The Family Business.

“Forty percent of Americans have never lived when there wasn’t a Bush or a Clinton in the White House…Does a nation of 303 million people really have only two families qualified to run the show?” The AP’s Nancy Benac reflects on the Bush-Clinton problem with our politics. “‘I think we would be fundamentally healthier if we broadened the zone of candidates who could make it to the top,’ [presidential advisor David Gergen] said. Historically, politics has been open to newcomers who rise up to reflect the grass-roots sentiment of the country, Gergen said. That’s still possible, he said, ‘but it’s harder than it used to be, especially because it’s so hard to raise money’ for expensive national campaigns. The Clintons and Bushes, he said, have built up strong ‘brand’ recognition for their names.

Dolla Dolla Hil, Y’all.

Well, if the family business issue is bothering primary voters, it’s not being reflected in the funding tallies. In the third leg of the all-important money primary, Hillary Clinton comes out tops in 3rd quarter fundraising with $27 million raised, with Obama clocking in at $20 million and Edwards — who’s announced he’ll accept public financing — coming in third at $7 million. “Overall, Sen. Barack Obama has raised slightly more than Clinton for the primary, and the two look to be fairly evenly matched financially as they head into the final stretch before the first electoral contests in January.” And, whoever your primary candidate is, the real silver lining here is that Dems overall have raised twice as much as the GOP. “‘This just shows the difficult political climate that Republicans are facing,’ said Scott Reed, a Republican strategist. ‘The bright side is that next spring, the Republicans will have plenty of money to give the candidate who goes up against Hillary Clinton.’” We’ll see.

Where is the harmony, sweet harmony? (Pst…in Conn!)

So where are the strong? And who are the trusted?> Why, Bob and Elvis, of course, and they’re in the Nutmeg State, or at least they were last night. As promised, I caught the traveling Dylan-Costello tour over the weekend in (relatively) nearby Bridgeport, CT. The setlists:

Elvis: (The Angels Wanna Wear My) Red Shoes | Either Side of the Same Town | Veronica | The River in Reverse | Down Among the Wine and Spirits | Bedlam | From Sulfur to Sugar Cane | Radio Sweetheart/Jackie Wilson Said | (What’s So Funny ‘Bout) Peace, Love and Understanding? | The Scarlet Tide

Bob: Leopard Skin Pill-Box Hat | It Aint Me, Babe | I’ll Be Your Baby Tonight | You’re a Big Girl Now | Rollin’ and Tumblin’ | Workingman’s Blues #2 | ‘Til I Fell In Love With You | When the Deal Goes Down | Honest With Me | Spirit on the Water | Highway 61 Revisited | Nettie Moore | Summer Days | I Shall Be Released

Encore: Thunder on the Mountain | Like a Rolling Stone

Taking the second act first (well, third — as in Bob’s Beacon stand in 2005, Amos Lee was the *real* opener), Bob’s set — as you can see — was heavy on the Modern Times, which is an album I never really listened to all that much. (It came out just before I was kicked to the curb last year, at which point it just got consigned to the iPod shuffle dustbin.) And, as I’ve said before, when it comes to new Bob, I prefer the looming darkness of Time Out of Mind to the rockabilly antics of Love & Theft, which was also represented here a few times. Still, there were a few gems interspersed throughout the set. Bob’s post-apocalyptic croak these days doesn’t really suit tender ditties like “I’ll Be Your Baby Tonight,” and on “I Shall Be Released” I was thinking it might even be time to go the Leonard Cohen backup-singer route. But he still got a fair amount of mileage out of “Like a Rolling Stone” and the raucous opener, “Leopard Skin Pill-Box Hat,” and he looked spry as ever while playing most of the new stuff. Plus on this, my eighth Dylan show (1, 2, 3, 4, 5, 6, 7), I happily got to scratch off “You’re a Big Girl Now” on my own mental checklist of songs to hear the man play live. And, while I’m not sure last night’s version quite did the song justice — A line like “I’m going out of my mind with a pain that stops and starts!” needs the plaintive howl of 1975, not the world-weary rasp of 2007 — I was glad to hear it made the list regardless.

If I’m being a bit harder on Dylan than usual, it may be because Elvis had just left the building, and he pretty much tore the roof off the place in his set. When I heard he was on the bill, I was wondering who his back-up band might be: The Attractions, The Imposters, or some other permutation thereof. Well, as it turned out, this was a solo stand: just Elvis in black, a few guitars, a spotlight, a microphone, ten chords, and the truth. He played more of his standards when I saw him at the Beacon, but that wasn’t a problem here; His too-brief set included a few well-known hits (“Veronica,” “PLU”), some golden oldies (“(The Angels Wanna Wear My) Red Shoes”, “Radio Sweetheart”), some as-yet-unreleased songs (“Down Among the Wine and Spirits,” “From Sulfur to Sugar Cane”), and even a cover of Van Morrison’s “Jackie Wilson Said,” and each one burned with clarity and conviction. Among the highlights for me were “Either Side of the Same Town,” my favorite song from The Delivery Man, “The River in Reverse” (from his album with Alan Toussaint — it was a blistering call-and-response number last night), and the anti-war lament “The Scarlet Tide” (also from Delivery Man.) (To his credit, Costello also had a remarkable amount of Bridgeport-specific stage patter last night, from name-dropping the old arena there to paying respect to the father of show business, Bridgeport native P.T. Barnum. Somebody had done his homework.)