Category: Fanboy

Viva the Vegas.

Flush with the success of the Kill Bills, Quentin Tarantino now threatens to make The Vega Brothers (being John Travolta of Pulp Fiction and Michael Madsen of Reservoir Dogs.) Hmm. I was hoping his next project would be something a little more focused and less derivative of his previous work, after all the cool-guy posturing that afflicted Kill Bill.

Rabbit Redux.

Richard Kelly’s Donnie Darko, the heartwarming tale of a boy and his demon bunny-friend from the future, will be re-released this summer with a new sound mix and 21 minutes of extra footage. (I assume most of this footage is the deleted scenes on the DVD.) Yeah, I’d go see it in the theater.

Requiem for Rorschach.


Darren Aronofsky on The Watchmen?! Ooh, that’s a great directing pick. One would think Aronofsky would give Alan Moore’s magnum opus a much more faithful treatment than Hollywood delivered with The League of Extraordinary Gentlemen or even From Hell. But, given Aronofsky’s track record on Ronin, Batman: Year One, and The Fountain, I’m not going to start holding my breath quite yet.

Earth-Pig Dead.

“One of the most ambitious literary projects of the last 25 years came to an end this March and you probably don’t even know its name: Cerebus. It’s a comic-book series about a talking aardvark, whose creator seems to have slowly gone insane somewhere over the course of its 6,000 pages. But it is also something of a masterpiece.” By way of LinkMachineGo (and something I missed when it was published last month), the Village Voice says goodbye to Cerebus. I read the last issue a few weeks ago and thought the series ended, as expected given Sim‘s preoccupations lately, with a colossal thud. Still, when Cerebus was good, it was really, really good. Congrats on 300.

Babel Fish Not Required.

From the Hitchhiker’s Guide to the Galaxy, Tenth Intergalactic Edition: Director Garth Jennings and producer Nick Goldsmith discuss the upcoming Hitchhiker’s film, including casting decisions, production designs, funding, and the input of the late Douglas Adams on the script. I’m quite looking forward to this project — Until then, there’s always the classic Infocom game online…

Double Billed.

Well, I’ll say this much for Kill Bill, Vol. 2…it’s a vast improvement over the atrocious Vol. 1. Perhaps because, one kinetic trailer park catfight notwithstanding, Tarantino isn’t trying to be an action director this time around, the second half of this revenge tale hangs together much better than the opening act. There’s actually time devoted to character beats here, which, as QT should know, is ultimately his forte as a writer and director. As such, Michael Madsen and David Carradine in particular get a chance to bring some much-needed complexity to the wafer-thin plot around which these films are constructed.

Still, like its predecessor, Kill Bill Vol. 2 has the whiff of a vanity project. It’s obvious Quentin had the time of his life making these two films, and they definitely seem to work as a love letter to a certain subset of grindhouse and chop-socky film fans (a group which includes David Edelstein, Roger Ebert, and Elvis Mitchell.) But, frankly, I thought a lot of Vol. 2 felt sloppy and derivative. I still don’t see why this project had to be two films, particularly as, once again, there’s so many drawn-out, redundant, or unnecessary episodes on display here. What’s up with the Uma car intro? Bud’s boss? Daryl Hannah’s googlesearch notes? Bill’s ridiculously QT-like riff on Superman? The tremendously stupid pregnancy test faceoff? As I noted about the first half of Kill Bill, Jackie Brown moves languidly, but with purpose. For much of these KB flicks, which often feel more like some sub-Tarantino outing (Killing Zoe, for example) than they do Jackie or Pulp Fiction, I was just bored.

Ultimately, there’s a difference between paying fleeting homage to some film influence and constructing a four and a half hour movie that just moves lazily from homage to homage. The Good, the Bad, & the Ugly, some Wu-Tang flick, Oh, look, The Vanishing. I’m sure that I recognized less than 10% of the movies Tarantino was referencing here, and I’m sure that probably invalidates my opinion of the film in many people’s eyes. And, if QT wants to show off his film-geek cred so blatantly and the film-geeks eat it up like candy, who am I to complain? Still, I very much hope that Tarantino had to get this orgy of excess out of his system, and that he’ll now settle down and focus his considerable talents a little more narrowly, instead of jumping all over the map as he does here.

My Ringdom for a Horse.


Not with ten thousand men could you do this. It is folly…
Reader Jenny from NH passes along this series of pics from Troy (mirrored here), which includes this shot of Sean Bean as Odysseus (who’s been strangely missing from the trailers.) Along the same lines, some new King Arthur images are also up today, including this one of Arthur, Guenivere, and Lancelot (although word is the love triangle has been scrapped.)

The Prophet of No Tea.

The cast of Hitchhiker’s Guide to the Galaxy rounds out with John Malkovich as a “religious cult leader called Humma Kavula, created by the late author especially for the long-gestating film.” Hmm, strange. In case you missed earlier reports, the cast also includes The Office‘s Martin Freeman as Arthur Dent, Mos Def as Ford Prefect, Sam Rockwell as Zaphod, and Zooey Deschanel as Trillian. Should be better than Vogon poetry, at any rate.

Flame On.

Paul Walker as Johnny Storm, a.k.a. the Human Torch, in FF? Well, he looks the part, I guess…I have no real sense of whether or not he can act. Meanwhile, other casting rumors has up-and-comer Christina Milian as Sue Storm/Invisible Girl. Well, um, one of these has to be wrong, since Walker and Milian don’t much look like brother and sister. I guess Naomi Watts is busy with Kong…which is too bad, ’cause she’d be perfect for this part.