“From his first day on his own, he was not someone who could be reduced to a type, a symbol, or made to stand for a cause. Against all odds he had in fact achieved what the country promised him: ‘life,’ on his own terms; ‘liberty,’ seized, acted out, taken from him; ‘the pursuit of happiness’ — which, at the end of his life, meant firing a revolver in the air.” In an Independence Day-themed commencement speech reprinted in Salon, rock critic Greil Marcus riffs on the American Dream, using The Sopranos‘ Vito Spatafore and Theodore Rosengarten’s The Life of Nate Shaw as examples. The latter is a favorite book of Columbia’s Eric Foner (although he didn’t list it here), and it seems likely that he (or possibly Marcus’ fellow Dylanologist, Sean Wilentz) was the guy who recommended it.