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Things you don't want to know about your childhood idols: Last night's A&E Biography (which I usually end up seeing every night because of Elaine's unnatural addiction to Law and Order reruns) covered Harrison Ford. Most of the hour was an uneventful recap of Ford's biggest action roles, but then in the last five they offer up this unnecessary bit of information: "In order for Indiana Jones to always keep his hat on, Ford used to STAPLE THE FAMOUS HAT TO HIS HEAD. (my emphasis)" Cut to: a shot of Harrison Ford wincing in pain as he puts a staple gun up to his brow and fires. I guess that's why they pay him the big bucks.
Sanity prevails (barely) on the Flag-burning amendment.
Fans of Wallace and Gromit will definitely want to check out the trailer for Chicken Run, the heartwarming claymation tale of a few chickens who figure out what their ultimate fate would be at the farm and make a break for it (out June 23).
The Knickerbockers rebound in Seattle 110-95.
So, while watching My Fair Lady this evening, I was struck by an acute and nagging sense of deja vu every time Colonel Pickering opened his mouth. For the entire film, I couldn't place the guy, so I did an IMDB search and discovered that actor Wilfrid Hyde-White went on to play Doctor Goodfellow on Buck Rogers, a show I watched faithfully when I was a wee little tyke. Now that's exactly the type of thing that would have rattled around my head and slowly driven me insane were it not for the Web. Phew!
In other news, I picked up a fancy capo and the Abyss Special Edition DVD this afternoon and, after Elaine is finished with My Fair Lady (A Hepburn movie...the irony!), I'm looking forward to checking out the extra thirty minutes of footage.
Sally's response to yesterday's screed is posted. What she said was fine by me, until she finished up with the following: "I will continue to visit hundreds of weblogs because I enjoy it, but the ones I write about will always be those that take the risk of opening themselves up to criticism, and don't take the safe road." Somehow, except for the previously noted exceptions, I really don't see those same old blogs breaking any new ground, or even opening themselves up to criticism any more than all the other myriad posters around the web. Anyway, it's not worth continuing to type about, particularly on such a sunny day.
The Supreme Court on Nude Dancing: Looks like Dubya is gonna have to be more careful at frat parties from now on.
Two more planets are discovered in the far reaches of space, the smallest yet found.
As the early rumors suggested, recent Supporting Actor rivals Haley Jo Osment and Jude Law have signed on for Spielberg/Kubrick's A.I., due out next year.
Firda sent along the following poem about Ghost in the Machine: (Thanks, Firda!)
| Ghost in the machine Brought to you by Kevin Whose code is pretty clean Even though he's just a geek wannabeen This ghost is not scary So please don't you worry It will keep you happy Unless your name's Sally Tenpenny Kevin updates manually Without Blogger, how fussy But he just blogs on endlessly Like the Energizer bunny I promised Kevin to write him this To write an ode to a weblog of his A few hours of sleep I've missed Now the mission's accomplished! |
| Yes | No | |
| Bush | 32% | 60% |
| Gore | 29% | 64% |
I just finished updating the Bill Bradley Political Cartoon Archive for the final time, and it just depresses me to think of what might've been...
Frank Serpico on the NYPD.
Neale mans the weblog ramparts against the encroaching journal invaders with some classic Wetlog prose.
Al Gore plumbs new depths of brazen hypocrisy on campaign finance reform. What on Earth did we Democrats do to deserve this guy? I can't believe I'm researching a book promoting this fool...the perils of ghostwriting, I guess. Well, buy a lunchbox, Al, cause hopefully Ralph Nader is going to take you to school. Our party needs a lefty/communitarian resurgence in the worst way.
David Edelstein on the Oscars: "No one could get a rhythm going except Michael Caine, who stopped the show to salute his fellow nominees in one of the best Oscar speeches ever. Best because of Caine's modesty? No. The key to the speech's charm—to the charm of all of Caine's performances, come to think of it—was how it fit the occasion....when Caine reached out to the pale preteen, the hulking African-American newcomer, the sleek English
pretty-boy, and the superstar with the rictus grin, he seemed to be reaching out to the audience, too. He was absolving them of the guilt that invariably follows a tough choice by saying, "We all know why I'm here and they aren't, so let's put the most human face imaginable on this."