Category: Cinema

The White Knight Speaks | The Clown Takes a Bow.

In its most recent installment, Gotham Tonight‘s Mike Engel (Anthony Michael Hall) scores an exclusive interview with new Gotham DA Harvey Dent, one that seems to be occurring right at the start of The Dark Knight (which, you may have heard, opens this Thursday at midnight.) In related news, the Joker — after defacing all the online viral sites — kindly handed out free IMAX preview passes to (some of) those playing along.

However the movie ends up turning out (and with a 94 on Metafilter and 100 on Rotten Tomatoes at the moment, I’m optimistic), kudos to the viral marketing gurus…it’s been a fun ride.

The Ballad of Hollis Mason.

In the fourth installment of their making-of video series, original Watchmen artist Dave Gibbons sings the praises of Zack Snyder’s art direction, and shows brief glimpses of Hollis Mason‘s apartment and Rorschach on patrol. All well and good, but as I said before, obsessive art direction will be the easy part.

They Come in Peace (Shoot to Kill).

Klaatu Barada Nikto…the trailer for Scott Derrickson’s remake of The Day The Earth Stood Still, with Keanu Reeves, Jennifer Connelly, Kathy Bates, and Jon “Don Draper” Hamm, is now online. (Here’s the Youtube version. Apparently, it’s playing in front of Hancock, which — after being burned by Wanted — I’m now inclined to skip.

Dream in Black and White.

“After examining the film the three experts are certain: The find from Buenos Aires is a real treasure, a worldwide sensation. Metropolis, the most important silent film in German history, can from this day on be considered to have been rediscovered.” Ave Maria! The original Ghost in the Machine has been found! Before this and this and this and this and this and just about anything else you can think of in the sci-fi department, there was Fritz Lang’s Metropolis, and it’s been rediscovered in an Argentine film vault. (Tour Lang’s city here.)

This unearthed original print is rumored to be 210 minutes long, a full hour and a half longer than any version seen since 1927. “Among the footage that has now been discovered…there are several scenes which are essential in order to understand the film: The role played by the actor Fritz Rasp in the film for instance, can finally be understood. Other scenes, such as for instance the saving of the children from the worker’s underworld, are considerably more dramatic. In brief: ‘Metropolis, Fritz Lang’s most famous film, can be seen through new eyes.’“

AD Episode Bluth: Revenge of the Bluths.

“‘After months of speculation, I think we have finally figured out for sure that we are indeed doing an Arrested Development movie,’ Tambor told EW.com at the premiere of Hellboy II on Sunday. ‘I am very excited about that. I love that cast and crew and I felt like we had more to say.‘” Is the AD movie actually happening? So says George Bluth…or Oscar Bluth. Hard to say, really.

Clowns love Dominos.

“Does it depress you…how alone you really are? You had plans…look where that got ya!” Yes, even more news on the Dark Knight front: Domino’s has a fun site up with an exclusive variant trailer…and be sure to play 3-Card Monte with the Joker before you go. (If that site’s bogged down, low-quality versions have popped up on Youtube here and here.)

Update: Another exemplary new poster, and — just in case the deal isn’t closed yet — it looks like the teaser for Zack Snyder’s Watchmen will open the show. It’s safe to say I’m reaching LotR-levels of anticipation at this point.

Update 2: Gotham Tonight Episode 3 (crime in the city) and Episode 4 (Jim Gordon profile) are now up. Looks like Bal’more’s New Day Co-Op and MCU have both made it to Batman’s town.

This Place is a Prison.

Rumors were floating around a few weeks ago, and an earlier attempt with Christopher Eccleston failed…but now it’s confirmed. The classic British sci-fi show The Prisoner will return as a six-episode miniseries for AMC and ITV, with Jim Caviezel as Number 6 (Patrick McGoohan) and Ian McKellen as Number 2 (Leo McKern, most memorably). “While the original show worked as a metaphor for the paranoia of the Cold War, AMC says the remake will reflect 21st-century stressors such as constant surveillance and the conflict between liberty and security.”