o., the tale is told from the perspective of a Newark family trying to find their way — not very successfully — amid the deteriorating events.

As alternate histories go, it’s a great idea for a book, and I was really looking forward to seeing what Roth did with it. But, unlike CSA, which clearly showed an attentiveness to both what happened and what might have happened, Roth here has written an alternate history without seeming to give a whit about the history. In short, I found the book stunningly, almost narcissisticly, myopic. One gets the sense from reading Plot that the rift beween Jews and Gentiles in America was not only the most significant but the only ethnic or cultural schism in FDR’s America. This is not to say anti-semitism wasn’t rampant and widespread at the time — Of course it was, as attested by Father Coughlin, Breckinridge Long, and Lindbergh himself, who — in a speech that tarnished his reputation much more than Roth lets on — blamed support for the war on the “large ownership and influence [of Jews] in our motion pictures, our press, our radio, and our Government.” But, in The Plot Against America, no one else seems to even exist besides Jews and (White) Gentiles — To take the two most notable examples, there’s no mention of the fact that Africans-Americans were being lynched in staggering numbers in this period (the only lynching mentioned is that of Leo Frank), or that we actually did intern Japanese-Americans during the war. (As a point of contrast, C.S.A.‘s central thesis is about slavery, but it moves beyond white-black relations to explore, or at least reference, the place of Asians, Latinos, and gay Americans in the new Confederate system.)

This isn’t about tokenism — it’s about doing justice to the people and the history of the period you’re writing about. And, frankly, the history in The Plot Against America strains credulity time and time again. I’ll skip over the final twist so as not to give it away, and because it’s so ridiculously implausible that Roth couldn’t have intended for us to take it seriously. But, even despite that, Lindbergh’s popularity — and the public’s taste for isolationism — by 1940 seem significantly overstated throughout. (To take one example, there is no way that the Solid Democratic South would up and vote GOP that year — With the Civil War only recently out of living memory, the Dems could’ve run a wet paper bag in the South, so long as it wasn’t of the party of Lincoln and didn’t threaten to upset the Jim Crow racial order. That didn’t even begin to change until Strom in ’48.) And, while Walter Winchell plays a large role here in calling out the Nazi-American pact and resulting Jewish pogrom, he seems to be the only public figure in America doing so. Where’s everyone else? It doesn’t make sense.

Finally (and I’ll admit, this really ticked me off), Plot basically commits a character assassination of progressive/isolationist Burton Wheeler of Montana, who here appears as Lindbergh’s Vice-President (or, more to the point, his Cheney — I’m assuming that’s what Roth was getting at.) At a certain point in Plot, we’re supposed to believe that Wheeler — a guy who refused to prosecute alleged dissenters as Montana Attorney General during the hysteria of WWI, helped lead the investigation into the government corruption of Teapot Dome, and turned on FDR because he thought court-packing was an unconstitutional powergrab — is going to, out-of-the-blue, declare martial law and start rounding people up? That makes zero sense, and is, in effect, a slander on a real historical figure. Roth is obviously one of America’s most gifted writers — but, lordy, I thought The Plot Against America needed more research, more attention to historical nuance, and more sense that injustice and suffering in this country has often run along more than one axis of discrimination.

In My Secret Life.

By the way, since people often ask me about it, and since I’ve been working on grant writing of late anyway, I’ve written up and html’ized a brief executive summary of my dissertation project. As always, subject to change…particularly the title. (Left-of-the-Colon probably isn’t the best place for a The The pun.)

Endless Summer (of the Gods).

“[B]elievers in science are now wondering how the rejection of Darwinian evolution, once presumed to be discredited, keeps returning to claim a place in high-school biology classrooms and in popular thinking. The answer is that we’re in thrall to the powerful legend of the Scopes trial. For anti-Darwinist beliefs aren’t returning; they’ve just never gone away.Slate‘s David Greenberg invokes the misunderstood legacy of the Scopes trial to explain the persistence of creationist thought among Americans today.

Unpopular chic.

If a book is conceived with only historiography in mind — with academic disciplinary debates and research agendas dictating the focus and the form — it’s unlikely to succeed in the public realm. If it’s conceived without historiography in mind, it’s unlikely to succeed as scholarship. So, how do we develop what we might call a Goldilocks approach to historiography?” In a very intriguing two-part article for Slate, David Greenberg of Rutgers University makes the case for historians breaking out of the Ivory Tower.

My friends and colleagues here have heard me rant about this on many opportunities — For all the talk of transnationalism and blurring borders in the field right now, the border between academia and popular history remains rigorously guarded by historians who too often equate accessibility with poor scholarship and second-rate thinking. On many occasions, we’ve been told by visiting scholars — including some very big names — that, for better or worse, we’re fated to do “history-professor history” that will have “no effect” on how Americans see their past.

In short, I find this line of thinking very disquieting. Frankly, writing American history tomes that only a rarefied community of scholars will “get” seems to me a rather sad way to spend a life in the discipline. Whatsmore, it’s no accident that right-wing interpretations of the past, be they neo-con or free-market fundamentalism, for example, tend to gain a wider currency in today’s political climate than left-wing ones do. It’s partly because academics on the right seem to have less qualm about popularizing their ideas for a mass audience (and they’ve got more institutions to disseminate them, but that’s another story.)

I find something profoundly irritating about scholars who claim that “ordinary people” will never understand their ideas, and then go on to complain about the nation’s right-wing drift. While it may be hubris to think that any one scholar’s work will make all that much of a difference, it’s still a worthier goal, to my mind, than composing a work of great theoretical insight that’s completely inscrutable to all but those academic elites similarly ordained in the historical arts.