“I am also still convinced that voters originally liked George W. Bush’s inarticulacy: At least he didn’t sound quite as smooth, and ultimately meaningless, as everyone else. Only with time did his natural-born inability to speak English begin to produce infuriating phrases of truly unique pointlessness.” Slate‘s Anne Appelbaum surveys the sad state of political rhetoric in this country, concluding that, while “the brightest new hope for the English language is Barack Obama,” “[n]o good writer, however eloquent, can possibly survive a two-year presidential campaign.“
I have to agree, it is pretty bad out there. The main problem, and it’s no secret, is that most speeches today prize concepts over imagery. Read classic nineteenth-century political speeches today — Lincoln’s Second Inaugural, say, or Bryan’s Cross of Gold — and they’re flush with vivid imagery and extended metaphors. But, be it due to video killing the oratory star, the need for shorter, quicker, soundbites, or just a general fuzziness about the basic principles undergirding contemporary legislation, most speeches today languish in abstraction and platitudes. (The work of former Dubya speechwriter Michael Gerson is a notable exception in this regard.)