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"Without getting into specifics, the key thing that makes the third film a great possibility for us is that we want to finish our story, and in viewing it as the finishing of a story rather than infinitely blowing up the balloon and expanding the story. We have a great ensemble, that's one of the attractions of doing another film, since we've been having a great time for years." Christopher Nolan discusses Batman and Superman (but no World's Finest)

I've been watching the casting fly-by on this without commenting, and I still kinda wish they'd gone with Mad Men's Jon Hamm for Hal Jordan over the getting-overexposed Ryan Reynolds (who already has two other comic properties to his name in Deadpool and Blade III.) Nonetheless, Mark Strong has joined the cast of Martin Campell's Green Lantern as Sinestro, the Lantern's arch-nemesis. He joins Reynolds, Blake Lively (Carol Ferris), Peter Sarsgaard (Hector Hammond), and Tim Robbins (Sen. Hammond, Hector's pa.)

Well, that's a pretty solid cast on the villain side. But I fear this is just going to feel like an attempt to cash in on DC's second-tier (a la Iron Man on the Marvel side)...unless they go really big and space-age with it. Like Green Lantern Corps, Oans, etc.

In the trailer bin of late:

"Any legitimate terror suspect, she said, would almost certainly be held in remote, high-security 'supermax' federal prisons, which are already home to convicted terrorists like British shoe bomber Richard Reid and Zacarias Moussaoui, the alleged 20th hijacker of the Sept. 11, 2001, terrorist attacks. That's what these prisons are designed for." The WP's Dan Froomkin surveys the most recent idiocy being spouted by Republicans -- as well as FBI director Robert Mueller and far too many Senate Democrats: that moving detainees from Gitmo into maximum security prisons would represent a clear and present danger to the republic. (As always, see also Glenn Greenwald on this ridiculous subject.)

I'm unclear as to what the GOP thinks will happen if we move these detainees into our regular prison system (other than that it'll probably be harder to waterboard them.) What kind of fantasyland do these yokels reside in? These detainees aren't Lex Luthor or the Joker. They have no vast army of misguided goons waiting to help them in the Big House. (In fact, I think they'll find they don't have much in common with your run-of-the-mill hard time lifer.) Nor have they concocted any diabolical master plans to escape from these extremely secure institutions. Newsflash: Those supercriminal types you read about in comics don't actually exist. (And, while we're debunking conservative fantasies, forget what you saw Jack Bauer do: "ticking time bomb" scenarios don't in fact happen either, and, even if they did, torture is in no way effective as a means of obtaining the information you'd need. Not that its efficacy matters anyway, because it's a war crime regardless.)

Absurd. Blatantly absurd. And altogether irritating that, once again, too many Democrats in Congress are not only taking these inchoate lunacies seriously, but grimly echoing them as if there's even a modicum of sound reasoning going on here. Can these conservatives and their Dem enablers distinguish between the Real World and their bizarre, half-baked realm of nightmares anymore? At this point, I half-expect Chuck Grassley and Harry Reid to tell me they're imprisoning Zubadayah, Khalid Sheikh Mohammed, et al in a pane of glass and shooting them into the far reaches of space. I mean, it worked for General Zod in Superman II, right?

In recent casting news, Will Arnett and Michael Shannon saddle up for Jonah Hex, already with Josh Brolin, John Malkovich, and Megan Fox. "It's the story of Hex (Brolin), a scarred bounty hunter tracking a voodoo practitioner (Malkovich) who wants to raise an army of the undead to liberate the South. Arnett will play a Union soldier who enlists Hex and is blindsided by the dirty fighting style of his enemies. The role is not inherently comic. Shannon plays Doc Cross Williams, the bizarre ringleader of a brutal gladiator circus event. The character might appear in sequels."

Also on the comic-to-film front, Idris Elba and Zoe Saldana join The Losers, starring Jeffrey Dean Morgan and based on the Vertigo comic. (Or, put another way, Stringer Bell and Uhura are teaming up with the Comedian.) The comic "follows a Special Forces team betrayed by its handler and left for dead. The 'losers' regroup in the interest of revenge, the opportunity to remove their names from a secret CIA death list and to conduct covert operations against the CIA and its interests." Well, ok then. The only comic Losers I'm cognizant of are the WWII tank crew who bought it in Crisis, so I have no idea if this'll make a good movie or not.

And finally, the cast for Christopher Nolan's Inception fills out, with Marion Cotillard, Cillian Murphy, and Ellen Page all in talks to join Leonardo di Caprio in Nolan's "contemporary sci-fi actioner set within the architecture of the mind." (Murphy is the sole Nolan veteran of the three, having played the Scarecrow in both Batman films.)

"Come writers and critics who prophesize with your pen, and keep your eyes wide --
the chance won't come again." As in the original comic, two Dylan songs bookend Zack Snyder's ambitious, admirable, and flawed adaptation of Alan Moore and Dave Gibbons' Watchmen, the critically-acclaimed tale of the rise and fall of Cold War superheroes (which I've now seen twice.) The first, "The Times They Are A-Changin'," comes direct from Dylan himself, and scores the impressive, easter egg-filled opening credit montage that is one of the highlights of the film. Here, Snyder has taken the world of Watchmen, fused it with some quality Bob, and made something transporting and uniquely filmic. (Fanboys and fangirls, note the original Nite Owl saving the Waynes. By the way, Dylan, US History, and superheroes -- yes, this sequence is easy for me to love.)

On the other hand, over the end credits, we get a a truly terrible version of "Desolation Row" by My Chemical Romance, whom I'm not particularly familar with but who, on the basis of this cover, would seem to be derivative, talentless hacks. Now, I'm not averse to Dylan played fast and loud. To hear it done right, check out Rage Against the Machine excavating the angry heart of "Maggie's Farm", or the White Stripes' live takes on "Isis" or "Lovesick", or, of course, Jimi's "All Along the Watchtower" (also in the movie, right where it is in the book.) But MCR have completely missed both the power and the poetry of "Desolation Row," and just play it fast, sloppy, and nu-punk like the faux-Green Day cover band (which makes them faux-faux-Pistols) they seem to be.

If I've spent a lot of time here talking about these two Dylan songs at the onset instead of Watchmen, it's because they mirror the dichotomy present in the film. In certain sequences like the opening credits, Snyder manages to catch lightning in a bottle and really bring elements of the graphic novel to life, albeit in truncated form. There are moments in the movie, usually involving Rorschach or Dr. Manhattan, where I was struck by the sheer sensation of seeing the book leap off the page. (Short plot summary for the uninitiated: In an alternate-America 1985, on the eve of what appears to be nuclear Armageddon, one of a dwindling band of ex-superheroes is murdered in (and then out of) his New York City apartment. Rorschach, a borderline-psychotic right-wing vigilante who dresses like Philip Marlowe and rasps like Christian Bale, wants to know why. It's a dangerous question.) The altered ending notwithstanding, it's somewhat amazing to me that we got a Watchmen movie this close to the source material, and, by all accounts, Snyder had to fight tooth and nail with the studio suits for every cynical, resolutely uncommercial facet of it.

But, at other times, Snyder's bad habits sadly leak through and undeniably taint the end product, most notably in the gratuitous violence present here. In interviews, Snyder can sometimes come off as a geekier version of the white fratboys in Harold and Kumar. ("Dude, that's so extreme!") And that better-harder-faster mentality results in some serious whiffs along the way in Watchmen, when Snyder ratchets up the gore and bone-breaking at the expense of the story. However close the movie gets to gorgeously capturing Manhattan's reveries on Mars (although I wish the Doc's living in an endless now was better emphasized.), it basically drops the ball completely on Rorschach's "origin" (which I quoted in my pre-movie post), mainly because Snyder sidesteps the existential horror of Kovacs' story to amp up the violence of it. In the comic, Kovacs has pierced the veil of the sheltering sky and discovered all is blackness. In the movie, he just seems to be on a torture-porn killing spree. Same goes for a scene involving Dan (Nite-Owl) and Laurie (Silk Spectre) getting jumped by the Top Knots gang in a dark alley. It's bone-crushingly brutal when it doesn't need to be, actually has these two kiling people Rorschach-style, and seriously detracts from the more interesting scene it's intercut with, that of Dr. Manhattan inadvertently exposing his disinterest in humanity in an interview with Ted Koppel.

Now, as with loud, angry Dylan covers, I'm not averse to gore or over-the-top violence when it serves the narrative. To take an example, there's a scene involving human entrails stuck to the ceiling (don't you want to see this now?) which is also overly Snyderish, but I think works in context. (The voiceover is making Hollis Mason's point that, with the arrival of Dr. Manhattan (i.e. the advent of atomic weaponry), the superhero game has forever changed -- it's no longer gallantly nabbing bankrobbers and pursesnatchers with a few "Wham! Pow!" four-color blows, but something much darker and more lethal.) But Snyder's Watchmen is unnecessarily violent at the wrong times (see also Big Figure's henchmen), and then inexplicably goes soft at the moments when gore is virtually required. I'm referring here to the consequences of the Big Plan, which feel strangely weightless in the movie, partly because (in this cut) no characters we've been following are anywhere close to Ground Zero and partly because, unlike every other action sequence in the movie, it's all very PG-13 all of a sudden. (Contrast this with the opening of Chapter 12 in the comic, which is basically several pages of horrific imagery, unlike anything we've yet seen in the story.) Now, I'm willing to bet dollars-to-donuts that 9/11-squeamish studio types were unyielding about the soft-pedaling of the climax here (which, by the way, is elegant in its own way even without the squid.) Still, it's hard to escape the feeling that, while Moore and Gibbons used violence in their tale to comment on its awfulness (and the awfulness of The Plan), Snyder often just uses it because it's like, totally extreme.

Don't get me wrong: I have no idea how it plays to people unfamiliar with the comic, but for the rest of us, there's a lot to like here. Even notwithstanding some godawful, cringe-inducing age and Nixon make-up (I guess everyone was busy on Benjamin Button) and one of the worst movie sex scenes in recent memory (I'm offended on behalf of Leonard Cohen), Watchmen is a better film than some of the critical pans make it out to be. Jackie Earle Haley's Rorschach is especially dead-on, and is rightfully drawing most of the acting kudos right now -- This should be a career-defining role for him. But Billy Crudup's Dr. Manhattan and, surprisingly, Patrick Wilson's Nite-Owl are also pretty close to note-perfect. (So too is Matt Frewer's Moloch, who absolutely nails his big moment -- "You know that kind of cancer that you get better from eventually? Well, that ain't the kind of cancer I got.") And Jeffrey Dean Morgan's Comedian and Matthew Goode's Ozymandias grow on you, even if Ozy seems a bit charisma-starved compared to his comic counterpart. (As for Malin Ackerman's Silk Spectre...uh, well, let's just say she's in it too.)

So, in short, I liked the movie, would recommend it to readers and non-readers alike, and thought even more of it the second time around when I was less burdened by expectations. (Yes, it's wayyyy better than 300, and I'm looking forward to the 30-minute longer cut, which is rumored to spend more time with Rorschach's shrink and the two Bernards.) Still, it's hard to shake the nagging sense that the things I really liked about Watchmen would've made it into any reasonably faithful movie version, and that a different director than Snyder might've brought about a better, richer film in the end.

Still, as my old boss was wont to say: We don't need people who get the ball to the twenty-yard line; we need people who can bring it over the goal line. And, for better or worse, Snyder got this ball over the goal line where Terry Gilliam, Darren Aronofsky, and Paul Greengrass couldn't. Let's give credit where it's due: After twenty years of trying, they actually made a Watchmen movie, and it ended up being surprisingly close to the source material and not at all an embarrassment or cash grab. I presume the Rorschach types probably loathe this end result, compromised as it is in certain places. But for the rest of us, I'd say this new Utopia, however flawed at times, is close enough for government work.

"Existence is random. Has no pattern save what we imagine after staring at it for too long. No meaning save what we choose to impose. This rudderless world is not shaped by vague metaphysical forces. It is not God who kills the children. Not fate that butchers them or destiny that feeds them to the dogs. It's us. Only us."

At Midnight, all the agents and the superhuman crews go and round up everyone who knows more than they do...

"It would be insulting to the genre and its readers, as well as fundamentally untrue, to say that Moore reinvented comics. Moore loved comics, in all their overheated melodrama and violence and passion and romance, and simply wanted them to fulfill their potential. He wanted comics to be better written (and more beautifully drawn; he has consistently brought out the best in his artists), to be more alive to the outside world and to other forms of culture, to be less imprisoned by the emotional ghetto of pre-adolescence." On the precipice of Watchmen, Salon's Andrew O'Hehir sings the praises of Alan Moore's run on Swamp Thing.

As for Watchmen itself, the early reviews for Zack Snyder's adaptation are coming in pretty poor, unfortunately. Still, I remain cautiously optimistic that, with expectations suitably lowered, there'll be some things to like about Snyder's version. For one, a lot of the worst reviews of the film wallow in exactly the type of insecure, i'm-too-cultured-for-funny-books douchebaggery I just noted in my review of A Christmas Tale. (See, for example, Anthony Lane's spoilerish New Yorker review, whose good points -- for example, that Snyder's film revels in the same fetishizing of power that Moore was trying to subvert -- are buried beneath his puerile sneering at both the author and fanboys in general. ("'Watchmen,' like 'V for Vendetta,' harbors ambitions of political satire, and, to be fair, it should meet the needs of any leering nineteen-year-old who believes that America is ruled by the military-industrial complex, and whose deepest fear -- deeper even than that of meeting a woman who requests intelligent conversation -- is that the Warren Commission may have been right all along.") Even for him and The New Yorker, which famously whined of The Matrix that we should all be reading Cheever instead, this review is a new low.

For another, and as I've said here many times before, Snyder isn't my preferred choice of director for this project either. But, heck, even a stopped watch is right twice a day. So, here's hoping there's something salvageable from this long-awaited adaptation...I'll know when the clock strikes midnight tomorrow.

It is twenty-two years ago, and I am reading the final issue of Alan Moore and Dave Gibbons' Watchmen. It is three weeks from now, and I am watching the midnight show of Zack Snyder's film of the graphic novel. It is ten minutes ago, and I am watching these five exclusive clips from the movie and thinking, "Hrm. These don't actually seem very good..." (True, clips taken out of context can always seem strange. Still, Veidt muttering his lines and all that Snyderian sloooo-moooo -- Silk Spectre at the fire, the Comedian off of Archie -- gives me pause.)

Sigh...I'm running well behind on reviews again. Nevertheless, if you have the slightest amount of interest in Henry Selick's exquisitely crafted stop-motion adaptation of Neil Gaiman's Coraline, I highly recommend it. Made with as much care and attention to detail as the best of Pixar (or earlier Selick projects such as Nightmare Before Christmas and James and the Giant Peach), Selick's clever Coraline is a children's fable that moves with purpose, bristles with dark humor, and snaps together with satisfying, text-adventure logic. Like Dahl, Carroll, del Toro, and Rowling, Selick and Gaiman get that kids have more of an appetite for the unsettling and creepy than they're often given credit for, and that the best fairy tales are often dark, scary places. Coraline is no exception. And, even if you're not a stop-motion aficionado, the film is an eye-popping visual treat -- I really wish I'd seen it in 3D.

Once upon a time, there lived a little girl named Caroline...uh, Coraline. (Dakota Fanning) Whisked away by her two writerly parents (Teri Hatcher and John Hodgeman) to a dilapidated apartment house in the farthest reaches of Oregon, Coraline soon finds herself as blue as her hair in her gray new home. And so, she spends her days exploring the new environs and wishing she were somewhere, anywhere else. But, as it turns out, Anywhere Else is only a short crawl away. For, behind a tiny door in the living room, there exists another world, one in which parents are never distracted with boring writing projects, and both they and the bizarre coterie of neighbors -- two British spinsters, an acrobatic Russian, a boy in a skeleton mask -- are always solicitous of Coraline's well-being.

Perhaps too solicitous, in fact. While Coraline takes a shine to her "other" family at first -- despite their somewhat off-putting button eyes -- she starts to find them a bit suffocating after awhile, and particularly after her dear, sweet other-mother suggests she pin her eyes shut. (And just wait until we get to the coat hangers.) And, when our heroine encounters the gloomy ghosts of other (now-button-eyed) children who haphazardly wandered into this erstwhile Shangri-la, she comes to realize that other-Mother is smothering her for a reason: For all its color and beauty, Coraline's splendiferous secret world is really just a (lonely) spider's web, meticulously crafted to ensnare her, forever and ever and ever. Be careful what you wish for, Coraline...

I hadn't read Neil Gaiman's book before seeing the movie, but I'm willing to bet that the eerie tone established here -- and the scuttling stop-motion monstrosities therein -- are one with his vision. (In fact, even the Sandman-like dream logic of the story notwithstanding, the button-eye gimmick reminded me quite a bit of Gaiman's Corinthian, and there's a wager-with-the-devil made at one point that brought to mind Morpheus' spoken-word gambit in Hell.) Even so, it's clear that Henry Selick has brought his own demented gleam to Gaiman's world -- see, for example, the spindly, nightmarish look of Momma Big Bad, or pretty much anything here involving stop-motion terriers. And, even when the story is going through its paces, there's always something unique and amazing to catch your eye in the frame.

A word of caution: Coraline might be a touch too frightening for really, really young kids. (And besides, that old terrier with cataracts getting force-fitted into his angel costume is about as dark as anything you'll ever find in a purported children's movie.) But I could imagine youngsters of a certain age, particularly those with a macabre bent, really getting into this film. And in terms of the sheer wealth of imagination and meticulous craftsmanship on display, it's hard to imagine that very many other films this year will be in Coraline's orbit. You go, girl.

A good bit of interesting news on the movie development front of late: Presumably given carte blanche from WB (provided he brings home another Batman in 2011 or 2012), Christopher Nolan announces his next project will be Inception, a self-penned story "'described as 'a contemporary sci-fi actioner set within the architecture of the mind.'" So, Minority Report meets Memento? I'll go.

In other news, David Cronenberg looks to go Bourne with The Matarese Circle, starring Denzel Washington and Tom Cruise as rival spies up against the same sinister conspiracy. The industrious Woody Allen has locked down the stars for his next (post-Larry David) project in Anthony Hopkins and Josh Brolin. (No other details forthcoming.) And, over on his other next film, Brolin has found a worthy antagonist for his Jonah Hex in none other than John Malkovich. "Malkovich will play Turnbull, a wealthy Southern plantation owner whose son is killed by Union soldiers during the Civil War. He blames Hex, a former confederate soldier-turned-hardened bounty hunter and gunslinger." Ah, movies. They just keep making more!

In the third installment of Watchmen viral fun, we get to venture into the Gunga Diner and try out an 8-bit, Veidt-manufactured Minutemen arcade game. (It's basically Double Dragon or Kung-Fu Master, except with Hollis Mason, Sally Jupiter, and Moloch.) Some nice touches in here -- note the poster for Rolf Mueller's circus show. And the date of the game -- 1977, a bit early for this sort of sidescroller -- might suggest the accelerating influence of Dr. Manhattan...

Speaking of public service announcements, and in keeping with the Cronkite-era Dr. Manhattan report of a few weeks ago, the Watchmen powers-that-be offer up The Keene Act and YOU, a 1977 government safety video on the predatory costumed vigilantes in our midst. To be honest, I like the idea better than the execution, but good on them for tryin'.

"I think I just have a natural operatic aesthetic. I can’t help it. People have said to me, when they talk about the graphic novel, about how it’s gritty and real, and I always go, 'Yeah, you realize also though that a lot of that book takes place on Mars.'" By way of a friend, Watchmen director Zack Snyder talks with the NYT about the recent lawsuit, the challenges of adaptation, The Dark Knight, Alan Moore, transient cephalopods, and other matters. (I'd really skip this one if you haven't read the book and want to go in unspoiled.) "In the end, all I would hope is that geek culture, this movie gives geek culture a little bit of cred."

Also, for the record, I could honestly care less about the lack-of-squid issue that's riled up the purists. The squid was a means to an end (and a riff on the wildy convoluted Dr. Evil-ish plots and goofy villains like Starro one tends to find in Golden Age comics), not the actual point of the graphic novel. In fact, I'd say the absent Scouring of the Shire from PJ's LotR trilogy is a much more glaring omission, in terms of changing the actual meaning of the story...and those turned out ok, didn't they?

Some fun links by way of other quality blogs:

"'Wonder Woman? That's not even Marvel,' Obama responded before storming out of the press room. 'Who are you people?'" According to the venerable newshounds of The Onion, purported fanboy Barack Obama is apparently having trouble relating to his new cabinet. [Via LinkMachineGo.] "Added the president, "For the love of Crom, am I the only one here who wants to keep the U.S. technologically competitive?'"

I found this exchange particularly funny: "Gates told reporters he may have gotten off on the wrong foot with the new president, citing an occasion when Obama asked him what he knew about 1984's Secret Wars, a 12-issue limited Marvel release. Gates then handed a visibly confused Obama 1,400 classified pages on covert CIA operations in El Salvador. Later, the defense secretary attempted to find common ground with Obama by making casual references to the comic book Spawn. But the 44th president reportedly brushed him off with an abrupt laugh, saying, 'no one in [his] administration likes Spawn.'"

Well, sorry to hear of the dilemma, Mr. President. Perhaps (*cough cough*) hiring some progressive-minded fanboys (fanboy-minded progressives?) might've alleviated the situation...

"The electronic signs, which usually warn motorists of traffic detours, instead included warnings such as 'Caution! Zombies Ahead!' and 'Nazi Zombies! Run!!!'" By way of Liam at sententiae et clamores, some enterprising Austin wags hack the local road signs in preparation for World War Z. "The signs also instructed motorists to 'run for cold climates.'" Well-played, y'all.

"Did I ever tell you how i got these sock-monkeys?" I guess this post probably isn't in my best interest, as y'all will just further diminish my slim chances of scoring this year's exceedingly cool victory swag, but nevertheless: Web Goddess's annual Oscar contest is now live, and check out this year's prizes! Huzzah to Kris on this pair of Gotham's finest. (It's just too my bad my grim view of Slumdog will probably kill my entry this year.)

"It doesn't take a genius to see the world has problems. We can do so much more. We can save this world...with the right leadership." If you haven't been by there recently, the official site for Zack Snyder's Watchmen has added extensive quotes and mini-trailers for each of the main characters. It's particularly good to see/hear more of Ozymandias -- Except perhaps Doc Manhattan, Matthew Goode as Veidt was the character I've had the most worries about.

Also of note, Jackie Earle Haley's Rorschach delivers his first journal entry ("Dog carcass in alley this morning. Tire tread on burst stomach..."), and the oft-quoted line from the trailer -- "the world will look up and shout 'save us!'" -- has been restored to its original form.

Update: The final poster is released. Bit of a cut-and-paste photoshop job, to be honest. But I suppose it'll do until the trouble gets here.

Taking a page from all the viral shenanigans accompanying The Dark Knight, the WB marketeers recreate Rorschach's favorite mag, the New Frontiersman, for Zack Snyder's forthcoming Watchmen. Hrm. It doesn't seem nearly as right-wing as I remember. Must investigate further.

Update: As part of the site above, a March 1970 NBS news broadcast celebrates 10 years of Dr. Manhattan.

Speaking of the costumed vigilante in question, it looks like the recent lawsuit by Fox to put a hold on WB's Watchmen is now well on the way towards settlement. "Attorneys for both studios disclosed Friday that they had achieved progress toward an accord and agreed to delay a federal court hearing until today in order to continue settlement talks." So, reset the Doomsday Clock for March 6, 2009.

"'There is 'something new and interesting going on in the universe,' said Alan Kogut of NASA's Goddard Space Flight Center in Greenbelt, Md." Aspiring Jor-Els: Best get to work on those interstellar child-bearing rockets. Scientists detect a distant -- and very loud -- roar on the other side of the universe. "'The universe really threw us a curve,' Kogut said. 'Instead of the faint signal we hoped to find, here was this booming noise six times louder than anyone had predicted.'" (Sssh, listen...there went Earth-2.)

Strangelove much? The Japanese trailer for Zack Snyder's Watchmen is now on the tubes, which contains some spoilery-type new footage if you haven't read the graphic novel. (Note also the new Minutemen featurette on the official site.) Interesting that this trailer foregoes all the Dr. Manhattan-exemplifying-American-might stuff in favor of more emphasis on the alternate history and Cold War doomsday clock.

On the occasion of the new year, EW previews some of the more-anticipated films of 2009, including Michael Mann's Public Enemies, Terminator: Salvation, Spike Jonze's' long-awaited Where the Wild Things Are, Harry Potter and the Half-Blood Prince, Pixar's Up, Harold Ramis' Year One, The Taking of the Pelham 1-2-3 (again), Wolverine, and Watchmen.

"The bottom line: Warner Bros. had absolutely no right to roll film on Zack Snyder’s adaptation of the Alan Moore/Dave Gibbons superhero classic." Forget the watchmen for a sec: Who's watching Larry Gordon? A judge rules that Fox's lawsuit over Watchmen does indeed have merit, and that former Fox, now WB exec Larry Gordon never actually secured all the necessary distribution rights to make Watchmen at his new home studio. "In his ruling, Feess concludes that Gordon never properly presented Fox with the option to produce and distribute the version of Watchmen developed by director Zack Snyder. He also makes it clear that neither Gordon nor Warner Bros. had bought out Fox’s interest before Warner Bros. went into production."

What this means for the movie is still up in the air, although a release delay of several months isn't out of the question. When a similar incident happened with The Dukes of Hazzard, a case that involved the same judge, WB eventually just settled and ponied up before the release date.

Well, here's hoping this gets worked out in short order. I'm guessing Snyder's film is going to have some serious problems, but I'd still like to see it next to immediately. (Watchmen image above via The Nerd of Her.)

"The Superman exists, and he's American." Several months after the fact, the Philip Glass-scored, Comic-Con Watchmen footage finally leaks onto the tubes. This looks more promising than the last trailer...but it's always easier when nobody's talking.

Update: In related news, see also Matt Groening's Watchmen. (Via LMG and mkh.)

Among the bountiful harvest that is the Quantum of Solace trailer crop...

Trailer rights to use Philip Glass and Muse? Several thousand dollars. Lawyers to haggle out an armistice among warring studios? Millions. Finally getting a Watchmen film up and made? Priceless. Costumed heroes (the Voice-of-Mastercard among them) investigate the death of a Comedian in the story-heavy second trailer for Zack Snyder's Watchmen.

I'm all over the place on this one. There are some real red flags here -- all the Snydery slo-mo shots of Malin Ackerman's hair, for example -- and some of the dialogue feels as stiff and expository as the ponderous take-a-meeting scenes in 300. Then again, as with the first trailer, I'm still having trouble just wrapping my mind around the fact that they finally made a Watchmen movie. So I'm inclined to be charitable, and the little flourishes throughout (Rorschach's mask moves!) appeal to my inner fanboy regardless. (Also, while Jackie Earle Hale's Bale-Batman-growl may be a tad distracting, it's hard to imagine Rorschach with any other kind of voice.) For now, I'll call it a push.

"The Bodyguard goes LIMP and slides off the table. The PENCIL is gone. MAGIC. The Joker BOWS. Grins at Gambol." As part of WB's "For Your Consideration" Oscar-push website, the official script for Christopher Nolan's The Dark Knight is now online. Worth a read-through if you enjoyed the film as I did, if only to discover what memorable flourishes by Ledger's Clown Prince of Crime were the actor's creation. (Quite a few of 'em, it seems.)

In anticipation of the second trailer (one of the many coming to theaters with this weekend's Quantum of Solace), six new character posters for Zack Snyder's Watchmen are released. That's right-wing freakshows The Comedian (Jeffrey Dean Morgan) and Rorschach (Jackie Earle Haley) up top. See also Ozymandias (Matthew Goode) with Bubastis, Silk Spectre II (Malin Ackerman), Nite Owl II (Patrick Wilson), and Dr. Manhattan (Billy Crudup).

As featured in the Spike awards last night, an extended version of Zack Snyder's Watchmen trailer arrives online. I'm liking the Galactus-y feel of Dr. Manhattan's moments, but the slo-mo Snyderisms here (the doomed flight of the Comedian notwithstanding) still give me pause.

Update: Speaking of which, said flight is now captured in a spiffy new Watchmen teaser poster, above.

"Would you think about that a moment, my friends? Whenever you've seen Batman, who's he with? Criminals, that's who!" Before Atwater and Ailes, there was...Cobblepot: I know the comparison was already floating around after the veep debate. Still, this contentious Batman-Penguin matchup of thirty years ago now seems eerily on the money... (Via Neilalien.)

Also, this is unrelated, but while I'm borrowing fun fanboy youtubes from other places, I also got a tickle out of this compelling compilation of Dr. Who clips, by way of Return of the Reluctant a week or so ago. What are you doing here? What are you doing here? What are you doing here? What are you doing here?

"Whatever happened to the American Dream? It came true -- you're looking at it." Quite a bit of new Watchmen material today. AICN get their hands on high-rez versions of the spiffy painted Comicon posters. (Rorschach | The Comedian | Silk Spectre I | Silk Spectre II | Nite-Owl | Dr. Manhattan | Ozymandias.) Very nicely done -- Lots of continuity nods thrown in for the fans, and note the clocks in the top-left corner. Plus, this is the first image of Ozy that I've liked so far. (Bubastis helps.) And Empire Online has a few new stills to share, although they've logo-stamped them in rather irritating fashion (and the characters look a bit stiff.)

"I've not seen any recent comic book films, but I didn't particularly like the book 300. I had a lot of problems with it, and everything I heard or saw about the film tended to increase [those problems] rather than reduce them: [that] it was racist, it was homophobic, and above all it was sublimely stupid." As a companion to their Watchmen story, EW has a wide-ranging sit-down with Alan Moore, wherein he discusses Zack Snyder, 300, magic, the afterlife, DC Comics, and his favorite television show: "The absolute pinnacle of anything I've seen recently has got to be The Wire. It's the most stunning piece of television that has ever come out of America, possibly the most stunning piece of television full-stop...So yeah, everything else looks pretty lame next to The Wire."

Speaking of Moore's critique of Snyder, I felt a similar unease after reading Snyder's EW Q&A. Says Snyder of Watchmen: "Everyone says that about [Christopher Nolan's] Batman Begins. 'Batman's dark.' I'm like, okay, 'No, Batman's cool.' He gets to go to a Tibetan monastery and be trained by ninjas. Okay? I want to do that. But he doesn't, like, get raped in prison. That could happen in my movie. If you want to talk about dark, that's how that would go." Hrm. Ok. I'd have more faith in Snyder's Watchmen if he didn't persist in sounding like one of those "Totally Extreme!!" meathead whiteboys from Harold & Kumar.

"The world will look up and shout, 'Save Us!,' and I will whisper, 'No.'" Forget midnight -- the teaser for Zack Snyder's Watchmen has leaked. I must say, Dr. Manhattan looks better than I had anticipated (I like the money shot of him, the American Superpower, in 'Nam), Rorschach looks great, and the Comedian seems ok, but I have quibbles with Ozymandias (too young), Nite-Owl (too buff) and Silk Spectre (too vamp). Still, I'll reserve full judgment until I've watched it a few dozen more times. In the meantime, how weird is it that there's actually a trailer for Watchmen out? We seem to be living in the Golden Age of comic book movies. Update: Like most things in this world, it looks much better in HD.

Update 2: "Based on footage Snyder screened for EW, at least, the work seems to have been worth it. Multiple scenes -- the Comedian's murder, Rorschach's introduction, Dr. Manhattan's origin, and a hypnotic title sequence that shutter-flies through the history of Watchmen America, set to Bob Dylan's 'The Times They Are A-Changin' — suggest a film that may capture more of Watchmen than anyone thought possible." Hrm. Watchmen makes the EW Comicon cover -- see below -- and their story includes the first pic of Carla Gugino as Sally Jupiter. Sadly, Ozy's still not looking so hot...maybe they should've gone with Jude Law of the Rorschach tattoo, since he was practically begging for the part. (And is it just me or does Crudup-Manhattan look eerily like Kevin Spacey?)

Update 3: Speaking of Sally Jupiter, AICN scores a pinup of the heroine, in the style of Alberto Vargas and in keeping with the WWII-era aesthetic of The Minutemen.

"I've been thinking lately. About you and me. About what's going to happen to us, in the end. We're going to kill each other, aren't we?" The WP's Hank Steuver offers a brief history of the Joker, from Conrad Veidt in The Man Who Laughs to Heath Ledger tomorrow night. If you're headed to TDK absolutely spoiler-free, I'd skip this one -- quite a few plot details herein.

"This trailer speaks to the fanbase in a huge way. Your friends and neighbors will be damn impressed by what they're seeing, but they'll also be slightly baffled. They'll want to know more - who is that blue guy? Who is flying that ship coming out of the water? Are they on Mars? Why is that guy getting thrown through a window? - so get ready to start lending out your book." One of the CHUD guys takes a spin with the Watchmen trailer, due before The Dark Knight tomorrow night. Sounds great, and while Snyder's 300 turned out to be more than a little ridiculous, it's still boasts a helluva trailer.

Update: The Watchmen trailer officially drops over at Empire Online tomorrow, at -- of course -- the stroke of midnight (EST).

In its most recent installment, Gotham Tonight's Mike Engel (Anthony Michael Hall) scores an exclusive interview with new Gotham DA Harvey Dent, one that seems to be occurring right at the start of The Dark Knight (which, you may have heard, opens this Thursday at midnight.) In related news, the Joker -- after defacing all the online viral sites -- kindly handed out free IMAX preview passes to (some of) those playing along.

However the movie ends up turning out (and with a 94 on Metafilter and 100 on Rotten Tomatoes at the moment, I'm optimistic), kudos to the viral marketing gurus...it's been a fun ride.

In the fourth installment of their making-of video series, original Watchmen artist Dave Gibbons sings the praises of Zack Snyder's art direction, and shows brief glimpses of Hollis Mason's apartment and Rorschach on patrol. All well and good, but as I said before, obsessive art direction will be the easy part.

"Does it depress you...how alone you really are? You had plans...look where that got ya!" Yes, even more news on the Dark Knight front: Domino's has a fun site up with an exclusive variant trailer...and be sure to play 3-Card Monte with the Joker before you go. (If that site's bogged down, low-quality versions have popped up on Youtube here and here.)

Update: Another exemplary new poster, and -- just in case the deal isn't closed yet -- it looks like the teaser for Zack Snyder's Watchmen will open the show. It's safe to say I'm reaching LotR-levels of anticipation at this point.

Update 2: Gotham Tonight Episode 3 (crime in the city) and Episode 4 (Jim Gordon profile) are now up. Looks like Bal'more's New Day Co-Op and MCU have both made it to Batman's town.

"Introduce a little anarchy, upset the established order, and eVEryoNe lOseS thEir mIndS!" If, like me, you're devouring all things Dark Knight-related between now and July 18, three more TV spots hit the tubes, and Gotham Tonight is on its second episode. (Careful out there, tho'. The film seems to have now screened, and spoilers are flyin'.) Says Peter Travers: "The haunting and visionary Dark Knight soars on the wings of untamed imagination. It's full of surprises you don't see coming. And just try to get it out of your dreams."

Update: "It's not about money...it's about sending a message." Ugh, temptation everywhere...12 brief clips from the film pop up on the grid. And, don't forget, tix for those 7/17 midnight shows are now on sale.

"Dent...Jesus, I thought you was dead." Party 'til he's cute? In case you missed it below, the "prize" for today's most recent viral marketing for Chris Nolan's The Dark Knight (originally shown at Comic-Con last August) is well worth checking out...

"When the chips are down, these civilized people will eat each other. You'll see...I'll show you." So, did you vote? Gotham City elections closed yesterday, and the winner will soon be announced on Gotham Tonight with Mike Engel, a.k.a. Anthony Michael Hall, his identity now disclosed. (I voted Harvey Dent, natch.) Of course, it's Friday the 13th, and the Joker has threatened another round of viral shenanigans as well...which I suspect will lead to this new alternate Dark Knight trailer. Enjoy it before WB takes it down.

Update: Dent wins! But he he doesn't seem too happy about it...

For the completist: A little over a month out from the film's release, Comcast creates a promotional site for Chris Nolan's The Dark Knight, with a few glimpses of new footage here and there. (See, for example, the IMAX featurette.)

This is old news at this point, but nevertheless: AICN procures a vintage-era photo of the Minutemen from Zak Snyder's forthcoming version of Watchmen. (Note Carla Gugino as Sally Jupiter/Silk Spectre and Jeffrey Dean Morgan as The Comedian.) Hrm...They look a bit cosplay, but then again they probably should.

Update: Also in Watchmen news, the NYT reports that Tales of the Black Freighter will first be spun off as its own DVD, five days after the film comes out. "Mr. Snyder said he was eager to head a direct-to-DVD project, in part because it would allow him to use more material from the 'Watchmen' graphic novel. 'I thought the ‘Black Freighter’ story would never see the light of day,' he said. 'The main picture is nearing three hours long and I know I have a fight on my hands just with that.'"

Worth watching for the Joker's Rorschachian "Hrm" alone, another Dark Knight TV spot is out. (The last two are here.) Y'know, much as I'm fond of Henry Jones, Jr., Ph.D, it really wouldn't bother me if this movie (July 18) and Kingdom of the Crystal Skull (next Friday) just switched release dates. Update: Also, a new poster, above.

"Good evening, ladies and gentlemen. We're tonight's entertainment!" Two new TV spots for The Dark Knight pop up here and here. They're mostly the trailer rearranged, but there's a bit of new footage in each. (What's going on at 0:26 in the first one? Creepy.)

Several stills from the Coens' next, Burn after Reading, appear online, along with a brief synopsis: "Burn centers on Osbourne Cox (John Malkovich), who has hit a bit of rough patch. He was recently fired from the CIA and decides to write his memoirs, naturally documenting government secrets along the way. His wife (Tilda Swinton) decides to steal the material to use in their upcoming divorce proceedings, but the CD mistakenly ends up in the hands of two doltish gym employees, Chad (Brad Pitt) and Linda (Frances McDormand). In response to Linda and Chad conspiring to sell the material to help pay for Linda's plastic surgery, the CIA dispatches Harry (George Clooney) to sort it all out at whatever the cost." And, if that doesn't sound like Coen comedy territory, check out Brad Pitt's hair.

Also in the image department, enterprising fanboys have rifled through the new Dark Knight trailer and kindly chopped it up into high-rez stills. The money shot of the trailer is this one, of course (unless you're Patrick Leahy), but I still want to see more of the Clown Prince of Crime...

Eat your heart out, Nicholson. Update: For the more Two-Face-minded, some purported concept art leaks. (Not for the squeamish.)

In the weekend trailer bin, Will Smith is legend, whether we like it or not, in the full trailer for Peter Berg's Hancock, also with Jason Bateman & Charlize Theron. And last week's Indy boot goes legit: Behold the trailer for Indiana Jones and the Kingdom of the Crystal Skull. (I dunno...Is it just me, or does Cate Blanchett seem hammier than a drunken Anthony Hopkins?) Also, The Dark Knight trailer follows suit tomorrow.

Update: The Dark Knight trailer is now up. Also, Aaron Eckhart seems to let slip a pretty major plot point in an interview with the LA Times. If you're staying spoiler-free, don't read this one (or Moriarty's telegraphing of the same here.)

Along with a slew of new posters (see also the snazzy 9/11ish one at Quiddity), The Dark Knight begins its trailer rollout today with -- of course -- another worldwide Joker-run scavenger hunt. (I for one am loving the confluence of my interests that is Jokerized dead-presidents.) In any case, once we budding fanboy detectives run the info through the Batcomputer and get to the bottom of it all, I'll post the new trailer here...

Update: After the scavenger hunt and some anagram work and duck-shooting, it seems the trailer will be here...next Sunday. (Presumably, it premieres before Iron Man on Friday.) Sunday? Now, that wasn't very nice.

Update 2: "This city deserves a better class of criminal, and I'm going to give it to them." In pure Joker fashion, it's been Kramerized and Youtubed regardless. Extremely poor quality, but this'll do until the trouble gets here. (I could do without the post-title goofiness, to be honest, but Heath's Joker still seems scarily spot-on.) Update 3: While bootlegs of the clip keep getting shut down (if you haven't caught it yet, it's still up here at io9), the "Jokerized" version of the trailer, handed out to raffle winners in the viral game, is nevertheless now on the tubes.

In the trailer bin of late, veteran comic writer Frank Miller (possibly soon of Hardboiled) jumps to the silver screen in the new trailer for Sin City...uh, The Spirit. And Steve Coogan spreads the Gospel of Sexy Jesus in the recent redband trailer for Hamlet 2, i.e. one of the South Park guys' take on Waiting for Guffman. This looks like it might try too hard, but I'll probably see it for Coogan (and that scene with the cat.)

Also up as of the weekend, courtesy of NY Comiccon: lots of spoilers for Indy 4 and a description of the next Dark Knight trailer. (I'm trying to avoid them both, although I may have snuck a peek at the latter.)

As the first part of a 12-part series (with each episode premiering on the 6th of the month), a new video grants a set tour of Zack Snyder's Watchmen. Looks grand, although after 300 and these stills of a few months ago, art direction is the least of my concerns about this project.

"RUMOR: Dent Will Withdraw From Race Tomorrow... Developing." With two months to go until election day, is Harvey Dent done? The Gotham cops swift-boating seems to have killed him in the polls (he's pulling only 9% in the three-way race against Garcetti and Worthington), and now even random clowns are sticking a fork in him. At this point, I'd say Dent's political future is at best a coin-toss.

If you'll remember, I posted last week that viral promotion for The Dark Knight would bring back the Clown Prince of Crime for April Fool's Day. Well, whatever happens tomorrow -- and word is it might be the final trailer, although, again, it's April Fool's, so who knows -- it seems the Joker has set up shop here, at the "Clown Travel Agency." Tune in tomorrow, folks. Same bat-time, same bat-channel.

Update: Apparently, DA candidate Harvey Dent has been swiftboated by the "Concerned Citizens for a Better Gotham" (a.k.a. some disgruntled cops), and he'll be holding a press conference tomorrow at 3pm to address the charges made in the ad. This sounds like a prime moment for Joker/trailer-related shenanigans.

Update 2: Never mind tomorrow: The trailer seems to have leaked, and it's a beaut. (Ok, sorry. I couldn't help myself...just getting in the April Fool's mood a day early.) At any rate, more Dark Knight info as it comes.

Update 3: And they're off: Looks like Step 1 is a worldwide scavenger hunt...apparently to acquire Joker bowling balls and cellphones. The bowling balls have phone numbers and code words attached -- presumably that's Phase 2. Update 4: With all the balls doled out around the globe, the next stop is this Acme Security Systems site...where everyone's getting "server is too busy" screens of death. April Fool's! Update 5: For those who did manage to get through, they got a call from Commissioner Gordon, but no obvious link to a trailer or anything. (You can hear it here.) No more updates here unless something big happens (but, if you wanted to play along, this wiki overview of the growing Dark Knight ARG is a good place to start, and most of the spinoff sites have been found via The Gotham Times or the Jokerfied version.)

Update 6: Some spoilerish stills of the Joker appear at a French site. Check 'em out before they disappear.

"Encouragingly, Peter and Fran Walsh have told me they couldn't imagine The Hobbit without their original Gandalf. Their confidence hasn't yet been confirmed by the director Guillermo del Toro but I am keeping my diary free for 2009!" Grey Havens be damned, Ian McKellen reports he's likely returning as Gandalf for The Hobbit (well, if he and producer Peter Jackson have anything to say about it, and they probably will.) Update: More good news: Composer Howard Shore is back as well.

Also in movie news, the viral marketing campaign for The Dark Knight is picking up again. As you may remember, a slew of new Gotham-related sites appeared last December. Now, more have arrived, of a distinctly Harvey Dent bent: A new edition of The Gotham Times, Dana Worthington for DA (a.k.a. Harvey Dent's opposition), Maiden Avenue Report (Gotham's Drudge, it seems), Citizens for Batman, St. Swithuns Church, and Gotham Cable News are all now online, along with the Dent campaign site linked to the other day. Also, apparently the original marketing plan was always to shift from the Joker to Harvey Dent, so this rollout hasn't necessarily been affected by the loss of Ledger. (That being said, viral text messages seem to indicate the Clown Prince of Crime will pop up yet again before April Fool's Day.)

By way of Bitten Tongue, the Peanuts characters take on the mantles of Watchmen. Charlie Brown with the power of Dr. Manhattan is a bit unnerving, and Linus seems like more of a Nite Owl-type, but Lucy as Silk Spectre and Schroeder as Ozy make perfect sense...and Rorschach is really just one bad day away from Joe Cool.

Also, via Quiddity and in keeping with the GitM theme, the plight of Pac Man gets reconfigured as a Tale of the Black Freighter. Game over, yellow fella.

"Gotham City is collapsing from a runaway crime wave and Harvey Dent can save it. But he has to run for District Attorney first, and the only way he'll run is if he sees an outpouring of public support. So, let's all get out there and show Harvey Dent he's got support to take back Gotham!" I know I've been doing a lousy job of following down-ticket races thus far this cycle. Still, in case anyone's interested and by way of Quiddity, Harvey Dent's campaign for Gotham DA has hit the road. (Alas, it seems I've already missed his NYC stops.) Also, no doubt aware of Sen. Obama's prodigious coattails, he seems to be plugging for an endorsement: "Be creative. Harvey Dent wants to see that we want change -- and that we are ready to work for change. Harvey wants to see that people are ready to throw out the old, to break out of habits, to really do something new and different! Because that's what taking back Gotham will take."

I'll say this for him, he has a honest face. By the way, it should be noted: Harvey Dent also somewhat disproves the Gerry Ferraro thesis, as he's managed to get elected the District Attorney of Gotham City as both a white and black man.

"I looked at the Rorschach blot. I tried to pretend it looked like a spreading tree, shadows pooled beneath it, but it didn’t. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that is avoiding the real horror. The horror is this: In the end, it is simply a picture of empty meaningless blackness. We are alone. There is nothing else." Ok, I'm not that 'round the bend. But I have to admit, when I saw this picture of Sen. Clinton on Drudge today, this immediately came to mind:

Oddly enough, the same exact thing happened a few weeks ago when this oft-used pic instantly reminded me of this.

Or is it just me?

As a disclaimer, unlike Republicans and denizens of Halloweenland -- I'll stand by that one -- I'm not comparing Sen. Clinton to Linda Blair's secret admirer or a psychotic, snazzily-dressed mass-murderer here. In fact, I think Drudge's tendency to post unflattering pics of Hillary and Chelsea Clinton is often cruel, juvenile, and bordering on sexist (if not plunging right past that border.) So, this is not meant as a comment on Clinton per se, only on the implicit associations made by my impressionable fanboy subconscious, which would seem to trump slightly the findings of my Implicit Association Test. (And, in my defense, at least I wasn't so irredeemably geeky as to come up with Tasha Yar.)

"In a political context this would politely be called an 'unintended consequence.' (Gotham as Baghdad, anyone?) Mr. Nolan doesn’t deny the overtones. 'As we looked through the comics, there was this fascinating idea that Batman’s presence in Gotham actually attracts criminals to Gotham, attracts lunacy,' he said. 'When you’re dealing with questionable notions like people taking the law into their own hands, you have to really ask, where does that lead? That’s what makes the character so dark, because he expresses a vengeful desire.'" The NYT checks in with Chris Nolan on The Dark Knight.

"Now at midnight all the agents, and the superhuman crew, come out and round up everyone that knows more than they do." One year out from its release date, Zack Snyder releases some character stills of the Watchmen. I like the three above quite a bit (particularly the pitch-perfect, G. Gordon Liddyesque gleam to the Comedian.) But, imho, Ozymandias didn't really pan out (Matthew Goode looks way too young), nor did Malin Ackerman's Silk Spectre. (Besides looking rather generic and X-Men-ish, she seems way too tall and modelly for Ms. Juspeczyk.) As yet unseen, Carla Gugino's Mama Spectre and -- perhaps the real make-or-break'er -- Billy Crudup's Dr. Manhattan.

By way of my sis-in-law Lotta, here's a funky animated gif: Barack Obama and Hillary Clinton play the oldest game of all. (The text is early on from Neil Gaiman's Sandman, when Morpheus descends into Hell to retrieve his helmet and is challenged to a contest of wits to reclaim his prize, at the risk of unending torment.)

Strangely enough, just as she sent me this, I'd just grabbed an animated gif of a different game, which -- at least imho -- also has some metaphorical resonance for the primary season. (For those who don't follow basketball, that's virtually an automatic basket by 7'5" Yao Ming getting stuffed out of nowhere by 5'7" Knick Nate Robinson...Notice also (in the Youtube) how Yao tries to play the victim card after ignominious defeat...)

"Exhausted, I slept across the grave...I saw the Black Freighter bearing down on all I loved, but I was powerless to stop it." Zack Snyder alum Gerard Butler reveals his upcoming part in Watchmen: He'll be narrating the Tales of the Black Freighter digression for the DVD version. "'I'm going to do the voice of the captain,' said Butler. 'They're going to do it in the style of a Japanese anime and I'm totally stoked." Anime? Hrm.

Some comic-book cautionary tales for the day: Rorschach sets fire to a would-be pursuer in a new still from Zach Snyder's Watchmen, which has wrapped shooting. And Dark Horizons offers a first glimpse at how Aaron Eckhart will look as Harvey Dent...after the incident.

"'Harvey Dent is a tragic figure, and his story is the backbone of this film,' says Christopher Nolan...'The Joker, he sort of cuts through the film -- he's got no story arc, he's just a force of nature tearing through. Heath has given an amazing performance in the role, it's really extraordinary.'" With the next Democratic debate tonight at 9pm EST on MSNBC, one that will hopefully help defuse the tone of the past few days, now seems as good a time as any to check on the big box office rivalry of the summer, Batman v. Indy. (Well, and the forgotten man, Iron Man.) Last we checked, the Jones camp had suggested Bruce Wayne was too wealthy and privileged to understand ordinary people's concerns, while Batman surrogate Alfred told The Daily Planet's Clark Kent that Jones was too "pointy-headed and academic" to save anyone but upscale, overeducated professionals. (The missed rejoinder: The Batman camp is calling people pointy-headed?) Also, scurrilous rumors abound that Shia LaBoeuf was added to the Indy ticket merely to siphon the youth vote away from Batman's running mate, Dick Grayson...Yep, it's getting ugly, folks.

Anyway, as the quote above attests, Dark Knight director Chris Nolan recently checked in briefly with the L.A. Times about his two main villains: "Don't expect a lot laughs in this summer's return to the cave. 'It's a dark and complex story,' Nolan said, 'and the villains are dark and complex as well.'" Meanwhile, on the Spielberg side of things, we have this new still from Indiana Jones and the Kingdom of the Crystal Skulls. (Note Ray Winstone lurking in the corner.)

Update 5: Hello all. Since this is one of the more popular entries on the site: My review of The Dark Knight is here, the Batman archives are here, and the main page is here. Welcome, and good hunting.

"You've changed things...forever. There's no going back. You see, to them, you're just a freak...Like me!" Ok, between this amazing new poster (the one in the middle, although all three are grand) and this leaked, really busted version of The Dark Knight trailer (also here and here, and the real thing appears online here Sunday), I am currently geeking out like a twelve-year-old. (Berk's wondering why the heck I'm giggling like the Joker right now.) Honestly, this thing hits at the fanboy-gut level, and is just about the coolest darned thing I've seen in ages. Explosions, Batbike, and Michael Caine pep speech aside...how about that clown? I think I'm gonna watch it again.

Update: "I believe whatever doesn't kill us...simply makes us stranger." Also, in front of I am Legend on IMAX, the first six minutes of The Dark Knight, featuring a Joker-planned heist of a mob-run bank in downtown Gotham City. It was clever enough, and features a good slow build-up to Heath Ledger saying hello. But it's not nearly as visceral a thrill as the trailer (which, for some reason, wasn't shown with the IMAX prologue...ah well. Sunday, then.) Update 2: The first six minutes (in Kramervision, of course) have leaked. Get 'em while you can.

Update 3: While we all await the official trailer release this evening, yet another really creepy Joker poster appears online, in the same vein as the earlier glass one. (It's been added above.) This might be my favorite of the lot. Update 4: And it's up, in splendiferous hi-def.

The promotional machine for Christopher Nolan's The Dark Knight continues to ramp up. As you may have noticed below, I've been posting several additional new photos of Heath Ledger's Joker to the entry of a few days ago. Also, the online viral marketing has continued apace: First an edition of the Gotham Times was released, and, in keeping with the Dark Detective meme, that's led to all kinds of spinoff sister sites and more municipal tangents than The Wire (Gotham Police Dept. (and Internal Affairs), Gotham National Bank, Gotham School District, Gotham's DA hotline, Gotham City Rail, Gotham Cab, Acme Security Systems, Gotham Victim Advocate Organization, Remembering Gina, and a Jokerized version of the paper.) Whatsmore, at the original viral Joker site, you can now take a personality profile or try to open a vault for further clues. (Set your clock for 7:38am to do so.) Finally, both the trailer and the first seven minutes of the film will be released on December 14, before the IMAX version of Will Smith's Omega Man-update I Am Legend. To the IMAXcave, Robin! Update: Another countdown, set for noon on Tuesday. The trailer, perhaps? Update 2: Nope. After some shenanigans involving local bakeries (the NYC ones were over in Yorktown), it's a new one-sheet.

Quite a few new movie images popping up on the grid today...Then again, it's that time of year, when the mags roll out the 2008 previews. Here, it appears to be Take Your Son (Shia LaBoeuf) to Work Day for Henry Jones, Jr., PhD (Harrison Ford). Steven Spielberg's Indiana Jones and the Crystal Skull is slated to arrive May 22, 2008, and it, like The Dark Knight, should have a trailer kicking around relatively soon. (A few more pics of Indy looking suitably grizzled are over here at AICN.)

"This city is afraid of me. I have seen its true face." Rorschach (Jackie Earle Haley) strolls the streets of (Late-Late-Nixon-Era) Manhattan in one of several newly-released stills of sets from Zack Snyder's Watchmen.

What do Berkeley and the fanboy nation have in common this week? They both get really excited about socks...Empire Magazine makes a game of their slow reveal of their Heath Ledger Joker cover. Update: As you can now see, the cover's been leaked. Update 2: And another, from the cover of Wizard. Looking better and better. Update 3: And yet a few more, from what look to be merchandising proofs. I don't like these nearly as much, but then again it's hard to sell anything comic-booky with a stark white background.

Matt Frewer (best known as Max Headroom, of '80s television) joins the cast of Zach Snyder's Watchmen as Moloch the Mystic, the team's formerly satanic, now born-again nemesis. Extra points to Snyder for choosing a fanboy veteran.

"Let me be the way I'm not in interviews. I'm furious. I'm furious...They never asked me about a sequel with the Joker. I know how to do that! Nobody ever asked me." Strangely enough, apparently Jack Nicholson wanted another run at the Joker for Christopher Nolan's The Dark Knight. "Well, the Joker comes from my childhood. That's how I got involved with it in the first place. It's a part I always thought I should play." Well, maybe so, but even back in 1989 Nicholson seemed like stunt casting, and his performance hasn't aged well. Here's to a new take on the character.

Happy Halloween, everyone. While my Shaun of the Dead costume got favorable reviews last October, I've been entertaining vague notions of dressing up as Heath Ledger's Joker this year. (And, as for Berk, my sister Tessa suggested something along the lines of this, which he'd probably prefer to Yoda again.) But, as it turns out, neither Berk nor I have any costume-oriented festivities on the social calendar, so we'll just be sitting home in plainclothes doling out sweets. Still, if you're up for it, the viral marketers at Warner Brothers have initiated a second round of Jokerish shenanigans (a la Comic-Con) over at whysoserious.com, which involves a photo scavenger hunt across several major cities. If you play along, watch out for Bats. Update: As per the norm, that didn't take long. The hidden message, give or take a few letters, reads: "The only sensible way to live in this world is without rules." So, what happens next? Update 2: Guess I should've made that costume after all. After revealing this new pic, the new site (http://www.rorysdeathkiss.com) asks for people to dress as the clown in question and take a pic in front of a famous landmark. Have fun with it, y'all.

As you can see, Heath Ledger's been busy. First off, new pics surface of Ledger and others as Bob Dylan in I'm Not There, including more images of Cate Blanchett eerily channeling the Blonde on Blonde-era Bob. (See below and here for more.) And, apparently much to the consternation of the Time Warner powers-that-be, eighteen early and spoilerish stills from Christopher Nolan's The Dark Knight have leaked onto the Internets, including a few of Ledger's Joker seeming to enjoy a police interrogation more than he probably should. Check 'em out before they disappear.

Waugh, waugh. Move over, Phillip Seymour Hoffman...Has Oswald Cobblepot been cast? (Nah, Cheney would work better.) Vermont Senator, Senate Judiciary Chairman, and Batman fan Patrick Leahy joins the cast of Christopher Nolan's The Dark Knight. "Leahy is apparently a big comic book enthusiast, and actually served as an extra in the 1997 Batman installment: Batman and Robin." (He also played himself on Batman: The Animated Series.) "The senator told the station he can't reveal the exact details of his role in the upcoming movie, but he did say he has landed a scene with its two stars, Christian Bale and Heath Ledger."

"Jesus, Harvey, I thought you were dead!" News breaks of some actual honest-to-goodness Dark Knight footage previewed at Wizard World in Chicago over the weekend, and it sounds very fun (although, alas, it has yet to leak its way onto the Internets.) So it seems Aaron Eckhart's Two-Face is very much a part of the next installment, although I'm hoping he doesn't crowd out Heath Ledger's Clown Prince of Crime, a la Sam Raimi's overstuffed Spiderman 3. I'm guessing Dent will serve as a physical manifestation of the good (bat)-evil (clown) duality at the heart of the next film, but it's the Joker, Batman's one true arch-nemesis, I'm really paying to see.

The lovely Carla Gugino (Sin City, Spy Kids, late of Entourage) joins Zach Snyder's Watchmen as Sally Jupiter, a.k.a. the original Silk Spectre. A solid choice (although she doesn't really look related to Malin Ackerman.)

"Bring your sense of humor, but don't worry -- we'll supply the smile." From the demented criminal mastermind who brought you IBelieveinHarveyDent.com...a Comic-con teaser for Christopher Nolan's The Dark Knight looks increasingly likely after another viral marketing site "by" the Joker -- whysoserious.com -- appears online. (The clock is ticking down to tomorrow's Comic-Con presentation time, and the coordinates are in San Diego.) Update: A Kramervision version of the teaser has been Youtubed (also here), and it's...a teaser, although you do at least get to hear Ledger's suitably bizarre voice. (And, no, I'm not Rick-Rolling you.)

Update 2: Ok, the madness has begun. If you're playing along at home, the number that appeared in the sky over San Diego was 800-395-9646. Call it, and you get a rather creepy message -- apparently the Joker holding somebody at gunpoint -- with the first password, "INSIDE JOKE." Stage 2 -- "Catherine, Annie, Elizabeth, and Mary Jane had someone I admire in common. Who was it?" Henry VIII was my first guess, but apparently the correct answer is "JACK THE RIPPER." Stage 3 involves more legwork in San Diego...Update 3: Or does it? The Joker has left us a Morse-encoded laugh to ponder in the meantime. K, let's see here...It's "MOUNTEBANK." (Some aspiring Bruce Wayne locked that one down well before I did...I was on "MOU.") Stage 4 is an anagram of sorts -- CPRAISMSEIOOFN -- My summer a few years back spent trying to get actually decent on Scrabble, and the occasional cheating that ensued, would've helped me here, but somebody else figured it out first: "CRIME OF PASSION." (Hint: As with the morse code, note the two large words.) Stage 5...well, the site's locked up...

Update 4: While the Warner Brother server was flailing, balloons were passed out in San Diego with the next clue, "head games." From there, it's on to the Joker's case file and another clue, apparently found in bathrooms at the next San Diego point, "74 BARS." The Clown Prince of Crime then goes the US History route: "Who was the lawyer who got his client acquitted of murder by fatally shooting himself by accident in a courtroom in 1871?" (I'll give you my own hint: Copperhead.) Answer: VALLANDIGHAM. The next checkpoint involved finding a particular brick in San Diego to ascertain the real name of "Dr. Death," "GASLAMP DAN HASLAM." Now, time for a game of cards... Note the actual still of Ledger and Gyllenhaal from the film (click on the word "knife," or see below) -- It looks like the Joker wears make-up in the Nolanverse, and didn't fall into a vat of anything bothersome this time.) Also, note there are 26 cards at bottom, which should help you to discover the next keyword, "UNFORGIVABLE."

(Phew, Holy detective work, Batman! This is hard!) Ok, next the San Diegans were to find a child on the street learning to defend himself (note also another police report) The accompanying surveillance site -- and this picture -- help in discovering the next (punny) clue, "BASEBALL BAT." After that, we're in anagram territory again...consider the missing letters and you might just end up with "LARCENY." Alright, two more clues to go...the next one involves a "Gotham Girl Guide" and her cookies, so we'll need the troops on the ground again for this one... Update 5: Ok, word has come back that the cookies password is "STARVE." Then we're sent to a half-lit LED on a bomb to ascertain the next clue, "REAPER." (I was stumped by this one for awhile - all I'll say is that green and red mean something, and the HA's are there for a reason.) Finally, the San Diego fanfolk had to find a certain license plate reading "291759," (on a limo near their start point) and, voila, the Joker covers his trail, and offers up a high-quality version of the teaser Youtubed above, before this all started. (Click on the dot.) Ok, a bit of a letdown at the end there, sure (As, one fanboy wit at AICN put it, "Be sure...to drink your...Ovaltine?") Still, the journey was the reward (even if it ate up much of my Friday afternoon.) Clever, clever, Warner Bros. marketing gurus.

Also, some casting news that emerged on the eve of Comic-Con: First, the Watchmen cast is now official -- yes, it's finally happening -- and it is as rumored (along with Jeffrey Dean Morgan of Grey's Anatomy -- um, ok -- as The Comedian.) And, for the trekkies out there, it seems Matthew Quinto, a.k.a. Heroes Big Bad Sylar, has been cast as Starfleet Academy-era Spock for J.J. Abrams' Trek movie. (Also, strange to discover from this article that Abrams and Greg Grunberg, the mind-reading cop of Heroes, are childhood best friends.) Now, Quinto is a good physical match...a highly logical choice. But Sam Rockwell as James T. Kirk? That's genius. (Spock pic not official -- I found it here.) Update: Another casting note: Tim Blake Nelson joins Louis Leterrier's Incredible Hulk revamp as Dr. Samuel Sterns (a.k.a. The Leader), further swelling an already ridiculously tricked-out cast for a remake of a movie made less than five years ago. But, hey, gift horses and all that.

More casting for Zach Snyder's take on Watchmen: Jackie Earle Haley and Patrick Wilson (both of Little Children) now seems all but confirmed as Rorschach and Nite-Owl respectively. As Dr. Manhattan, Billy Crudup. As Silk Spectre, Malin Ackerman of Harold and Kumar. And as Ozymandias, Matthew Goode of Match Point. Well, no egregious misfires in that bunch (and not much star power either, which may make the suits nervous. Fine by me.) Now, it'll all come down to Snyder.

Several trailers of note over the past week: Aragorn continues his History of Violence and returns to the unsettling world of Cronenberg in the new trailer for Eastern Promises, also with Naomi Watts, Vincent Cassel, and Armin Mueller-Stahl. Shopgirl Natalie Portman looks adorable facing up against stiff-suit Jason Bateman in the otherwise cloying trailer for Mr. Magorium's Wonder Emporium, also with Dustin Hoffman as Willy Wonka, uh, Magorium. Nicole Kidman tries to stop her sister (Jennifer Jason-Leigh) from marrying Jack Black in this look at Noah Baumbach's Margot at the Wedding. (Not usually my bag, and Jason-Leigh can be a huge red flag, but Baumbach has earned a look after Squid & the Whale.) A bit-player in the Russian mob and a recent emigre to Liberty City (you) tries to move up the ranks of his organization in two new trailers for Rockstar's eagerly-awaited Grand Theft Auto IV. (I may have to break down and get a 360, just for this game.) And, finally, a Kramerfied, really poor quality version of may very well be the teaser for Chris Nolan's The Dark Knight has emerged online. (I'll reserve judgment until a higher quality version emerges, but for now I like the laugh.)

I'd be more excited to see Heath Ledger's Joker in action, but for now on The Dark Knight front, we'll have to content ourselves with pics and video of Batman's goofy new trike (the "Batpod") and Flickr-ized shots of Maggie Gyllenhaal and Aaron Eckhart as Katie Holmes and Harvey Dent respectively. Hmm, ok.

Also in comic-to-film news, there's more rumors of close-to-official casting for Zach Snyder's Watchmen happening. Keanu Reeves apparently passed on Dr. Manhattan, so now they're looking for, um, Jason Patric in that role. (I'm not seeing it, frankly, but he's no better or worse than Keanu, I guess.) Also rumored, Thomas Jane as the Comedian, and, as Rorschach, Little Children's Jackie Earle Haley. That's actually not half bad.

Also via AICN, and the new issue of Entertainment Weekly: Bruce Wayne shows off his new Bat-duds for Chris Nolan's The Dark Knight...now with kung-fu, head-swiveling action! (Accessories not included.)

Breaking a few weeks ago now, AICN claims to have the skinny on the initial casting of Zach Snyder's version of Watchmen. Rumored as the Nite-Owl, Patrick Wilson of The Alamo and Little Children. (He's a bit buff for the role, frankly. I'd expected someone a little more gone to seed, like John Cusack or even Tom Hulce.) As Doctor Manhattan, Neo himself, Keanu Reeves. (Um, ok. I don't really see that working. Then again, I don't really see anyone else working either, this side of Gollum-style CGI) And, as Ozymandias, much-avowed Watchmen fan Jude Law. (That's pretty good, although somebody like Aaron Eckhart would be even better.) That's it so far, other than that Snyder -- who won't deny these casting rumors -- has promised he'd get Gerard Butler of 300 in there somewhere. (Why bother? I don't remember any character who's supposed to YELL...ALL...THE...TIME.) At any rate, that means Simon Pegg as Rorschach is still a possibility, if one that is very, very remote.

"It's really a great role. I'm in throughout the whole movie, and I'm really looking forward to working with Christian and Morgan and all these real Hollywood heavy hitters." Um, who is Anthony Michael Hall playing in The Dark Knight? "'I signed a confidentiality agreement, and I can't say which part I'm playing because it affects the story,' says Hall.'" Some sites have suggested he's [spoilers] playing a vigilante Batman, likely one who gets snared by the Joker, although that wouldn't explain why his scenes seem to involve Morgan Freeman (Lucius Fox).

"I always say, you never know what a man is truly made of until you peel the skin off his face one piece at a time..." Christopher Nolan and co. are up to some very funky viral marketing for The Dark Knight at the moment. You may or may not have seen this political ad for possible Gotham City District Attorney Harvey Dent make the Internet rounds over the past few days. Well, it seems the Clown Prince of Crime has taken issue with the campaign, and is now revealing himself to Gotham's denizens -- with your help -- one pixel at a time. Get to it, fanboy nation! Update: After a weekend of work, Heath Ledger's Joker is revealed. (Ouch, that had to hurt.)

You know what the next Batman movie needs? That certain straight-to-video je-ne-sais-quoi...Eric Roberts joins the cast of Chris Nolan's The Dark Knight, as "a Mafia kingpin."

As I noted a few weeks ago, NBC's Heroes has been a guilty pleasure of mine this past season: It serves up poorly-scripted, wafer-thin, and yet undeniably scrumptious slices of z-grade fanboy cheese every week, and it's close to the only network show I watch these days. (And the "Company Man" episode of a few weeks ago was good television by any reckoning.) That being said, the show's outright plagiarism is getting more and more marked, to the point where I'm fast losing interest. Series creator Tim Kring says he doesn't read any comics, which I find somewhat hard to believe. And there's always going to be some overlap in the superhero genre, just because there's only so many ways you can tell the same sort of story. But Monday's episode not only showed the writers continuing to lift liberally from the famous "Days of Future Past" arc from the Claremont-Byrne years of X-Men, but brazenly ripping off one of the key plot points of the mother of all contemporary graphic novels, Alan Moore's Watchmen. And I don't mean homage or tip-of-the-hat -- I mean straight-up, unabashed, actionable stealing, right down to Linderman's Ozymandian monologue. For shame. Do Kring & co. really think their fanboy/fangirl viewership isn't going to notice?

After last night, I gotta say I'd have much preferred to see a Paul Greengrass Watchmen. Still, I'll give him this: Zack Snyder knows his audience, and has inserted a test image of Watchmen's Rorschach in a new Internet trailer for 300. (And, for the record once more, I'm totally on board with the commenter in that AICN talkback who suggested Simon Pegg for the part.)

It's official: Maggie Gyllenhaal takes Katie Holmes' place in Christopher Nolan's The Dark Knight. And, with Tobey Maguire appearing to beg off any future webslinger installments after Spidey 3, the door is now wide open for Maggie's brother Jake...

"Batman is a complex character, and Two-Face comes a little bit from the same world. But [at the same time], he's apart from it. I'm looking for the tension between the two, the similarities between the two. I want to find what's similar to Batman, and then find what's opposite to him." The Dark Knight's Aaron Eckhart talks D.A. Harvey Dent, and suggests that he may well be popping up as Two-Face before the last reel of Christopher Nolan's Batman Begins sequel. (Presumably, Heath Ledger's Joker is somehow involved.)

Word leaks that Warner Brothers is moving forward on a Justice League film, having hired the writers of (ugh) Mr. and Mrs. Smith to pen a screenplay for the project. "How the story arcs unfold will also affect whether the studio will make offers to actors Christian Bale and Brandon Routh to play their respective roles in the project."

As rumored a few weeks ago and in a bit of inspired casting, Aaron Eckhart looks set to join Christopher Nolan's The Dark Knight as Harvey Dent, a.k.a. Two-Face. And, also in fanboy casting news, the cast of James Cameron's Avatar fills out, with Wes Studi, Sigourney Weaver, and others joining Sam Worthington and Zoe Saldana for the 3D-epic.

"The truth is, '300' to the studio is a graphic novel movie. It's not a movie that they necessarily understand exactly when I pitch it on paper. They feel in some ways the same about "Watchmen." They don't understand why it's not 'Fantastic 4.' I have to remind them that it's much more 'Strangelove' than it is 'Fantastic 4' which they don't like hearing, but they believe that I know, and in that way, it helps." 300 helmer Zach Snyder checks in with the status of The Watchmen.

The Power of the Dark Crystal, the sequel to the 1982 muppet fantasy announced last year, has officially been put on hiatus. (Sorry, Gelflings.) And Latino Review, breakers of the Heath Ledger Joker casting, says Thank You for Smoking's Aaron Eckhart is now in line to play Harvey Dent (a.k.a. Two-Face) in Christopher Nolan's The Dark Knight. Great choice. (Also, apparently Katie Holmes has been kicked off the Batman Begins sequel -- word is she'll be replaced by Emily Blunt, Rachel McAdams, or Maggie Gyllenhaal.)

Word officially comes down that Garth Ennis' Preacher is being developed for HBO by Mark Steven Johnston (Daredevil, Ghost Rider) and Howard Deutch (Grumpier Old Men.) Not the most exciting development team in the world, but it's nice to see HBO get into the comic game. (And if Zach Snyder's take on The Watchmen falls apart for some reason, as so many earlier attempts at it have, a 12-hour series on the Home Box Office would be a good place for Alan Moore's magnum opus.)

Quite a bit of movie news lately: Bryan Singer's next Superman achieves liftoff, as does Harold & Kumar II. (I didn't think much of Superman Returns, but am willing to give Singer another shot, particularly given how much better X2 was over X-Men. As for H & K...yeah, I'll see it.) Meanwhile, the Peter Jackson-produced Halo is off for now...probably not a great loss, I suspect. And, finally, Steven Soderbergh and Benicio del Toro's Che is now two films: The Argentine and Guerrilla, to be shot back-to-back.

"1985's a problem for people. The Cold War's a problem for people. But these are things I've been trying to [tell people] would be cool. I like that Richard Nixon is the president in it. I think that's important. Those kinds of things tell you exactly what kind of movie this is - it's not Fantastic Four, you know." 300 director Zach Snyder offers a brief update on the current state of The Watchmen.

In an interview with IGN Filmforce, Christopher Nolan discusses The Dark Knight and The Prisoner, and confirms that Harvey Dent will have a role in the former, although he hasn't yet been cast. Guy Pearce? Liev Schrieber?

"It's definitely going to stump people. I think it'll be more along the lines of how the Joker was meant to be in the comics, darker and more sinister." Brokeback Mountain's Heath Ledger says all the right things about his upcoming turn as the Joker in Christopher Nolan's The Dark Knight. "I wouldn't have thought of me, either. But it's obviously not going to be what Jack Nicholson did. It's going to be more nuanced and dark and more along the lines of a Clockwork Orange kind of feel. Which is, I think, what the comic book was after: less about his laugh and more about his eyes." And, in related news, Bob Hoskins hasn't heard he might be playing the Penguin, so scratch that one off the rumor list for now.

It's official (and Latino Review is 2-for-2): Heath Ledger will be suiting up as the Joker in Christopher Nolan's sequel to Batman Begins, now called The Dark Knight. Ok, I can dig it...now, who's Harvey Dent?

Along with word of an unfortunately actioned-up Watchman script and news of some stranger-than-usual comic adaptations (The Doom Patrol? Frank Miller on Will Eisner's Spirit? Benico Del Toro's Deadman?), Latino Review -- the site that first announced Brandon Routh as Superman in 2004 -- discloses that Heath Ledger has an offer to play the Joker in Christopher Nolan's next Batman flick. Hmm. An interesting and slightly-out-of-left-field choice...He wouldn't have been one of my top picks for the part (Adrien Brody, Sam Rockwell, Paul Bettany, or how 'bout Ralph Reed?...His calendar's open), but he's definitely better than some names that were floating around (Crispin Glover, Robin Williams, Michael Keaton, Sean Penn.)

"Movies would gradually drift away from the ideals of 1970s Hollywood and more to the simplistic, self-deluding certainties and monochrome morality espoused by the new president. In that sense, Donner's Superman, and to come extent Dick Lester's sequel - the one in which General Zod and his minions traverse the universe apparently trapped inside the album-sleeve of Queen's Sheer Heart Attack - were prescient works of art." By way of LinkMachineGo, John Patterson of The Guardian argues that, despite his origins under Siegel & Shuster, Superman's appeal is inherently conservative. Hmm, ok. I'd be more impressed with his thesis if [a] he didn't immediately write off all comic-book adaptations and [b] he actually got Superman's name right.

In today's trailer bin, Brazil alums Jonathan Pryce and Ian Holm reunite (as voice talent, with Daniel Craig and Catherine McCormack) in the Sin City-ish new trailer for Christian Volckman's Renaissance, and Adrien Brody delves into the death of Superman (a.k.a. George Reeves a.k.a. Ben Affleck), with Diane Lane and Bob Hoskins on hand, in the new trailer for Allen Coulter's Hollywoodland. Update: And one more: Edward Norton conjures up trouble for the powers-that-be (with Paul Giamatti, Jessica Biel, and Rufus Sewell) in the new trailer for The Illusionist (not to be confused with Christopher Nolan's The Prestige, due out later in the year.)

"You don't really love that guy you make it with now do you?" Despite a nice throwback credit sequence to kick things off, and several iconic images of the man in blue throughout, Bryan Singer's Superman Returns is, unfortunately, something of a disappointment. It's by no means a travesty, like X3 -- the FX are top-notch, and the movie does feel like some care went into it. Still, for most of its run, Superman Returns, while hearkening often to the 1978 original and its excellent 1980 sequel, never really reaches the heights of those first two films. Instead, this "requel" feels, for the most part, drab, leaden, and earthbound, and, at best, plays like a badly-paced bodice ripper (or perhaps a forgotten issue of Superman's Girlfriend, Lois Lane.)

Like I said, Superman Returns starts off well, with a brief look at Krypton's fate, kryptonite's origins, and a whirlwind intergalactic tour of a credits sequence (all of which bodes well for a quality Silver Surfer or Darkseid v. Supes movie someday.) But, soon thereafter, trouble arises. We're treated to a jokey Anna Nicole Smith-ish re-introduction to Lex Luthor (Kevin Spacey, who never gets the tone quite right -- he's either too whimsical or too dark), some Americana flashbacks of Superman's youth in -- and return after five years to -- the archetypal Midwest, Luthor's visit to the Fortress of Solitude and subsequent experimentation with Kryptonian technology, and finally Clark Kent's reemergence in Metropolis and the newsroom of the Daily Planet, still presided over by Perry White (Frank Langella) and staffed by Lois Lane (Kate Bosworth) and Superman's pal, Jimmy Olsen (Sam Huntington). Frankly, all of this section of the movie takes too long -- it seems forever and a day before Superman (Brandon Routh, both better and less Rushmore-esque than I expected) is finally moved to action by a Space Shuttle incident (one involving, of course, Lois.)

I'd like to say the film then finds its momentum, then...but, sadly, it really doesn't. For one, Luthor's diabolical master plan -- involving growing craggy Kryptonian real-estate that will submerge North America -- doesn't make a lick of sense. But, more problematically, the central questions driving Singer's Superman, IMHO, just aren't all that interesting. Will Lois rediscover her deeply-buried love for Superman, the "one that got away," or will she stay true to her good-hearted current beau, Richard (James Marsden, a.k.a. Cyclops, here blessed with Superempathy)? Can Superman make peace with Lois's new life (or, at the very least, will he stop superstalking her happy household?) And where does Lois's doe-eyed child -- yep, cute kid alert -- fit into all this? (Take a guess.) Not to put too fine a point on it, but, in essence, what Singer has made here is a Superman mythos chick flick, and not a very good one at that.

This is not to say that I only wanted to see Superman crush things for two hours. As sappy and unrealistic as it is, the love triangle that dominates this film might've worked in another context (or with another character -- This type of thing works better in Sam Raimi's Spiderman series, but Spidey is generally a more angst-ridden superhero anyway.) But, as it stands, the Harlequin Romance nature of this enterprise, as well as the languid pacing and Luthor's completely absurd stratagem, are like kryptonite here. Superman Returns looks good, and I'd be up to see Routh don the tights again for another outing. But, as a reboot of DC's most famous franchise, the movie is passable at best (and it has nothing on Christopher Nolan's much more enjoyable Batman Begins.)

The third trailer for Bryan Singer's Superman Returns, which you may have seen before X3 over the weekend, is now online.

The new international trailer for Bryan Singer's Superman Returns, which gets a bit more spoilerish and includes a Matrix-y money shot that seems a mite out of place to me, is now online.

The trailer bin runneth over this evening, with the english teaser for Daniel Craig's Bond debut in Casino Royale, the new trailer for Pirates of the Caribbean 2: Dead Man's Chest, and the full trailer for Bryan Singer's Superman Returns. More summer fun than you can shake a stick at.

Some actors with big shoes to fill make their online premieres today: Brandon Routh shows off his Kryptonian flying skills in this Superman Returns-tie-in Coke commercial, and new 007 Daniel Craig dons the tux for this French teaser for Casino Royale.

"This is about camaraderie. It's about teamwork, but most of all it's about history. It's really about knowing your roots. I mean, kids today, they're reading about Wolverine's clone sister. What the hell is that about?" The Secret Wars Re-Enactment Society (By way of Do You Feel Loved?) For old-school comic fans, this is worth seeing for the Kang and Ultron costumes alone. (And, as Chris noted, the payoff is pretty funny too.)

The Longest Yard and 50 First Dates director Peter Segal picks up the reins for Shazam!, the forthcoming Captain Marvel movie. You know the comic-film revival is starting to overextend itself when the old Fawcett characters start getting their own flicks. Who's next, Spy-Smasher?

"People should not be 'fraid of cookie. Cookies should be 'fraid of people." Guy Fawkes, meet Crazy Harry. By way of my sister, experience Jim Henson's uncompromising vision of the future, C for Cookie.

The Religious Affiliation of Comic Book Characters, with a handy graphic of who's a member of what "legion." The site also includes impressively detailed individual entries on each character -- not only the big guns like Methodist Superman, Episcopal Batman, Catholic Daredevil, and Buddhist Wolverine, but also everyone from Presbyterian Wolfsbane to the Mormon Power Pack. (Via Triptych Cryptic.)

Directors Darren Aronofsky and Paul Greengrass failed their Rorschach tests -- Still, Alan Moore's Watchmen may soon have a new helmer in Zach Snyder, who's currently finishing up Frank Miller's 300.

Verily, my view on V for Vendetta vacillates. Even with visage veiled, the venerable Hugo Weaving's voice brings vim and verve to the verbose, volatile, and vindictive vigiliante. Natalie Portman is vivacious enough as V's volunteer, and varied English veterans (Stephen Rea, Stephen Fry, John Hurt) bring valuable versimilitude to V's environs. But, various vignettes notwithstanding, this vaunted venture is less vibrant and versatile than I'd hoped. V is too virtuous, and the villains -- from a venal vicar to a vainglorious video host -- too vile. Vendetta is a viable version of Alan Moore's violent vision, I suppose, but a vulgarized one.

If you thought the last paragraph was clunky, be prepared for more of the same in V. Vendetta is an enjoyable night at the movies, and definitely an above-average, smarter-than-usual actioner. And Weaving is amazingly dynamic behind the static mask -- It's hard to think of anyone else who could've pulled this off quite as well. But, like the last two Matrix films, V's bravura moments -- the escape from the BBC, V's talk with the botanist (Sinead Cusack), the domino scene -- are too often interspersed with leaden, expository-heavy scenes where the pacing of the film just goes slack. Particularly egregious in this regard is our Batman-ish introduction to V very early in the film, where even Weaving's mellifluous phrasing can't salvage a similarly V-intensive monologue. (Frankly, the whole scene needed a rewrite.) The film does eventually recover from this Act I stumble, but it takes awhile.

And the larger problem with V for Vendetta is that, for all its pretense of moral complexity, it stacks the ethical deck in favor of our terrorist-protagonist. It's been awhile since I've read the graphic novel, but I remember V coming across as a much more unlikable character. He's a monster created by monstrous circumstances, and as much a symptom as the cure of his society's larger sickness. But here, V is too (anti-)heroic and charismatic, even given the second act twist, and the government too Orwellian and depraved by far. Who wouldn't sympathize with rising up against this Taliban-meets-the-Tories outfit? As such, the subtler elements of Moore's moral economy have been flattened out, and all the choices have been made for us. But perhaps it's a problem of medium -- what worked well on the page comes across as overkill on the big screen. (Exhibit A: Big Brother John Hurt...I liked him better as Winston Smith.)

All in all, I'd say V for Vendetta is much better comic adaptation than LXG or, say, Fantastic Four, and on par with the other Vertigo films, From Hell and Constantine. But it's not a slam-dunk: Vendetta's heart is in the right place, but, sadly, something doesn't quite translate.

Extra, Extra: Coming Soon publishes the first pic of Sam Huntington as Superman's Pal, Jimmy Olsen.

And another spate of Batman casting rumors. This time 'round it's Johnny Depp as the Joker and Rachel Weisz as Talia (Liam Neeson/Ras Al Ghul's daughter.) With the Penguin (Philip Seymour Hoffman) and Harvey Dent/Two-Face (Liev Schrieber) also purportedly in the mix, it sounds like something's got to give.

Happy New Year's Eve to everyone..I'm celebrating in San Diego with old college friends and likely won't update again until 2006. So, without further ado, here's the 2005 movie round-up. Overall, it's been a pretty solid year for cinema, and this is the first year in the past five where the #1 movie wasn't immediately obvious to me. But, still, choices had to be made, and so...

[Note: The #1 movie of 2005 changed in early 2006: See the Best of 2006 list for the update...]

1. Syriana: I know Stephen Gaghan's grim meditation on the global reach and ruthlessness of the Oil Trade rubbed some people the wrong way, but I found it a gripping piece of 21st century muckraking, in the venerable tradition of Ida Tarbell and Upton Sinclair. True, Christopher Plummer was a mite too sinister, but otherwise Syriana offered some of the most intriguing character arcs of the year, from morose CIA Field Agent George Clooney's ambivalent awakening to corporate lawyer Jeffrey Wright's courtship with compromise. In a year of well-made political films, among them Good Night, and Good Luck, Munich, Lord of War, and The Constant Gardener, Syriana was the pick of the litter.

2. Layer Cake: If X3 turns into the fiasco the fanboy nation is expecting with Brett Ratner at the helm, this expertly-crafted crime noir by Matthew Vaughn will cut that much deeper. Layer Cake not only outdid Guy Ritchie's brit-gangster oeuvre in wit and elegance and offered great supporting turns by Michael Gambon, Kenneth Cranham, and Colm Meaney, it proved that Daniel Craig had the requisite charisma for Bond and then some (and that Sienna Miller is no slouch in the charisma department either.)

3. Ballets Russes: Penguins and comedians, to the wings -- The lively survivors of the Ballets Russes are now on center stage. Like the best in dance itself, this captivating, transporting documentary was at once of the moment and timeless.

4. Good Night, and Good Luck: Conversely, anchored by David Strathairn's wry channeling of Edward R. Murrow, George Clooney's second film (and second appearance on the 2005 list) couldn't have been more timely. A historical film that in other hands might have come off as dry, preachy edutainment, Good Night, and Good Luck instead seemed as fresh and relevant as the evening news...well, that is, if the news still functioned properly.

5. Batman Begins: The Dark Knight has returned. Yes, the samurai-filled first act ran a bit long and the third-act train derailing needed more oomph. Still, WB and DC's reboot of the latter's second biggest franchise was the Caped Crusader movie we've all been waiting for. With help from an A-list supporting cast and a Gotham City thankfully devoid of Schumacherian statuary, Chris Nolan and Christian Bale brought both Batman and Bruce Wayne to life as never before, and a Killing Joke-ish Batman 2 is now on the top of my want-to-see list.

6. Harry Potter and the Goblet of Fire: As I said in my original review, I initally thought Cuaron's Azkhaban couldn't be topped. But give Mike Newell credit: Harry's foray into Voldemortish gloom and teenage angst was easily the most compelling Potter film so far. Extra points to Gryffindor for Brendan Gleeson's more-than-slightly-bent Mad-Eye Moody, and to Slytherin for Ralph Fiennes' serpentine cameo as He-Who-Must-Not-Be-Named.

7. King Kong: I had this film as high as #2 for awhile, and there are visual marvels therein that no other movie this year came close to offering, most notably Kong loose in Depression-Era New York City. But, there's no way around it -- even given all the B-movie thrills and great-ape-empathizing that PJ offers in the last 120 minutes, the first hour is close to terrible, which has to knock the gorilla down a few notches.

8. Capote: When it comes to amorality for artistry's sake, Jack Black's Carl Denham ain't got nothing on Philip Seymour Hoffman's Truman Capote. I think it'd be awhile before I want to watch this movie again, but, still, it was a dark, memorable trip into bleeding Kansas and the writerly id.

9. Sin City: One of the most faithful comic-to-film adaptations on celluloid also made for one of the more engaging and visually arresting cinematic trips this year. I don't know if the look and feel of Sin City can sustain a bona fide franchise, but this first outing was a surprisingly worthwhile film experience (with particular kudos for Mickey Rourke's Marv.)

10. Munich: I wrote about this one at length very recently, so I'll defer to the original review.

11. Brokeback Mountain: A beautifully shot and beautifully told love story, although admittedly Ang Lee's staid Brokeback at times feels like transparent Oscar bait.

12. Lord of War: Anchored by Nicholas Cage's wry voiceover, Andrew Niccol's sardonic expose of the arms trade was the funniest of this year's global message films (That is, if you like 'em served up cold.)

13. The Squid and the Whale: Speaking of which, The Squid and the Whale made ugly, embittered divorce about as funny as ever it's likely to get, thanks to Jeff Daniels' turn as the pretentious, haunted Bernard Berkman.

14. Star Wars Episode III: Revenge of the Sith: Thank the Force for small kindnesses: George Lucas put the Star Wars universe to bed with far and away his best outing of the prequels. The film flirts dangerously with the Dark Side, particularly in the "let's take a meeting" second act, but for the most part Sith felt -- finally -- like a return to that galaxy long ago and far, far away.

15. A History of Violence: I think David Cronenberg's most recent take on vigilantism and misplaced identity was slightly overrated by most critics -- When you get down to it, the film was pretty straightforward in its doling out of violent fates to those who most deserved them. Still, solid performances and Cronenberg's mordant humor still made for a far-better-than-average night at the movies.

16. Walk the Line: Despite the great performances by Joaquin Phoenix and Reese Witherspoon, Walk the Line ultimately seemed too much of a by-the-numbers biopic to do the Man in Black full credit. But, definitely worth seeing.

17. In Good Company (2004): Paul Weitz's sweet folktale of synergy, downsizing, and corporate obsolescence was too charitable and good-natured to think ill of any of its characters, and I usually prefer more mordant fare. Nevertheless, the intelligently-written IGC turned out to be a quality piece of breezy pop filmmaking.

18. The Constant Gardener: Another very good film that I still thought was slightly overrated by the critics, Fernando Meirelles' sophomore outing skillfully masked its somewhat iffy script with lush cinematography and choice Soderberghian editing.

19. Primer (2004): A completely inscrutable sci-fi tone poem on the perils of time travel. Kevin and I saw it twice and still have very little clue as to what's going most of the time -- but I (we?) mean that in the best way possible.

20. The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe: The Chronic-what? Andrew Adamson's retelling of C.S. Lewis's most popular tome lagged in places, and the two older kids were outfitted with unwieldy character arcs that often stopped the film dead, but it still felt surprisingly faithful to the spirit of Narnia, Christianized lion and all.

Most Disappointing: The Fantastic Four, which I finally saw on the plane yesterday -- One of Marvel's A-List properties is given the straight-to-video treatment. From the Mr. Fantastic bathroom humor to the complete evisceration of Dr. Doom, this movie turned out just as uninspired and embarrassing as the trailers suggested. Runner-Up: The Brothers Grimm. Terry Gilliam's long-awaited return wasn't exactly a return-to-form. But, hey, at least he got a movie made, and Tideland is just around the corner.

Most Variable: Hitchhiker's Guide to the Galaxy: I still haven't figured out how I feel about this one. I liked it quite a bit upon first viewing, but it didn't hold up at all the second time around. Still, the casting feels right, and I'd be up for The Restaurant at the End of the Universe, provided they turn up the Ford-and-Zaphod shenanigans and turn down the forced Arthur-and-Trillian romance.

Worth a Rental: Constantine, Aliens of the Deep, Me and You and Everyone We Know, Charlie and the Chocolate Factory, The Island, March of the Penguins, The Aristocrats,Tim Burton's Corpse Bride, Jarhead, Sarah Silverman: Jesus is Magic, The Ice Harvest, War of the Worlds

Ho-Hum: Inside Deep Throat, The Jacket, Million Dollar Baby (2004), The Ring 2, Kingdom of Heaven, Unleashed, Mr. & Mrs. Smith,
Aeon Flux

Best Actor: Philip Seymour Hoffman, Capote; Eric Bana, Munich; Heath Ledger, Brokeback Mountain; David Straitharn, Good Night, and Good Luck

Best Actress: Reese Witherspoon, Walk the Line; Naomi Watts, King Kong

Best Supporting Actor: Jeff Daniels, The Squid and the Whale; George Clooney, Syriana; Brendan Gleeson, Harry Potter and the Goblet of Fire

Best Supporting Actress: Maria Bello, A History of Violence; Tilda Swinton, The Chronicles of Narnia

Unseen: The 40-Year-Old Virgin, Bee Season, Broken Flowers, Cache, Casanova, Cinderella Man, Crash, Enron: The Smartest Guys in the Room, Grizzly Man, Gunner Palace, Head On, Hustle & Flow, Junebug, Match Point, The New World, Nine Lives, Pride and Prejudice, Serenity (although I watched all of Firefly last week), Shopgirl, The Three Burials of Melquiades Estrada, Wallace and Gromit: The Curse of the Were-Rabbit, Wedding Crashers

2006: Frankly, the line-up doesn't look too exciting at the moment. Nevertheless, 2006 will bring A Scanner Darkly, Casino Royale, The Da Vinci Code, Flags of our Fathers, The Good German, The Inside Man, Marie Antoinette, M:I III, Pirates of the Caribbean 2, Snakes on a Plane (!!), Southland Tales, Superman Returns, Tristam Shandy, V for Vendetta, and X3.

The long-awaited film version of The Watchmen, which died over at Paramount this summer, gets a new lease on life at Warner Brothers, although director Paul Greengrass and screenwriter David Hayter are no longer attached.

"Watchmen's whodunit plot was not allowed to kick into gear until late in the day and climaxes with Ozymandias spouting Postmodern art theory in his snowbound eyrie ("phosphor-dot swirls juxtapose; meanings coalesce from semiotic chaos before reverting to incoherence"). Even that old windbag the Silver Surfer might have hung his head in shame." As its twentieth anniversary approaches, Critic Tom Shone revisits The Watchmen for Slate. Frankly, the piece begins and ends as almost a parody of the too-frequent needlessly contrarian Slate article: "The Watchmen is not as good as you remember!" Next up: "Torture good, Ice Cream bad!" Still, it's worth reading regardless.

Remember, remember, the...17th of March? Guy Fawkes teams up with St. Patrick this year as the ad blitz begins for the rescheduled V for Vendetta. Here's one of four new teaser posters, with the rest to be released sometime today. Update: The others are here, here and here.