Forthcoming Issues / Darth Awakens.

AICN reports some (somewhat dubious) rumors on a slew of comic book sequels, including Hellboy 2, Spiderman 3, and X3/X4. Also in the sequel department, Episode 3 — now apparently titled Rise of the Empire — gets the Latham Film treatment. (They previously made the Hobbit and RotK fan teasers, although this one, frankly, isn’t quite up to snuff.)

Hell boy.

Also new today is the first teaser for Constantine. Everything about this trailer looks pretty solid, except, alas, for the title character. I’m not a Keanu-hater by any means, but he’s not playing John Constantine here, not even close. Constantine is a hard-drinking, chain-smoking, trenchcoat-wearing Brit. Keanu is, well, Keanu. The differences are palpable.

Prisoner’s Dilemma.

The ten minute preview of Harry Potter and the Prisoner of Azkhaban, shown Sunday night on ABC, is now online. Not much to see here…all of the actual scenes shown look like a vast improvement over the Chris Columbus outings, but there’s a lot of filler to wade through first.

Dead on Arrival.

Writer-director Stephen Sommers had best lock his doors at night, ’cause I have a feeling a very angry and very dead Peter Cushing may just be thinking of paying him a visit. Some movies are bad-funny, others are bad-bad…However much it may seem like one of the former from the previews, Van Helsing emphatically falls in the latter category. This movie is so loud, dumb, and nonsensical that it makes Kate Beckinsale’s last vampire movie seem like The Shining. In short, I’m ashamed that my ten+ bucks helped this godawful piece of claptrap make $54.2 million over the weekend.

What else is there to say, really? One of the early AICN reviews summed Van Helsing up as a “big, gawdy, dumb disaster,” and I think that pretty well encapsulates it. Hugh Jackman, so promising as Wolverine, seems bored and distant. Kate Beckinsale and Richard Roxburgh duel it out for the lousiest accent this side of Don Cheadle in Ocean’s 11. David “Faramir” Wenham’s bookish friar sidekick might’ve worked in a different movie (John Hannah played the same part in The Mummy)…it doesn’t here. And the CGI throughout — particularly that of the Wolfman and Dracula’s demon incarnation — is cartoonish and terrible. We’re talking Hanna-Barbera .

But I guess you can’t fault the actors and FX guys too much for phoning in such a terrible script. After all, everyone’s forced to chew out extended passages of completely clunky exposition, except during the long, interminable bouts of rope-swinging. The amount of time CGI characters spend swinging, flying, or falling in this film (with the camera invariably positioned just behind their CGI shoulder, so as to complete the roller-coaster effect, I guess) is flat-out ridiculous, and particularly given that the laws of physics never seem to once apply. And the denouement — which takes forever and a day to finally happen after all the flying, swinging, and falling — makes no sense in a number of ways. (How long is midnight again?) Trust me, Van Helsing is as terrible as you’ve heard…Abandon all hope all ye who enter here.

Eyes, Spies, Tom, and Cat.

It’s Friday, and at the end of a grim-visaged week, the world needs more trailers. In the bin today, we’ve got a new view of The Chronicles of Riddick, Vin Diesel and David Twohy’s follow-up to Pitch Black (sadly, it still looks like a very expensive Sci-Fi Channel original movie), evil Tom Cruise in Michael Mann’s Collateral (The LA gunplay of Heat meets the visual style of The Insider), the first look at The Bourne Supremacy (Identity was a nice surprise, although this one seems very similar), and the teaser for Halle Berry’s embarrassing-looking Catwoman (The early buzz has been awful, and this blah clip won’t change it.)