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The Sopranos

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The Don, the Survivor, and the Coach.

“Anybody who had even the slightest contact with Gandolfini will testify to what a great guy he was, how full of life he was…whether he was feeling well or poorly, or living smartly or stupidly, there was always something about the guy that you wanted to embrace. You could feel it shining through the screen, that warmth and vulnerability, that broken yet still-hopeful humanness.” James Gandolifni, 1961-2013.

“‘I hate the word horror,’ the author told fantasy editor and writer Stanley Wiater for the 2009 video doc Dark Dreamers. “To me, the word horror is visceral. Terror hits you in the mind. You don’t have to show anything to scare a lot of people.’ Just the wail of an invisible child, or the face of a furry gremlin…on the wing of a Twilight Zone plane.” Richard Matheson, 1926-2013. For the next generation of kids to be touched by Richard Matheson’s stories, what nightmares await! What dreams may come!

“‘He was the most successful coach of the 1960s, and it could be said he still was in the 2000s,’ Caldwell said. ‘His ability to be successful at the same place over such a long period is unparalleled.'” Harry Parker, 1935-2013.“‘It really is like God died and nobody knows what anything means now, because Harry was the sport,’ said Bruce Smith, executive director of Community Rowing.”

Don Headroom.


“People want a dance that makes them feel safe. They’ll do anything for it, even leave their friends behind.” Also by way of The Late Adopter, Buzzfeed collects some of the best hits of 80’s Don Draper. “Imagine this: not just one Corey, but two.” For more fun, read the very funny Twitter feed. “Simon isn’t about remembering a bunch of colors and sounds. It’s about remembering who we are.”

Speaking of Mad Men, I liked Forrest Wickman’s Chevy-is-Vietnam reading of last week’s strange, Dr. Feelgood-enhanced episode. That being said, the agency is starting to lose me — Don’s been spinning his wheels all season, and while it may be true-to-life, it’s not all that compelling to watch the main character become ever more repugnant and self-pitying while making the same mistakes, over and over and over again. (With that in mind, it’s become especially clear this season that Matt Weiner cut his teeth on The Sopranos.)

Also, nothing on the show is dumber or more show-stopping than 30’s whorehouse Dick Whitman. Every time we flash back to that ridiculous thicket of hyper-Freudian backstory, I’m reminded of nothing so much as Cletus the Slack-Jawed Yokel.

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