In any case, Margaret Thatcher, 1925-2013. As I said when Strom Thurmond and Jesse Helms passed, I’m of the Hunter Thompson on Nixon school when it comes to political obits. Let’s not diminish what Thatcher passionately stood for throughout her life by engaging in ridiculous happy talk at the moment of her death.
This Prime Minister has lot to answer for, from bringing free market absolutism and trickle-down voodoo economics to England, with all the readily preventable inequality it generated, to supporting dictators and tyrants around the world — Pinochet, Botha, the Khmer Rouge — to, of course, the Falklands War.
Much as with Reagan here in America, England still lives under Thatcher’s shadow. To quote today’s Guardian, “her legacy is of public division, private selfishness and a cult of greed, which together shackle far more of the human spirit than they ever set free.” But to her credit, at least Thatcher (a chemist by training) was very vocal about the threat of climate change in the last years of her life.
Update: Salon‘s Alex Pareene has more evidence for the prosecution, including graphs of the rise of inequality and poverty on Thatcher’s watch:
“Britain no longer ‘makes’ much of anything, and when those lost jobs were replaced, they were replaced with low-wage, no-security service industry work…Really, it’s hard to argue with former London mayor Ken Livingstone, who remembered Thatcher on Sky News yesterday: ‘She created today’s housing crisis. She created the banking crisis. And she created the benefits crisis…In actual fact, every real problem we face today is the legacy of the fact that she was fundamentally wrong.’” (Last quote also birddogged by Dangerous Meta.)
Notify your next-of-kin: This wheel will explode! Elvis Costello and the Imposter’s Spinning Wheel Tour was in the area this week, and I got the chance to catch my third Elvis show. Here’s the setlist, as half-determined by random spins of Elvis’s big carnival wheel:
I Hope You’re Happy Now | Heart Of The City | Mystery Dance | Uncomplicated | Radio Radio | Spin 1: Pump It Up/Busted | Spin 2: Alison | Spin 3: This Year’s Girl/Party Girl/Girl | Spin 5: Everyday I Write The Book | Spin 4: The Spell That You Cast/Indoor Fireworks/Brilliant Mistake/National Ransom | Spin 6: Roxanne/I Want You | Spin 7: And Your Bird Can Sing | (I Don’t Want to Go to) Chelsea | Beyond Belief | Waiting for the End of the World | Spin 8: So Like Candy | Don’t Let Me be Misunderstood
Encore 1 (acoustic): A Slow Drag With Josephine | Jimmie Standing in the Rain | Brother, Can You Spare a Dime?
Encore 2: Spin 9: Greenshirt/(Angels Want to Wear My) Red Shoes/Purple Rain | Honey Are You Straight Or Are You Blind? | What’s So Funny About Peace, Love and Understanding?
So, as you can see, over thirty songs in there, and Elvis was in his usual top form. I could see “the wheel of songs” being more fun in theory than in practice, if luck hadn’t been such a lady to those of us at Wolf Trap — Granted no “Almost Blue,” “Man Out of Time,” or “Shipbuilding,” but any night you hear Elvis sing “Beyond Belief, “Indoor Fireworks,” “Alison,” “So Like Candy,” and especially “I Want You” (chosen by a contestant on a pick-any-song-you-want joker spin, and bless her for it) is a good night. If the wheel rolls ’round your way, definitely think about going. (Pic via here.)
And, speaking of new albums, R.E.M. has named their upcoming 15th one: Collapse Into Now, due out this Spring. As some who’s come to prefer Around the Sun over Accelerate, here’s hoping it’s more like the former.
A tour to look out for: The freewheeling Bob Dylan is, as ever, on the road, but this September and October he’s bringing along Elvis Costello to boot. I’ve seen Bob a lot, and I’ve seen Elvis, but seeing ‘em back-to-back should be more fun than you can shake a stick at. (I’m definitely going to the Bridgeport, CT show…undecided about Albany.)
I’m off early this morning to catch up with college friends for one of our semi-annual reunions, so I expect it’ll be quiet around here until next week. But, since it’s a holiday weekend of sorts, and since I’ve been perusing a number of MP3 blogs lately, I figured I wouldn’t leave on a jet plane before regaling you, my dear readers, with the Valentine’s gift of music. (The usual mp3blog rules apply: the files will be up this weekend and this weekend only, and please do not link to them.) So, without further ado:
Twist your head around
it’s all around you
As y’all know, iconography from the stunning video to Bjork’s “All is Full of Love” has graced this site for years now, so it seemed a logical choice for GitM‘s Valentine. It’d be hard for me to introduce the song any better than Bjork did herself: “That song’s from a moment when I’d had a pretty rough winter and then it was a spring morning and I walked outside and the birds were singing: Spring is here! I wrote the song and recorded in half a day. It just clicked – you know: you’re being too stubborn, don’t be so silly, there is love everywhere. The feeling, the emotion of the song was like completely melting and loving everything and feeling like everything loved you, after a long time of not having that. The song, in essence, is actually about believing in love.“
Strangely enough, I experienced a very similar revelatory moment, traipsing around outside after a blizzard several years ago, while listening to this “Plaid” version of the song. It’s missing the languorous beat that’s so memorable in the single version, but I adore the fugue-like intro and textured, contrapuntal rhythms of this mix — They lend it a timeless, ethereal beauty that perfectly matches the celestial coo and growl of its Icelandic muse. I don’t want to hate on Love, Actually for too many posts in a row, but to my mind this song brilliantly encapsulates what that movie tried and failed to get at — Even in our loneliest moments, love surrounds us and binds us.
I want you
I’m not ashamed to say I cried for you
I want you
I want to know the things you did that we do too
I want you
I want to hear he pleases you more than I do
I want you
I might as well be useless for all it means to you…
Bjork too sappy? Well, if, on the other hand, you prefer to spend Valentine’s Day prodding scars and excavating the thin line between love and hate, then here’s a streetlight serenade for you — a blistering-hot live version of Elvis Costello’s most savage, searing slow burn. Much of the resonance of the original “I Want You” lies in how what starts off as a run-of-the-mill torch song slowly degenerates into something much more complicated and sinister. This spooky, haunted-house version from the 2002 tour skips the set-up, but it’s nevertheless a poisonous mirrorball of rage and regret, bitterness and betrayal, loss and (self-)loathing…all those quintessential consequences of a love implosion that they just don’t seem to make Hallmark cards for (and it’s all topped off with a brief twinge of Yankee Power.) Our man Costello may be enthralled with Diana Krall these days, but as this song makes emphatically clear, there are still some things you just don’t wanna know about his dark life.
Either path you choose, have a safe and happy weekend, and I’ll catch y’all next week.
“I don’t give a f**k about being a rock ‘n’ roll star. I just want to do the things that interest me.” The Guardian looks into Elvis Costello’s next fanciful side project, an opera on the life of Hans Christian Andersen.
“Being the patron saint of a certain kind of woman-hating dweeb is not a great career. Let me say that, right out.” Also in Rolling Stone, Elvis Costello reflects on his journey thus far, on the eve of two new albums, The Delivery Man and Il Sogno.
Slate ruminates on whether lovebirds Elvis Costello and Diana Krall are lousy influences on each other. A bit mean, perhaps, but I’ve thought for awhile that a happy Elvis might mean trouble.
A long-time Elvis Costello fan sours on North. “Now he’s a navel-gazing romantic who apparently let all those Gershwin comparisons go to his head.” Well, I haven’t heard Costello’s latest yet, but I dunno if this is really fair. As the article notes, Elvis was superb on tour last year, and he still seems miles away from Billy Joel country.
Via Pearls that are his Eyes, the Guardian talks with Elvis Costello on his new album and newfound love. While I’m glad the guy’s feeling peachy, I must say the jury’s still out for me on the idea of a blissful Elvis…I prefer my Costello lacerating, verbose, and irreconcilable.
Elvis Costello, The Police, and The Clash will all be inducted into the Rock and Roll Hall of Fame next year. To my mind, that’s the most worthy induction class in recent memory.
The Elvis Costello show at the Beacon the other evening was superb (set list here)…I was surprised how good he sounds live. I expected his voice to be a little more off, but he could hit all the notes and wavers from the studio versions. If I could pick three Elvis songs I had to hear, they’d be “Man Out of Time,” “Indoor Fireworks,” and – most importantly – “I Want You,” so I was not disappointed. (Yeah, “Alison,” “Beyond Belief,” or “Everyday I Write the Book” would’ve been cool too, but I’ll take what I can get.) The third encore in particular, the blue-lit, NIN-esque version of “I Want You” paired with “Almost Blue,” was truly a thing of beauty. As for Underworld the other night, I was underwhelmed…mostly by the venue, which was way too small and overbooked for a dance show. In fact, I’ve pretty much given up on the Hammerstein as a venue by this point. (More on the Underworld show in the comments of this post at Do You Feel Loved.) Did I mention that Elvis is King?
This appears to be the one week a year when I take advantage of living in NYC. A high school friend has procured me a ticket to see Underworld tonight at the Hammerstein, and then Tuesday I’m off to the Beacon to catch one of those acts on my must-see list for years, Elvis Costello and the Imposters. If the setlist is anything as ridiculous as Wednesday‘s, the show is going to be off the hook…Man Out of Time, Indoor Fireworks, Beyond Belief, Alison, Almost Blue, and I Want You?! Unbelievable.
The Covers Project, via Pearls That Are In His Eyes. Great for use in association with Kazaa. To take just two examples, I didn’t know Scott Weiland covered Depeche Mode’s “But Not Tonight” (tho’ the original is still better) or that Elvis Costello riffed on Dylan’s country classic, “I Threw It All Away.” Good stuff.