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David Lynch

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Without Chemicals, He Shakes.


If you’ve also been wondering how Agent Cooper has been faring in the Black Lodge after two decades — presuming you never got him out — the answer is: NOT WELL. (Also, I thought I was relatively well-versed in bizarre Internet memes, but this Harlem Shake business had to this point totally passed me by.)

Update: Harlem is not amused.

Twenty Years of Garmonbozia.

Does it work if you haven’t seen the TV show? As Lynch might put it, gosh, no. (It’s a prequel, but it bends time and space to wrap up a few stray plot threads from the series — if you’re working your way through the show on DVD, treat the movie like a coda or you’ll be lost.) But that’s what’s fascinating about it — in some ways, Lynch’s most uncompromising and unrelenting movie is the one he made while beating the dead ghost-horse of a canceled soap opera.”

Twenty years after its opening, Grantland‘s Alex Pappademas takes another look at Twin Peaks: Fire Walk With Me. I never understood the hate this film received. (Then again, I also liked Peaks’ much-maligned second season.) Sure, it’s a bit all over the place, but there are impressionistic moments in Fire Walk With Me — the trapped Leland monkey, the picture-within-a-picture, the phantom Bowie — that still frighten me for reasons I find impossible to explain, much in the same way some of the third act bizarroland suicide stuff in Mulholland Drive — the blue box, the creepy homeless guy, the little tourists — seems to bypass my brain completely and just frazzles my spinal cord. And what’s not to like about Special Agent Chet Desmond?

hOw’S aNnIe?



The good Dale is in the Lodge, and he can’t leave. Write it in your diary.” Since, two decades later, we never got a satisfactory resolution on Agent Cooper’s fate in the Black Lodge — although I guess it’s possible Ed Helms freed Annie from there during his epic Hangover — some enterprising soul has turned Dale’s attempted escape into a downloadable 8-bit game (available here, and here’s the source material.) Extra points for the 8-bit “Sycamore Trees.”

Riled at Heart.


“To ‘direct’ something implies more to me than weighing in on the sad state of current affairs with a still shot of the United States Capitol and some sound effects, but the gesture is there.” Director David Lynch briefly weighs in on recent events in Washington. “‘Has Lynch ever before offered something so overtly political? Or is this actually post-political — a means of saying, ‘The system isn’t broken, it’s finished, who’s up for a song?‘”

We are still in the desert.

“‘As a David Lynch movie, I loved it,’ he said of the 1984 “Dune” adaptation by the famously trippy ‘Twin Peaks’ filmmaker. ‘As a “Dune” fan, I was not such a big fan.‘” Taken and From Paris with Love director Pierre Morel talks about his next project, Dune, and so far he’s saying all the right things: “I’ve been reading it over and over again – well, I’m 45 now, so for 30 years…[B]y the time I bought the sixth book I had already read the first one six times! So, I’m a hardcore fan.

Cloudy, Chance of Weirdness.

Thinking of having a picnic or a bizarre and unexplained transmogrification this afternoon in LA? On his website, filmmaker David Lynch offers a daily weather report in Quicktime. (Via Incoming Signals.)

Without chemicals he points.

So, that‘s what he’s been up to. Apparently, David Lynch has been shooting a film called Inland Empire, with Laura Dern, Justin Theroux, Harry Dean Stanton, and Jeremy Irons, for the past two years. “‘It’s about a woman in trouble, and it’s a mystery, and that’s about all I want to say about it,’ said Lynch recently.

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