Fifteen Cent Baby.

In this corner, the full trailer for Ron Howard’s Cinderella Man, starring Russell Crowe, Renee Zellweger, and Paul Giamatti. As with the last trailer, Crowe & co. still seem to be beating the Seabiscuit angle into the ground. I give, already.

Apes, Aslan, & Aliens.

Courtesy of Coming Soon, Adrien and Naomi brave Skull Island in this new still from PJ’s King Kong, WETA Workshop shows off its Narnia designs in this catalog of sculpture, and Steven Spielberg unleashes the GOP’s worst nightmare — an ornery Tim Robbins brandishing a shotgun — in some recently-released images from War of the Worlds.

Darren to Fail.

The trailer for Nicole Kidman and Will Ferrell’s Bewitched materializes online, and, while I wasn’t expecting War and Peace, this looks even worse than last year’s botched update of The Stepford Wives. Meta probably wasn’t the right way to go.

Yanked out of proportion.

NBC begins its full-court press on the American version of The Office, premiering next Tuesday with The Daily Show‘s Steve Carell as Ricky Gervais and Six Feet Under‘s Rainn Wilson in the Gareth role. Hmmm…from the Screening Room clips, I’m not feeling it. Update: The NYT weighs in: “Luckily for NBC, which bought the rights to the British comedy, only a relatively small number of viewers in the United States have seen the BBC version. Those happy few should try to erase every trace from their brains – Eternal Sunshine of the Digital Cable Mind – because the NBC series, though it pales in comparison, is still funnier than any other new network sitcom.Slate‘s Dana Stevens is less sanguine. “Remember that scene near the end of Annie Hall, when Woody Allen (as Alvy Singer) tries to recreate a fun date he once shared with his ex-girlfriend Annie (Diane Keaton), chasing live lobsters around the kitchen in an attempt to catch them and boil them for dinner?…That’s sort of how fans of the BBC series The Office will feel about the new American remake.

Million Vote Baby (Redux).

Articles worth reading on GOP involvement in the continuing Schiavo fiasco:

Slate’s Dahlia Lithwick: “This morning’s decision by Congress and President Bush — to authorize new federal legislation that will obliterate years of state court litigation, and justify re-inserting a feeding tube into Terri Schiavo, based on new and illusory federal constitutional claims — is not about law. It is congressional activism, plain and simple; legislative overreaching and hubris taken to absurd extremes.”

Salon‘s Eric Boehlert: “The Schiavo episode highlights not only how far to the right the GOP-controlled Congress has lunged — a 2003 Fox News poll found just 2 percent of Americans think the government should decide this type of right-to-die issue — but also how paralyzed the mainstream press has become in pointing out the obvious: that the GOP leadership often operates well outside the mainstream of America. The press’s timidity is important because publicizing the poll results might extend the debate from one that focuses exclusively on a complicated moral and ethical dilemma to one that also examines just how far a radical and powerful group of religious conservatives are willing to go to push their political beliefs on the public.

A Public Funeral for Private Accounts.

George W. Bush’s plan to remake the Social Security system is kaput. This is not a value judgment. It’s a statement of political fact.While Dubya, Cheney, and McCain (carrying water for the administration as usual) continue their respective privatization dog-and-pony shows, Slate‘s Jacob Weisberg puts PSAs in the fridge.

Self-Ordained Professors’ Tongues.

An event of note last night here at Columbia’s Miller Theater: Music critic Greil Marcus, Princeton historian Sean Wilentz, and Oxford poetry scholar Christopher Ricks came together to contemplate Dylania old and new. Marcus began by speaking on the many lives of “Masters of War,” including Dylan’s Gulf War I Grammy performance and the recent “Coalition of the Willing” episode at a Boulder, Colorado high school. Wilentz followed by discussing Dylan’s debts of gratitude (and debt to history) in the recent Chronicles. And Ricks punned his way through a priceless disquisition on Blonde on Blonde and the differences among poetry, prose, and song, finishing his remarks with a defense of “Just Like a Woman,” which apparently has been deemed misogynistic in certain academic corners. (I asked the panel about the mixed reception to Masked & Anonymous, and Wilentz & Marcus in particular praised it as an underrated film…I’ll probably have to see it again at some point.)

All in all, it was quite an interesting evening of Dylanology, although I must admit, I was a bit put off by some of Ricks’ comments in the Q&A session — He called “Masters of War” (and, for that matter, “The Death of Emmett Till“) self-absorbed and overly tendentious songs, which I think there’s a good deal of truth to, but then proceeded to castigate the audience for indulging its generally anti-Bush sentiment (via some mild chuckling) during Marcus’ Coalition of the Willing anecdote. Ricks began by deploring knee-jerk political responses in either direction as a typically American (and occasionally Dylanian) vice…ok, fine, that’s a criticism we’ve all heard before. “Fist fighting is here to stay,
It’s just the old American way.”
But Ricks then went on to bemoan the tribulations faced by his poor right-wing friends in Massachusetts, who thought — correctly, in Ricks’ view — that “John Kerry didn’t deserve the presidency.” (As you might expect, this gave the smattering of right-leaning folk amid the audience a chance to clap vociferously and to indulge anew the currently-popular fallacy that they’re an oppressed minority.)

Yes, unfortunately, the decline of civility in debate and the “MacNeill-Lehrerization” of every issue into two opposite and irreconcilable poles are lamentable repercussions of the way politics is practiced today, as Jon Stewart famously noted on Crossfire several months ago. (Or, as Bob once put it, “Lies that life is black and white spoke from my skull…Ah, but I was so much older then,
I’m younger than that now.
“) But that doesn’t mean that Americans’ opinions of the war in Iraq aren’t well-thought out and hard-won. Ricks treated the issue as basically six-one, half-dozen-the-other, that to voice an opinion about the Iraq War is somehow irresponsible and — worse — uncouth. (Whatsmore, I had no idea what anybody’s politics were until Ricks began complaining about the presumed incivility in the room, at which point the audience immediately bifurcated into lefties and righties.) In sum, incivility is a serious problem, sure. But, for that matter, so is war.

The Q&A aside, though, the evening made for an eloquent appreciation of the many gifts of Bob Dylan, gifts further illuminated by the warmth and regard with which Marcus, Wilentz and Ricks held these songs to the light and uncovered some of their fragile tendrils of meaning and allusion. And if nothing else, the conference made for an excellent excuse to go home and delve into Bob’s back pages for the remainder of the evening, and listen to old songs with new ears.