Walking on Sunshine.

This’ll probably be a brief one, as, to be honest, the film didn’t make much of an impression. Nevertheless, I caught Little Miss Sunshine earlier this week at the Ward Cinema in downtown Honolulu. Several people I know really dig this movie, so perhaps I went in with unreasonable expectations. Nevertheless, Little Miss Sunshine, while generally warm-hearted and fitfully amusing, showed signs of strain and felt just a bit too self-consciously quirky throughout, as if Todd Solondz cheered up considerably and started writing for television. (In fact, Solondz-lite is a good description of this film — in a way, this feels like Welcome to the Dollhouse, leavened with dollops of artificial good cheer. I prefer my misanthropy neat.) As a result, and through no fault of the consistently excellent cast, I basically ended up just sitting there dutifully throughout Sunshine, neither enjoying myself nor not enjoying myself, until it was over.

As Sunshine begins, we’re introduced to the various members of the Hoover clan, each of which is as uniquely and identifiably bizarre as, say, the Munsters or the Addams family: Dad (Greg Kinnear) is a relentlessly go-getter (albeit failed) self-improvement guru. Grandpa (Alan Arkin) is a foul-mouthed heroin junkie. Uncle Frank (Steve Carell) is a suicidal Proust scholar. Son Dwayne (Paul Dano) is a disaffected Nietzsche fanatic living out a vow of silence. Like Marge Simpson, Mom (Toni Collette) is the still, calm, and long-suffering center of their world, the only character who doesn’t get her own quirk. And daughter Olive (Abigail Breslin, cute as a button) harbors only one wish: to be crowned a child beauty pageant queen, namely Little Miss Sunshine. When Olive unexpectedly gets the chance to fulfill her desire, the entire family packs into a VW bus with a bothersome clutch and, in the manner of these types of films, embarks on a hijinx-filled road trip, during which much hilarity theoretically ensues.

I don’t want to give away every twist and turn, because that’s pretty much the sum of the film’s entertainment value (although I will note that, by the end, noone will doubt this family’s commitment to Sparkle Motion.) But a number of vignettes do seem to rely on sitcom-like coincidences (for example, the world’s two foremost Proust scholars at the same truck-stop at the same time) that increase the feeling that this film is set in a remote corner of television-land. Like I said, Little Miss Sunshine isn’t a bad film by any means, and I suspect most people will enjoy it more than I did. But, to my mind, there just wasn’t much there there.

Armitage Wide Open.

“‘I feel terrible,’ Armitage said. ‘Every day, I think, I let down the president. I let down the secretary of state. I let down my department, my family, and I also let down Mr. and Mrs. Wilson.‘” Speaking of coming clean, Dick Armitage admits he was the Plame leaker (after having been outed by Mike Isikoff and David Corn last week.)

Prison Break.

After fierce debate among the neocons, Dubya comes clean about the CIA’s secret prisons (outed by the Post last November) and moves the detainees held therein to Gitmo. But don’t think this moment of clarity means King George is playing it straight just yet: He’s also asking Congress to sidestep recent court decisions and grant him power to continue wiretapping without warrants and to torture alleged evildoers with impunity. And even moderate Republicans and military lawyers have issues with his recent attempts to deny suspected terrorists due process.

Update: Slate‘s Dahlia Lithwick has more: “The speech teemed with all the rhetorical wizardry you might expect of a do-over. Bush justified torture and extraordinary rendition while denying that they exist. He stuck a fork in the eye of the Supreme Court while agreeing to be bound by the majority’s decision. He conceded that Congress should play a role in creating military tribunals while demanding that it greenlight his plan.

Phoning it in.

So, as of this morning, I’ve been moving up in the smartphone world. I awoke at 7am to find my long-suffering, increasingly indignant Treo 400 had decided overnight to up and die completely, so I bit the entropy bullet and picked up a brand-spankin’ new Treo 700 this afternoon (after, I might add, a rather miserable customer service experience that resulted in a good two hours of grappling with the Verizon Wireless bureaucracy. Apparently, despite all the hype about the national network in those aggravating ads, Verizon Kauai and Verizon NYC don’t play very nice together. Really, people, I’m trying to give you my money.) At any rate, I’m looking forward to playing around with the new apparatus, even if I did end up losing some txt conversations I wanted to keep, not to mention some truly righteous Dopewars scores.

Rising Tide.

“As the Hurricane Katrina anniversary coverage blows out to sea and New Orleans braces for another year of neglect, it’s worth pausing to consider the fallout from the disaster that was previously deemed the worst in U.S. history — the 1927 Mississippi flood.” Slate‘s David Greenberg takes a moment to remember the big 1927 flood, which significantly altered New Era attitudes about the appropriate duties of the federal government (and will also play a significant role in the latter half of my dissertation.)

The Party of Lincoln?

“It is no secret that I have serious questions about this Administration’s policies in the Middle East.” Desperate to shore up his maverick cred before the GOP primary next week, Sen. Lincoln Chafee puts a hold on the GOP’s planned Bolton coronation. (Of course, the UN would never have had to put up with Bolton in the first place were it not for Chafee’s capitulation last year.)

Scribbling Adams | Exhuming Neville.

Two recent history-minded links courtesy of the NYT: National Review‘s Richard Brookhiser evaluates the marginalia of John Adams, and Sheryl Gay Stolberg examines the recent revival of Munich among the Bushies (as does the WP‘s Eugene Robinson.)

Gotta Serve Somebody.

As part of his Modern Times publicity blitz, Bob Dylan hawks iPods in a new commercial. Call him a sell-out, but, hey, things have changed. And besides, I have no real problem with iPods…or lingerie, for that matter. And, also in recent Dylanalia, Louis Menand reviews Bob Dylan: The Essential Interviews for The New Yorker (courtesy of Ralph Luker at Cliopatria.)

A Long-Expected Party?

Is something stirring in Middle Earth? While Peter Jackson announces he’s producing a remake of The Dam Busters (to be directed by Christian Rivers, WETA’s head animatic guy from LotR and Kong), very vague rumors emerge from the head office at New Line of a July 2007 start date for filming of The Hobbit. Let’s hope they at least give PJ the right of first refusal…Giving this property to somebody like Ratner would be absolutely criminal. Update: Another intriguing LotR link (albeit from the Mises Institute), via Dangerous Meta: Tolkien v. Power.