Coronation!


Hail to the King, baby. RotK sweeps the Oscars, winning all 11 categories in which it was nominated. I must say, this is a much better showing than I anticipated, but it is in no way undeserved (Three words for the playa-haters: A Beautiful MindFellowship deserved at least half the awards that that schmaltz-fest won two years ago. Besides, the most contested win this time around was probably Adapted Screenplay, and, even there, none of the other nominees had to straddle such an enormous divide between newbies and a rabidly devoted fan base.) Congrats and many thanks to PJ et al once again. And, in honor of the achievement, the official LotR site has posted the trilogy supertrailer (from the deluxe RotK soundtrack), which is definitely worth a look to get a sense of the sweep and majesty of the films taken together.

At any rate, the entertainment pundits seem to have been bored, but I thought it was just about a perfect evening. The only melancholy note was a brokenhearted-looking Bill Murray losing out to Sean Penn. Both were good, but Penn’s going to be up there every year, while Murray — unless Wes Anderson sets him up with a chewy Supporting Actor morsel sometime in the future — may never get a second chance.

Now, just think how many Oscars the RotK:EE might’ve won…

Down in the Water.

Good news for big-idea sci-fi fans…Apparently, Darren Aronofsky’s mysterious The Fountain is back from the dead, with Hugh Jackman replacing Brad Pitt. On the other end of the sci-fi scale, Charlize Theron is signed for a live-action Aeon Flux, which I could really see being Tomb Raider-terrible.

Gimli Sells Out.

“[Gollum] never hesitates to exploit a wedge issue, be it Frodo’s trust of Sam or the distribution of lembas bread, and is savage in combat until defeated, at which point he whines endlessly about how unfair it all is.” Salon ruminates on the current political applicability of Lord of the Rings, and notes how John Rhys-Davies, decrying the threat of Muslim civilization, is all the rage on the conservative circuit right now. Tsk, tsk, what would Sallah say?

“The Jesus Chainsaw Massacre.”

We’ve heard from the pope (sort of) (“It is as it was?” Jesus was a tall blue-eyed white guy?), we’ve heard from Harry Knowles, but now the “real” reviews of The Passion (which I’ll probably see this weekend) are coming in fast, and so far they all say the same thing: Too much violence and gore, too little charity and grace. David Edelstein sums up the emerging consensus view: “This is a two-hour-and-six-minute snuff movie — The Jesus Chainsaw Massacre — that thinks it’s an act of faith.” And even Roger Ebert, an admirer of the film (and one whom I rarely agree with these days), confesses: “This is the most violent film I have ever seen.” Hoo boy. I was afraid of that. Beware the packs of bloodthirsty bible-thumpers on your way out, y’all.

Crazy like a Fox.

The forthcoming Nolan Batman adds Morgan Freeman to the mix as “Lucius Fox, a respected businessman and the CEO of billionaire Bruce Wayne’s mega-conglom, based in Gotham City.” Also, Neeson is confirmed as Ras Al Ghul, meaning the only high-profile character left is Commissioner Gordon (which Chris Cooper, sadly, already turned down.)

Speakers for the Dead.

Has the success of LotR cleared the way for stalled sci-fi film projects? Casting for the long-awaited Hitchhiker’s Guide to the Galaxy has already been noted here, and now there’s finally movement on an Ender’s Game movie: Director Wolfgang (Das Boot, Air Force One) Petersen is already signed, and apparently the writers of X2 have come aboard for a rewrite. Hmm…that’s good news. Now I wonder what’s up with Morgan Freeman’s take on Rendezvous with Rama? It seems the only fanboy project in the tank right now is Indiana Jones and the Wrath of Lucas.