That’s Exactly What They Want You to Think.

“9% of voters think the government adds fluoride to our water supply for sinister reasons (not just dental health). 4% of voters say they believe ‘lizard people’ control our societies by gaining political power…14% of voters believe in Bigfoot. 15% of voters say the government or the media adds mind-controlling technology to TV broadcast signals (the so-called Tinfoil Hat crowd.)”

PPP polls America’s taste for various conspiracy theories. “37% of voters believe global warming is a hoax, 51% do not. Republicans say global warming is a hoax by a 58-25 margin, Democrats disagree 11-77, and Independents are more split at 41-51. 61% of Romney voters believe global warming is a hoax…20% of voters believe there is a link between childhood vaccines and autism, 51% do not.” Sigh. Don’t blame me, I voted for Lizard People.

Tang-tungled Rummy.

In a boon for conspiracy theorists the world over, Rumsfeld refers to the 9/11 Pennsylvania plane as “shot down.” Said Rummy during one of his usual rambling Two Minutes Fear-type screeds, “I think all of us have a sense if we imagine the kind of world we would face if the people who bombed the mess hall in Mosul, or the people who did the bombing in Spain, or the people who attacked the United States in New York, shot down the plane over Pennsylvania and attacked the Pentagon, the people who cut off peoples’ heads on television to intimidate, to frighten — indeed the word ‘terrorized’ is just that.” Freudian slip or slip of the tongue? Either way, it was a bonehead mistake.

“Actually, it’s the BBC controlling us from London.”

Sent to me by way of Raza at High Industrial: Is Bush Wired? Hmmm…I see two major problems with this particular conspiracy theory. For one, given how much Dubya is photographed, an earpiece would be extremely hard to hide. For another, if Dubya were being prompted from afar, one would think he’d be much more articulate than he in fact is most of the time. Update: Salon follows the meme.

Back to the Grassy Knoll.

Forty years after publication of the Warren Report, Salon editor-in-chief David Talbot makes the case (again) for a conspiracy that felled Kennedy. A somewhat shrill and Oliver-Stone-like piece, to be sure, but, if nothing else, Talbot has amassed a few quotes from doubters in high places — RFK, LBJ, Nixon — that I hadn’t seen before.

Sympathy for the Devils.

The mystery of the grassy knoll has finally been solved, and the second shooter was…John Wilkes Booth?! For the first time in an age, I took advantage of the New York theater scene last night and caught the much-heralded revival of Stephen Sondheim’s Assassins at the Roundabout Theatre, which chronicles the inner demons of Mssrs. Booth, Oswald, Hinckley, and assorted other murderers and would-be-murderers of presidents. All in all, I’d say I enjoyed it, although it took a musical number or two for me to warm to the material (some never made the leap — the guy next to me left outraged.) And there’s some memorable performances here, particularly Denis O’Hare as Charles Guiteau (Garfield’s assassin) and Michael Cerveris as Booth.

Still, the basic (and ahistorical) message of the play — that all assassins, whatever their surface motives, are just looking for a little happiness, a little love, and a little fame — was encapsulated much more succinctly by Peter Gabriel’s excellent “Family Snapshot” two decades ago. And, while I like that song and admire what this play was trying to be, this “everybody needs a hug” thesis is too reductively simplistic. Notwithstanding freak shows like Hinckley, assassination is by its very definition a political act, as is distressingly obvious to all of us given recent events in the Middle East. Sure, a lot of assassins are flat-out crazies…Hinckley, Mark David Chapman, Sirhan Sirhan. But others — Booth, Guiteau, Leon “McKinley” Czolgosz, James Earl Ray, Brutus — had a political agenda in mind that can’t be explained solely by “bad reviews” or a lack of affection as a child (which is perhaps why the Sondheim play ignores the Stalwart v. Halfbreed internecine strife propelling Guiteau to his foul deed.)

Still, if you can stomach the subject matter, Assassins is a moderately engaging fever dream rumination on American loneliness and presidential murder, replete with a sinister carnival barker and Moebius strip leaps in and out of historic continuity. Perhaps the most resonant effect in the play is that of the other assassins — eerie, floating, voiceless heads underlit to resemble Capt. Howdy in The Exorcist — watching their colleagues from the mists of History, or from the grave. Misery loves company, and from Cassius on, assassins just adore a conspiracy.