Heaven’s Gate.

Well, I don’t think being feverish at the time helped by any means — still, Ridley Scott’s Kingdom of Heaven is, well, kinda blah. It’s got its heart in the right place, and I’d say I was mildly diverted by it for the first 75 minutes or so, but after that I was just waiting for it to be over. In terms of recent sword-and-sandal and/or historical siege pics, I’d say it’s better than King Arthur or the woeful Alexander, but probably on a par with Troy or The Alamo.

Put very bluntly, the gist is this: Legolas (Orlando Bloom) is an ornery, grieving blacksmith somewhere in France who, after a visitation from a world-weary crusader, Lord Qui-Gon (Liam Neeson, playing yet another expository mentor/dead-duck), and his hospitaler, Prof. Lupin (David Thewlis), decides to embark to the Holy Land to seek Christ’s forgiveness for the suicide of his wife. Along the way, he makes a Muslim friend in Dr. Bashir (Alexander Siddig) and a Christian enemy in Celeborn (Marton Csoskas), and discovers that zealots are generally rather unlikable people on both sides of the religious divide. Upon arriving in Jerusalem, Legolas is feted at the court of leper King Tyler Durden (a masked Edward Norton), whereupon he makes more friends (Jeremy Irons, Eva Green) and enemies (Brendan Gleeson, hamming it up like a community-theater Brian Cox), all before an interminably long siege against the forces of Saladin (a charismatic Ghassan Massoud.)

Are all those fanboy comparisons unfair? Well, not after sitting through the last hour, which basically played like Helms Deep and Minas Tirith all over again. Yes, the production values are immaculate and all the (fetishized) weaponry is used in suitably historic fashion, but, really, how many historic sieges can one be expected to sit through in a given couple of years? Frankly, Kingdom of Heaven was more interesting in the early going, when there was more acting amid the fighting.

As for the politics, well…the message of the film — religion good, religious zealots bad — is laudable and well-worth hearing these days, perhaps even brave. But, while confessing a near-total ignorance of medieval history, Kingdom of Heaven sure doesn’t seem very historical in its 21st century forward-mindedness. At one point before the siege, Legolas not only makes the case for religious tolerance but completely dismantles the feudal caste system — I was almost waiting for him to institute the ballot box and universal public education while he was at it.

In short, even though I’m in sympathy with the general pluralist worldview of Kingdom of Heaven, the movie could have definitely done with less anachronistic liberal humanism and more dramatic complexity. (In fact, I can’t think of a single character in the film who displayed more than one dimension.) And, even notwithstanding the history, there just needed to be more characterization and less CGI-battling here. As both an historical epic and a summer popcorn film, Kingdom of Heaven felt only a step or two above Purgatory.

The Boss’s Favors.

On a larger scale, friends – and enemies – describe him as a favor-trader extraordinaire, piling up a mountain of goodwill. Almost every Republican in the House owes Mr. DeLay for something – a job, a piece of legislation or a large campaign contribution.” The NYT’s Anne Kornblut attempts to ascertain why the GOP have circled the wagons around Tom DeLay.

The Zap-O-Terrorist doesn’t work?

“‘Everyone was standing in line with their silver bullets to make us more secure after Sept. 11,’ said Randall J. Larsen, a retired Air Force colonel and former government adviser on scientific issues. ‘We bought a lot of stuff off the shelf that wasn’t effective.'” Yep, unfortunately we purchased billions of dollars of defective garbage in the post-9/11 rush to defend the homeland, a mistake that will cost several billion more to rectify. “After 9/11, we had to show how committed we were by spending hugely greater amounts of money than ever before, as rapidly as possible,” said Representative Christopher Cox, a California Republican who is the chairman of the Homeland Security Committee. “That brought us what we might expect, which is some expensive mistakes.”

See it Now.

The first pic from Goodnight & Good Luck, George Clooney’s forthcoming film about Edward Murrow’s televised unmasking of Joe McCarthy, is now online. The cast includes Clooney (Fred Friendly), David Strathairn (Murrow), Frank Langella (Bill Paley), Patricia Clarkson, Jeff Daniels, and Robert Downey, Jr.

All’s Blair.

Upon Tony Blair’s third election victory (albeit one that may well lead to his ousting), the WP‘s Dan Balz makes the case that the Dems could learn much from Labor “Blairism”. I don’t think simply moving to the center is the right answer for the wayward Dems — We need to focus less on that type of protective camouflage and more on articulating our own principles, particularly as they differ from those of the GOP, who routinely and as a matter of pride put corporate profits before the American people. Still, there is some food for thought here.

One intriguing passage: “Where Blair, Brown and Labor cannot help the Democrats is on the social issues or the intersection of religion and politics. There is nothing comparable in British politics. Howard tried to make abortion an issue at one point but quickly abandoned it under pressure from all parts of the spectrum. When Blair proposed using the words ‘God bless’ in a speech before the Iraq war, his advisers hooted him down.”

Praise Be to Dubya.

“During the presidential election last year, Chandler told the congregation that anyone who planned to vote for the Democratic nominee, Sen. John F. Kerry (Mass.), should either leave the church or repent.” Chan Chandler, a N.C. Baptist minister puts pandering for Dubya above saving souls, a decision which would likely serve him in good stead among Rick Scarborough’s “Patriot Pastors,” a Christian Right group now mobilizing the zealots for the coming filibuster fight. Update: Chandler claims “a misunderstanding.”

Prize Jury.

Neglected to mention this earlier…but last week, I caught Roundabout’s Twelve Angry Men revival at the American Airlines theatre. As with Streetcar, my basis for comparison is fuzzy — I saw the Henry Fonda film years and years ago. Nevertheless, I’d say this version does justice to the material, and is well worth seeing if you get the chance.

Unlike the star-studded HBO version, this 12 Angry Men works as a great showcase for underappreciated character actors. The most famous face is probably the ubiquitous James Rebhorn as Juror #4, although #7’s John Pankow (a.k.a. Paul Reiser’s brother on Mad About You) and Broadway veteran Tom Aldredge (Clooney’s boss in Intolerable Cruelty) as #9 may also elicit a stir of recognition. To a man, this cast performs admirably, with each actor getting his moment in the sun.

Alas, if the show has a weak link, it may well be Boyd Gaines as Juror #8 (the Fonda role.) In a way, it’s not Gaines’ fault – but the fact that he looks like a cross between Fonda and Jimmy Stewart invites comparisons that redound against him, particularly as it seems at times that he’s actually doing a Fonda impression. [Robert Foxworth (formerly of Falcon Crest), does better in the less-iconic Lee J. Cobb role (#3) — if anything, he reminded me of Darren McGavin.] Still, this is a quibble. In general, 12 Angry Men is an engaging night out (and good mental prep for my own jury duty in a few weeks.)

By the way, I’m on the Roundabout Theatre mailing list, but if any readers out there know the mailer discount codes for The Glass Menagerie, Hurlyburly, Glengarry Glen Ross, and/or particularly Denzel’s Julius Caesar, the information would be much appreciated. 🙂