“You’ve been dead for around 25 years now.” Also in the Lynch department: For the new Blu-Ray collection Twin Peaks: The Entire Mystery (take my money!), David Lynch interviews the Palmer family, in character. The Leland/Ray Wise one is below. It’s, er, weird…but you already knew that.
“This one commercial said ‘Forget everything you know about slip covers,’ so I did. And it was a load off my mind. Then the commercial tried to sell slip covers, but I didn’t know what the f**k they were.”
“‘I told myself I’d stay here until 8:30, and I already killed about 15 minutes avoiding conversation by circling repeatedly around the table of hors d’oeuvres to appear occupied, and another cumulative half hour pretending to text friends, so I just need to make it a few more minutes,’ the tense man told reporters.”
“This dialect is notable for its use of bullet points, objet trouve clip art, and gratuitously intrusive animation. Speakers are commonly found in business, academia, government, and the officer corps of the military. While some TP speakers are bilingual in English, many of them see complete paragraphs as only so much babble.”
“We know that Miles O’Brien had a lot more fun serving aboard Deep Space Nine than he did aboard the Enterprise, and these ennui-filled comics help explain why. Hanging out alone in the transporter room all day is bound to drive a fellow a bit mad.”
“The dialogue is randomized so that you never listen to exactly the same meeting twice; this effect also adds to the feeling of disconnection between the participants but somehow still feels entirely believable. Sometimes — particularly if you’re listening at work — it can feel eerily realistic. As Scott tells me via email, ‘It always makes me laugh when the first randomly selected audio clip that plays is “Did someone just join the call?” because it makes the website visitor feel like they’re being addressed directly.'”
Venture, if you dare, into the terrifying existential corporate-bureaucratic hellscape that is ConferenceCall.biz, written up last week by Slate‘s Joshua Keating. “[I]t’s accompanied by an eerie electronic soundtrack and washed-out office imagery that another blog has described as ‘what would happen if David Lynch directed a re-make of Office Space.'”
It’s funny because it’s true — What a gloriously awful and useless form of communication. They invariably end up being one person reading an agenda to everyone else that could have just been distributed and absorbed by all in one-tenth the time — but, of course, you already knew that.
“As you probably heard, the onetime juggernaut of a video rental chain formally pulled the plug on most of its remaining retail stores this week. Just think of all those abandoned storefronts where people used to rent ‘Wall Street 2′ or ‘Pain and Gain’ or whatever; just think of what Bruce Springsteen, the bard of economic collapse, might have done with such a…well, I was about to type ‘catastrophic occurrence,’ but..it was more like a sector of the marketplace realigning itself with technological reality after years of denying the inevitable.”
Mowing neighborhood lawns notwithstanding, Blockbuster was actually my first job. And, while I never cottoned to their Republican-leaning ways or their ridiculous drug test policy, it was a pretty good gig for a high school kid, all in all — if you could withstand the same twenty trailers and episode of Duck Tales playing ALL THE TIME. Like I said, ten free movies a week. As an 18-year-old just working to raise beer-money for college, you can’t beat that with a stick.
“Artist Jeff Bennett has invaded the cloying world of Thomas Kinkade with the full might of the Galactic Empire. In a series Bennett is calling Wars on Kinkade, the Painter of Light’s ethereally bland landscapes come under the iron fist of Star Wars storm troopers, Imperial Star Destroyers and Hoth-crushing AT-ATs.” General Veers, prepare your men for a surface attack: The Empire Strikes Kinkade.
“‘Until our country’s funky leaders can resolve this deadlock, U.S. funk leadership, and the booties of all Americans, will remain immobilized,’ said Gregory Tate, domestic motorbooty-affairs reporter for The Washington Funkenquarterly. ‘Unless a compromise can be reached soon, the entire nation’s thang could be in serious jeopardy.'”
“What’s really great about these clips is the way they incorporate classic sprites from the game and put them in a real-world setting. It’s…pretty amazing that technology has advanced to the point where YouTube users can do this stuff without the backing of an entire studio.” An enterprising Youtube user films himself sparring against Mortal Kombat‘s fiercest fighters. Somebody needs to work on their combos.
So…Ben Affleck. He’s not who I would’ve cast, and it’s hard to see how an Affleck Batman would be any different from his portrayal of Daredevil. But he isn’t the worst choice in the world, I suppose. Affleck’s a decent enough actor most of the time, and, in any case, the poorly written, too 9/11y by half Man of Steel was so flawed that his presence can only help at this point. (It’s too bad Affleck isn’t directing.) Besides, I doubt any iteration of Batman, Affleck or otherwise, would cotton to Supes bringing MoS-level destruction to Gotham City, unless there were cookies involved. (Animated gif via here.)
“‘I like going to movies alone, especially during the day when it’s not too crowded,’ said the sad man, who attended the first Red movie by himself three years ago, just last week saw World War Z alone, and, good Christ, made plans with himself to see Before Midnight on opening day last month. ‘It’s relaxing.'”
If you thought JCPenney was having problems at the top — or if pressure cookers were posing problems for the tea-kettle industry — look no further than 405 freeway near Culver City in Southern California, where an innocent stainless steel pot is drawing comparisons to perhaps the least innocent person of all time, spigot salute and all.”
Speaking of Mad Men, I liked Forrest Wickman’s Chevy-is-Vietnam reading of last week’s strange, Dr. Feelgood-enhanced episode. That being said, the agency is starting to lose me — Don’s been spinning his wheels all season, and while it may be true-to-life, it’s not all that compelling to watch the main character become ever more repugnant and self-pitying while making the same mistakes, over and over and over again. (With that in mind, it’s become especially clear this season that Matt Weiner cut his teeth on The Sopranos.)
Also, nothing on the show is dumber or more show-stopping than 30’s whorehouse Dick Whitman. Every time we flash back to that ridiculous thicket of hyper-Freudian backstory, I’m reminded of nothing so much as Cletus the Slack-Jawed Yokel.
“‘We’ve come up against an unforeseen circumstance…’ said majority leader and Budget Committee chaircat Sen. Creamsicle (D-ND), stretching out to his entire length and repeatedly kneading the chamber carpet. ‘I think I speak for most of my colleagues when I say that, while it is extremely important we continue the legislative work at hand, we must first give this warm and bright beam of light the due consideration it deserves.'”
Well, now nothing’s getting done. From a few years ago, Cat Congress Mired in Sunbeam. “Our lawmakers were elected to serve the common cat, not their own self-interests,” Big Stripey said. “With over 6 percent of the population stray, millions more going hungry or only getting dry food, and the dogs next door developing a very real litter of puppies, we need action now for the sake of our kittens and our kittens’ kittens.”
Or for a longer but equally goofy answer, see Louis Menand in The New Yorker, circa 2002: “The Cat in the Hat was a Cold War invention. His value as an analyst of the psychology of his time…is readily appreciated: transgression and hypocrisy are the principal themes of his little story. But he also stands in an intimate and paradoxical relation to national-security policy. He was both its creature and its nemesis — the unraveller of the very culture that produced him and that made him a star.”
Guardians of the Galaxy (8/10) Boyhood (10/10) Snowpiercer (7/10) Jodorowsky's Dune (7.5/10) X-Men: Days of Future Past (7.5/10) The Amazing Spiderman 2 (4/10) Locke (8/10) The Double (7.5/10) Blue Ruin (8/10) Le Weekend (7.5/10) God's Pocket (6.5/10) Devil's Knot (5/10) Under the Skin (7.5/10) Transcendence (3/10) Nymphomaniac, Vol. 1 (3/10) Captain America: The Winter Soldier (8.5/10) The Grand Budapest Hotel (6/10) 300: Rise of an Empire (4/10) Robocop (5.5/10) The Lego Movie (8.5/10) The Monuments Men (4/10) GitM BEST OF 2013 GitM Review Archive
The Invisible Bridge, Rick Perlstein
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