Llewyn to Caesar. | The Cat is the Hat?

“You always blithely write shit in and then find out that it’s a pain in the ass to do it,” groaned Joel. “In Inside Llewyn Davis, we very blithely wrote that there was a cat in all of these different scenes. And then we got on the set and had to do it, and you know, cats are a pain in the ass. They’re just an unvarnished pain in the ass, that’s all there is. There’s nothing fun about it.”

As Inside Llewyn Davis hits theaters, Joel and Ethan Coen talk about their potential next projects — looks like Hail Caesar is still flitting around — and the trouble with filming felines. “‘You have lots of different cats on set,’ said Joel. ‘”Oh, that one won’t do the scene? Try this other one, see if he’ll do it.” And you just sit there until he does it, or until you say, “Fuck it, he ain’t gonna do it,’ and come up with something else.”‘”

I haven’t seen Davis yet — DC being a second-tier film town, it hasn’t arrived yet — but I have a sneaking suspicion Llewyn’s kitteh will be playing the role of Tom Reagan’s hat here — a metaphor for his self-possession. Looking forward to finding out this weekend.

Martian Vineyard.

“The layer of rock, called the Sheepbed mudstone, has several qualities that indicate it formed in an environment that was hospitable to life. First, the thickness of the rock indicates that the lake existed in that area for a long period of time. Second, chemical analysis showed that the lake had all the right ingredients for life. According to Grotzinger, the lake would have been roughly half the size of one of the Finger Lakes in upstate New York.”

Where do bad folks go when they die? They don’t go to heaven where the angels fly. Mars? Hrm…well, maybe. Curiosity finds the remnants of what appears to be an ancient Martian lake in Yellowknife Bay, part of Gale Crater. Unfortunately, “[e]ven if there were fossils in the mudstone, Curiosity doesn’t have the right kind of equipment to see them. That job will be left to the Mars rover set to launch in 2020.”

Nuthin’ but a ‘G’ Thang.

“‘I kind of had in my stomach that we were going to get Germany,’ U.S. coach Jurgen Klinsmann said. ‘Obviously it’s one of the most difficult groups in the whole draw, having Portugal with Cristiano Ronaldo and then Ghana, who has a history with the United States. It couldn’t get any more difficult or any bigger.'”

The World Cup 2014 groups are announced, and — alongside Germany, Ghana, and Portugal in Group G — the US look to have a tough go of it. The silver lining: “There is actually some evidence that if the group of death doesn’t kill you, it can ultimately make you stronger.”

Waiting for Gadot.

Israeli actress Gal Gadot is cast as Wonder Woman for Zach Snyder’s Man of Steel follow-up (which people have been calling Batman v. Superman, but now seems to be Batman v. Superman v. Wonder Woman v. Lex Luthor v. Doomsday or somesuch.) “Variety adds you can probably expect ‘several members of the Justice League’ to make appearances in the film.”

This seems like a role that Jaimie Alexander was born to play, but I’ll reserve judgment until I’ve seen more of Gadot — She was apparently in Knight and Day but I have no memory of her.

Cthulhu Fhtagn!

“The National Reconnaissance Office, tasked with watching the earth through largely classified satellite programs, recently launched a new rocket into space. That rocket’s classified contents were marked with an incredibly subtle image: an octopus spreading its tentacles across the globe, over the words “nothing is beyond our reach.” Charming!”

Er, yeah, not sure what they were thinking there. In any event, in honor of this dubious messaging, Popular Science offers eight historical examples of octopi taking over the world. Above is Standard Oil, smothering both ends of Congress with its undulating, oleaginous reach.

Walks like a Progressive…


In case you enjoyed the last go-round in August with Jay Ackroyd, I recorded another stint on Virtually Speaking this past week about Uphill All the Way, who the progressives were, and the shift from progressivism to liberalism — this time with Stuart Zechman. And since I invariably feel like I’m not being altogether lucid when speaking in public, consider this also another plug for the written word and Uphill, still online in full.

An Unconquerable Soul.

“I have fought against white domination, and I have fought against black domination. I have cherished the ideal of a democratic and free society in which all persons will live together in harmony and with equal opportunities. It is an ideal for which I hope to live for and to see realized. But my lord, if it needs be, it is an ideal for which I am prepared to die.” Nelson Mandela, the liberator of South Africa, 1918-2013.

Not Ruby, Not Oswald: Lehnsherr.


“Days before Kennedy arrived in Dallas for his Trade Mart visit, the Friends of Humanity had campaigned among locals for his impeachment. According to the group, the Missile Crisis was the least of Kennedy’s sins in a list of treasons including “mutant love” and “conspiracy to dilute the human race with ungodly blood.”

I missed this during JFK retrospective/Thanksgiving week until Ted of The Late Adopter passed it along: The Magic Bullet is finally explained. In short, there was no second shooter — just a bullet-bending mutant master of magnetism on the grassy knoll. Seems like a good reason to authorize the Sentinel program, and no mistake.

Update: Upon looking over recent entries, I notice I neglected to post the full X-Men: Days of Future Past trailer, so here it is: Some questionable editing choices here (that jump-cut after “Patience isn’t my strongest suit” is jarring every time), but hopefully this will avoid the overstuffed pitfalls of X3 and continue in the positive vein of First Class.

Rooms in a New York Shoebox.

“Tuschman began by building the dioramas. Apart from an occasional prop taken from a dollhouse or toy train set, Tuschman builds everything to a scale about big enough for his cat, Smithers, to fit inside. He then photographed his models (he used two women and cast himself for the male character) on gray, using Photoshop to create the final image.”

Also by way of The Late Adopter: With Edward Hopper as his (original) inspiration, photographer Richard Tuschman conjures up evocative Hopper-style photos using dioramas and Photoshop. “I have always loved the way Hopper’s paintings, with an economy of means, are able to address the mysteries and complexities of the human condition,’ Tuschman wrote in his statement about the work.”

50 Hours a Cineaste.


“Anyway, this was a lot of fun to cut together. While I don’t expect that you’ll agree with all of my choices (given that this is a ranked list of 25 films, it would be really strange if you did), I hope you enjoy watching this all the same.”

As per last year, Film.Com’s David Ehrlich has once again spliced together an entrancing Supercut of his top 25 films of 2013. As always, my own year-end list will arrive at the end of the month, but I will say that I’ve seen most of Ehrlich’s (wide-release) choices, I generally agree with what he’s got going on here, my current top two films are in his top five, and I have very high hopes for his #3.