The Press in the Tank.

“From the early 1930s until the modern story broke in 2004, the newspapers that covered waterboarding almost uniformly called the practice torture or implied it was torture: The New York Times characterized it thus in 81.5% (44 of 54) of articles on the subject and The Los Angeles Times did so in 96.3% of articles (26 of 27). By contrast, from 2002-2008…The New York Times called waterboarding torture or implied it was torture in just 2 of 143 articles (1.4%). The Los Angeles Times did so in 4.8% of articles (3 of 63).“

By way of Greenwald and Sullivan, a Harvard study documents exactly how absurdly our national media carried water for the Dubya-era torture regime. “In addition, the newspapers are much more likely to call waterboarding torture if a country other than the United States is the perpetrator.“

This story, along with Politico’s gaffetastic reaction to Rolling Stone‘s Michael Hastings doing real journalism on the McChrystal story — (“Hastings would be considered a bigger risk to be given unfettered access, compared with a beat reporter, who would not risk burning bridges by publishing many of McChrystal’s remarks” — See also Lara Logan) and Joke Line deeming Glenn Greenwald a traitor because he dared to call unrepentant Iraq war evidence-falsifier Jeff Goldberg a horrible journalist (“Greenwald…so far as I can tell, only regards the United States as a force for evil in the world.“) pretty much tells you everything you need to know about our broken and corrupt Village media. And this is all just in the past week. Rinse and repeat, over and over and over again. (Pic via here.)

The Invisible Victim…and the Ring of Power.

“No wonder President George W. Bush can now openly brag about the water-boarding policy he once denied even existed. The courts have become complicit in the great American cop-out on torture.” And let’s not forget the Obama administration in all this. Slate‘s Dahlia Lithwick surveys the wreckage from the Supreme Court’s recent capitulation on the Maher Arar case, wherein we, the United States of America, abducted, deported, and were ultimately responsible for the torturing of an innocent man, and are now trying to sweep it under the rug like it never happened. Look forward, not backward! (unless you’re a whistleblower)

In very related news, borrowing the riff from this great cartoon, The Daily Show‘s Jon Stewart finally drops the hammer on the Bushification of Obama on the civil liberties front. Like many progressives, I’m discontented for a lot of reasons with this administration at this moment, but Obama’s egregious record on this front still stands above them all. An end to imperial powers and civil liberties violations of the Dubya era should have been an absolutely non-negotiable aspect of “change we can believe in” — particularly coming from Obama “the constitutional scholar.” And a White House that will capitulate on these basic human rights will capitulate on anything. Which, when you get right down to it, they pretty much have.

Where Torture Goes, Mengele Follows.

“‘The CIA appears to have broken all accepted legal and ethical standards put in place since the Second World War to protect prisoners from being the subjects of experimentation,’ said Frank Donaghue, the CEO of PHR, a nonprofit organization of health professionals.“

A new report by Physicians for Human Rights suggests the CIA conducted human experiments on detainees, including “monitoring the effects of sleep deprivation up to 180 hours” and testing out new forms of waterboarding on them. Once we’re all happy with the president’s visible anger levels toward BP, perhaps we can get some wrath-of-God fury — and criminal prosecutions — directed towards these atrocities committed in our name also? Thanks much. [Update: Here’s the Mother Jones story.]

The New “Black Hole”: Bagram.

“The bottom line is this: Current procedures under the CSRT are such that a perfectly innocent individual could be held and could not rebut the Government’s case and has no way of proving his innocence. I would like somebody in this Chamber, somebody in this Government, to tell me why this is necessary.” Me too, Senator Obama, me too.

In a decisive break with his campaign stances and the best indicator yet that this administration is now happily perpetuating deeply troubling Bush-era policies, the President wins the right to hold detainees indefinitely in Bagram — the difference from the Boumediene decision on Gitmo being that Bagram is a “war zone.” (And Ben Franklin’s admonition aside, that’s an excuse you hear quite a bit these days.)

FWIW, Politico’s Josh Gerstein — while bending over backwards, as per the Village norm, not to call torture “torture” — suggests civil liberties concerns are overblown here, but check out his reasoning: “The Obama administration…has, so far, resisted seeking a full-scale preventive detention law that would apply to future captives. Instead, it has pleaded with civil liberties and human rights groups not to oppose some legal mechanism to allow the continued detention of Al Qaeda captives, at least some of whom may be untriable because of aggressive interrogations many view as torture.“

Oh, please. We have to hold them forever because we tortured them? How utterly and completely effed up is that? As Stephen Colbert well put it: “It’s essentially the same stance taken by George Bush. With one important difference: Obama makes the kids like it.”

The Failure at the Crack.

Another very busy week at work, and haven’t had time to do a real update. But, in the meantime, via @Normative and since today is Tolkien Reading Day (i.e. the day Isildur’s Bane was destroyed and Sauron fell), here’s a great editorial cartoon on the dangers of the ring on the executive power front. (I presume that’s meant to be Russ Feingold in the Elrond role.) The Hearts of Men are easily corrupted, and the Ring of Power has a will of its own…

It’s Not Easy Being Green.

On this St. Patrick’s Day, what better recent release to discuss here at GitM than Paul Greengrass’ Green Zone? Not only do we have two shades of emerald in that last sentence, but we’re now on the cusp of the 7th anniversary of the beginning of the War in Iraq. (It broke out, I well remember, just as I was heading to a March Madness weekend in Vegas.) Alas, I just wish I had a better sitrep to report.

I don’t mean to be too harsh — There’s nothing terribly wrong with this edutainment-y attempt to explain de-Baathification, highly dubious detainee procedures, and most notably the faked WMD casus belli to disinterested laypersons by way of action-thriller. And, in a way, I sorta admire the gutsiness of the the attempt. But, if you were already well aware of these grim developments, and I assume most GitM readers are, then it’s hard to escape the sensation that one is mainly just being talked down to for two hours. Wait, there were no WMD in Iraq? You’re kidding me, right? And, while I’m a great fan of Greengrass’ previous output — I said over and over again in this space that I wish he had stuck with Watchmen, and on the Top 100 films of last decade list, Bloody Sunday was #84, his two Bournes were at #49, and the exemplary United 93 was at #6 — The Green Zone feels quite a bit more leaden than usual.

As with the political edutainment project Greengrass aspired to here, I like the idea of fusing his highly visceral action work (the Bournes) with his fly-on-the-wall discursions into recent history (Sunday, ’93)…on paper. But The Green Zone gets lost somewhere in the interstice, and lacks the gripping power of either of these previous Greengrass grooves. Instead, Zone ends up mostly being two grainy hours of watching Matt Damon run around at night, as he tries to uncover an insidious government plot that our nation has been fully aware of for years…and has chosen to greet with a yawn.

More on that depressing problem in a bit, but, first, to bring y’all up to speed: Loosely based on Rajiv Chandrasekaran’s Imperial Life in the Emerald City, a non-fiction examination of Dubyaite imbecility and excess in post-war Baghdad, Green Zone begins with a brief sequence set amid the original Shock-and-Awe period of the war, followed by, a few weeks later, a tense raid on a possible WMD storehouse by American soldiers. Led by Chief Warrant Officer Roy Miller (Damon), this crack MW2-ish assault ends up finding, well, bupkis, just like the time before and the time before that.

To Chief Miller, the problem here is obvious — the intel must be rotten. But, when he brings this up at the next briefing for high-level military muckety-mucks, he is basically told to shut up and do his job. Nonetheless, events soon conspire to introduce Miller to the “Jack of Clubs” in the Dubya deck, a Baathist general (Yigal Naor) with a still-clearly extant power base in Baghdad. And, when our hero digs deeper to figure out how this Jack might know “Magellan,” the top-secret source of all this lousy intel, he soon finds himself trapped — along with a very Judith Miller-y reporter (Amy Ryan) — in a power play between a slimy executive branch bureaucrat (Greg Kinnear, stuck no more) and a grizzled CIA hand (Brendan Gleeson), one that might just end up getting Miller fragged by the creepy Special Forces guy (Jason Isaacs, with great accent) who keeps popping up…

Along the way, there’s a digression into a detainee facility with all the makings of an Abu Ghraib waiting to happen, the tearful homecoming of the administration’s hand-picked Iraqi stooge (re: Ahmed Chalabi), some rather pained attempts to make the decision to de-Baathify an action beat…In other words, Green Zone is basically an attempt to dramatize the Iraq war for people who, for whatever reason, weren’t paying much attention the first time ’round. And, to be fair, it’s done with solid acting all around (including several folks recognizable from United 93), quality production values, and a reasonable degree of versimilitude throughout. (Note also the brief Paul Rieckhoff cameo, which should nip any IAVA whining about dramatic license right in the bud.)

But, for all its edutainmenty truths to tell, Green Zone still ends up feeling rather fake and film-ish to me, perhaps in part because — unlike Greengrass’ other recent histories — it seems to subscribe to a very movie-like All the President’s Men view of things, where, once word of misdeed gets out, justice will be done tho’ the heavens fall. Not to get all Debbie Downer up in here, but that’s not really the way the world works anymore, is it? One of the saddest and scariest moments in the recent and very worthwhile Daniel Ellsberg: The Most Dangerous Man in America is when Ellsberg explains how he thought everything would change once the Pentagon Papers got out…and then he finds that, in the face of clear and irrefutable evidence of government wrongdoing, most people just shrugged.

This is the uncomfortable horror that Green Zone almost seems willfully designed not to recognize. The whole premise of the movie seems to be that, if We the People knew what really went down in Iraq (or could just be taught via action-movie), we would be totally livid about the corruption involved. But, is the problem really that the American people don’t know what happened in the build-up to Iraq? Or is it that we know pretty well what happened and don’t much seem to care?

Just as with our indefensible dabbling in torture and indefinite detention in recent years, we have known about the lies and incompetence that fueled the Iraq fiasco for awhile now. And, alas, nothing ever happened. Dick Cheney, Karl Rove, and the whole awful, lying lot are still deemed Serious People with Serious Opinions by the nation’s domesticated media watchdogs, who, by the way, have also been studiously ignoring the Blair hearings overseas. Our current president, elected with the largest mandate for change in a generation, has deemed all of this just the sins of the past and refused to “look backward” (or worse, made himself complicit in these Dubya-era crimes.) And life continues, much as it has this past age, with no sense of reckoning whatsoever for the Big Lies that were told.

One of the main reasons Bloody Sunday and United 93 work so well is that they offer complex, nuanced portraits of complicated times. But, as Green Zone moves along, it just ended up feeling more and more like a cartoon to me, and one predicated mainly on wishful thinking. Like I said, I guess I admire what Paul Greengrass & co. were trying do here, but Green Zone as an action film feels flat and mostly uninvolving. And Green Zone as a political enterprise — Iraq War: The Movie!, basically — often seems at best condescending and at worst dangerously naive.

Found on a Drowned Man.

“Interrogators were instructed to start pouring water right after a detainee exhaled, to ensure he inhaled water, not air, in his next breath. They could use their hands to “dam the runoff” and prevent water from spilling out of a detainee’s mouth…[T]o keep detainees alive even if they inhaled their own vomit during a session – a not-uncommon side effect of waterboarding – the prisoners were kept on a liquid diet. The agency recommended Ensure Plus.“

But it’s not torture or anything: Recently-released CIA documents explain exactly how we went about waterboarding suspects during the Dubya era. “‘It does not simulate drowning, as the lungs are actually filling with water,’ Nance wrote in the New York Daily News. There is no way to simulate that. The victim is drowning.“

Update: Oh, by the way, Karl Rove is “proud” of these despicable acts.

Paranormal Activity.

Less a scathing Catch-22-type satire than it is just a jaunty road movie-type yarn, Grant Heslov’s The Men Who Stare at Goats, which I caught last weekend, is basically a Coen-lite cinematic bon-bon for the fanboy-inclined. It’s never really laugh-out-loud funny, and something much more dark, resonant, and Strangelovian could (and probably should) have been made from this choice material, particularly as the story moves into Iraq mode. After all, this is basically the true story of how we, the United States of America, ended up torturing people with Barney the Dinosaur.

But however frothy about its subject at times, The Men Who Stare at Goats manages to sustain a low-key whimsy and amiable weirdness for most of its run. If anything it feels a bit like the much-maligned and underrated Ocean’s 12: a bunch of exceedingly likable actors — George Clooney, Ewan MacGregor, Jeff Bridges, Kevin Spacey, Stephen Root, Stephen Lang, Robert Patrick — all enjoying an extended goof. Consider it the Road to Iraq, Hope and Crosby-style. David Crosby, that is.

Loosely based on the book by British journalist Jon Ronson, The Men Who Stares at Goats begins with an ambiguous disclaimer (“More of this is true than you would believe“), a Kitty Pryde-experiment gone awry, and a voiceover by one Bob Wilton (MacGregor), a down-on-his-luck reporter for the Ann Arbor Daily-Telegram. (Wilton, unlike Ronson, is an American, although MacGregor’s scattershot accent may make you wonder. Ewan’s a fine actor, but, lordy, he can’t get the Yankee patter down to save his life — yes, it’s worse than Peter Sarsgaard’s British accent, although it’s still better than Don Cheadle’s cockney.)

Anyway, after a chance interview with a psychic hamster-killer (Root) and a falling-out with his cuckolding wife and their mutual boss, Bob alights to Iraq, where he presumes he’ll learn how to impress his now-ex with grim tales of life as a veteran war correspondent. But unfortunately, he can’t even get into the country…until he happens upon Lyn Cassady (Clooney). Disguised as your run-of-the-mill private contractor, Cassady in fact turns out to be a psychic spy, a master of the “sparkly eyes,” a, as he puts it, “Jedi warrior.” (To which MacGregor consistently responds, “Jedi?,” with an arched eyebrow. Like, who in their right mind would spend years doing that?)

Cassady, it turns out, was trained in the psychic arts by his very own Qui-Gon, Bill Django (Bridges). A Vietnam veteran who discovered his own psychic powers through a rigorous regimen of Hippie indulgence, Django managed to convince the Pentagon powers-that-be back in the day that the Age of Aquarius would soon eclipse the Atomic Age on the battlefield — we’re talking peace warriors, psychic samurai, astral projectors, the awesomely unstoppable power of good vibes, brah, you know? (Put simply: “This aggression will not stand, man.”)

Some of the brass (mainly Lang) become fervent believers in Django’s New Age warfare. Others figure, heck, if there is something to this paranormal business, we’d really hate to be on the wrong side of the ball when the psychic shooting starts — Let’s throw some money at it just in case the Russkies are reading our minds right now. And so the First Earth Battalion is born. (And, yes, it really was born — your tax dollars at work.) But, of course, problems emerge — Not all the recruits have Django and Cassady’s intrinsic shamanic gifts. And once the Jedi are founded, there is naturally a Sith waiting in the wings…and, he (Spacey) has no compunction about using the team’s psychic powers for evil. Ya fook one goat…

The rest of the story involves Wilton and Cassady having crazy misadventures in Iraq, while Lyn fills us in on the rise and fall of the First Earth order…which may or may not be gone for good. (After all, someone’s gotta put the psy- in psy-ops.) I presume much of the Iraq narrative was added by Heslov, and sometimes it’s a bit hit-or-miss, frankly. There are brief encounters with Iraqi bounty hunters, ne’er-do-well Blackwater types, and even the infamous Barney-fueled detention chambers, but the tone is too breezy to sustain any kind of edgy or cutting critique of this stuff — It’s more like Syriana on nitrous oxide. (There’s also a sequence involving a LSD-crazed soldier shooting up his army base, which feels more uncomfortable than probably intended, coming right after the tragedy at Ft. Hood.)

Still, while Syriana, or Three Kings, for that matter, — My, Clooney has done a lot of tours in the region now — offers more in the way of food for thought, The Men Who Stare at Goats has its own low-key charms. As I said, the actors are all top-notch and clearly having fun with this project. It’s always good to see the Dude again, even in passing. And the script is relentlessly witty, with wry jokes that slowly creep up on you like a psychic ninja — For example, Spacey talking about the power of subliminal messages, then being distracted by Twizzlers. Mmm, Twizzlers.

Speaking of subliminal messages, I’ve had Boston’s “More than a Feeling” stuck in my head for over a week now thanks to this movie, and I really can’t stand Boston. So, well-played, Jedi, well-played.

A Republic Needs No Subjects.

“The Obama administration has clung for so long to the Bush administration’s expansive claims of national security and executive power that it is in danger of turning President George W. Bush’s cover-up of abuses committed in the name of fighting terrorism into President Barack Obama’s cover-up.” In an editorial applauded by Salon‘s Glenn Greenwald, the NYT calls out the Obama administration for their appalling and Dubyaesque record on civil liberties.

As Greenwald well notes: “All of this vividly underscores a vital point. There is simply no way that a person with even the most minimal levels of intellectual integrity could have objected to these actions during the Bush years yet defend them now that Obama is doing them, or even refrain from objecting just as loudly.“

See also Sen. Feingold’s recent and angry post on dKos this month (coupled with this statement on the Senate Judiciary committee) on the hamstringing of his attempts to revise the Patriot Act. Far too many ostensible civil libertarians in the Democratic Party have been rolling over for this administration since January — The time for giving the benefit of the doubt has passed. On this — and other crucial issues before us — it’s time to put this admin’s feet to the fire and hold the president to his word.

Turn You Inside Out.

“Guantanamo may be Dick Cheney’s idea of America, but it’s not mine,’ Morello said in a statement announcing the effort. ‘The fact that music I helped create was used in crimes against humanity sickens me.’” A group of musicians including Tom Morello of Rage Against the Machine, Trent Reznor of Nine Inch Nails, R.E.M., Billy Bragg, Pearl Jam, the Roots, Rosanne Cash, and David Byrne demand that Gitmo close, and that their music stop being used for torture. “If there are any legal options that can be realistically taken they will be aggressively pursued,” Reznor promised.“