I missed this during JFK retrospective/Thanksgiving week until Ted of The Late Adopter passed it along: The Magic Bullet is finally explained. In short, there was no second shooter — just a bullet-bending mutant master of magnetism on the grassy knoll. Seems like a good reason to authorize the Sentinel program, and no mistake.
As per last year, Film.Com’s David Ehrlich has once again spliced together an entrancing Supercut of his top 25 films of 2013. As always, my own year-end list will arrive at the end of the month, but I will say that I’ve seen most of Ehrlich’s (wide-release) choices, I generally agree with what he’s got going on here, my current top two films are in his top five, and I have very high hopes for his #3.
As a short companion piece to Gravity, the film’s co-writer (and director Alfonso Cuaron’s son) Jonas Cuaron offers up the other side of the howling conversation with Aningaaq. Not terribly essential, but no harm, no foul.
Down in South Carolina, back in 1993, I wore the blue and yellow, got ten free films a week. I built up some movie knowledge, right near the Florence Mall. Now those tapes have been taken away, lost amid the suburban sprawl. After mining the Internet hivemind, Matt Zoller Seitz gathers odes to the end of Blockbuster in the style of Bruce Springsteen.
Mowing neighborhood lawns notwithstanding, Blockbuster was actually my first job. And, while I never cottoned to their Republican-leaning ways or their ridiculous drug test policy, it was a pretty good gig for a high school kid, all in all — if you could withstand the same twenty trailers and episode of Duck Tales playing ALL THE TIME. Like I said, ten free movies a week. As an 18-year-old just working to raise beer-money for college, you can’t beat that with a stick.
In Grantland, Wesley Morris ably discourses on Steve McQueen’s 12 Years a Slave, thus far the movie of the year (and I say that as someone who didn’t think much of Hunger or Shame.) As I said on Twitter, this film should come as a free digital download with any Lee Greenwood CD (or, for that matter, any Gods and Generals DVD.) “A different movie might have taken this story and turned it into a battle between Epps and the white men who feel a duty to free Northrup…The power of McQueen’s movie is in its declaratory style: This happened. That is all, and that is everything.”
Among them, of course, Leo O’Bannon: On its 100th anniversary, BBC surveys the enduring popularity of Danny Boy. “All the flowers are dying, and they will be for a long time, but then they’ll bloom again and Danny will still be on the road. You never know, because somewhere the pipes, the pipes will be calling.”
Update: “[R]eading [the Zimmer article] and seeing someone on the inside, who knows exactly how everything happened, outright lying, that bothered me. I just feel the truth on the whole process should be explained once and for all.”
And now we have a BWOMMP-troversy: Inception sound designer Mike Zarin says Zimmer is full of it regarding the origins of the BWOMMP. Having watched all three iterations of the trailer in this link, I’d argue Zack Hemsey’s “Mind Heist” really captures the first BWOMMP in all its glory.
That’s not a dis, mind you — I’ll definitely be seeing this. Even if I keep presuming we’ve already reached Peak Anderson, the only movie of his that really left me cold was Darjeeling Limited (although Bottle Rocket didn’t feel fully formed, and The Life Aquatic could’ve been better too.) But with Rushmore, Tenenbaums, Mr. Fox and Moonrise Kingdom on the positive side of the ledger, I’m still in for more. Besides, what a cast.
In The Village Voice, longtime film writer and action aficionado Vern examines the evolution of Bruce Willis from Moonlighting to “action hero.” “It’s easy to forget that Bruce was an odd choice for movies like this.”
Remember the Heroes: After some kerfuffle, Detroit — where Superman and Batman will soon be duking it out — is on the verge of getting its Kickstarter-funded Robocop statue. “‘Robocop has become a very suitable icon to represent Detroit, and deserves a place in this city’s history,’ their Facebook event page, started over two years ago, still reads. ‘As Detroit continues to redefine itself into the 21st century—please help to truly make this the coolest city on earth.’”
With The Zero Theorem in the can — a trailer of sorts is here — Indiewire checks in with Terry Gilliam on the state of the business. “It’s so immediate now, there’s very little long-term thinking. I mean, Johnny [Depp] is one of the few who can keep making films that are somehow less successful and still end up on people’s lists.”
“Sometimes, madness is the right response to a mad world. Sometimes, illusion is the only way out.” By way of a longtime reader, The Keynote‘s Tasha Robinson discusses the origins and greatness of Terry Gilliam’s Brazil, one of my trifecta of all-time favorite films (along with Amadeus and Miller’s Crossing) and at least partly the namesake of GitM (Ere I am, JH…) — I got the still above signed at a Gilliam event in NYC in October 2006. Some great stuff in here — I actually never knew, or had forgotten, how close this came to being a Tom Cruise vehicle — That would’ve been a error of Tuttle/Buttle proportions. Da dum, da da da da da dee dum…
Lots of catch-up to do in the Trailer Bin…
Finally out of The Master‘s clutches, a lonely Joaquin Phoenix falls in love with, for all intent and purposes, Siri (Scarlett Johansson) in the first trailer for Spike Jonze’s Her, also with Amy Adams, Olivia Wilde, Chris Pratt, and Rooney Mara. I believe this is called going the full-Lars. (Also, I’m never not going to hear the name of this film as “Her?”)
Alan Rickman and Donal Logue — now there’s one of the best buddy pairings on film since Ray Winstone and Brendan Gleeson in Beowulf — meet a lot of 24 Hour Party People American-style in our first look at CBGB’s, with Ashley Greene, Freddy Rodriguez, Johnny Galecki, Bradley Whitford, Rupert Grint, Justin Bartha, Stana Katic, and Malin Ackerman (as Debbie Harry?) I see Severus is now teaching young Mr. Weasley a completely different set of Dark Arts. Hrm, maybe.
Michael Fassbender finds he’s taken a wrong turn into Cormac McCarthy land in the newest trailer for Ridley Scott’s The Counselor, with Penelope Cruz, Cameron Diaz, Javier Bardem, Brad Pitt, Goran Visnjic, and Dean Norris. Looks very McCarthyish, and no mistake. The good news is Ridley Scott still owes Fassbender a solid film after Prometheus.
It belongs in a museum! WWII soldiers George Clooney and Matt Damon put together a crack team to save priceless art and artifacts in the first trailer for Clooney’s The Monuments Men, also with John Goodman, Bill Murray, Bob Balaban, Jean Dujardin, and Cate Blanchett. As one wag aptly noted on Twitter, this is basically an Elseworlds Ocean’s movie, but I trust Clooney’s choices. Still, here’s hoping it works out better than Clooney & Blanchett’s last trip to Germany.
Over an unfortunately poppy soundtrack, Idris Elba and Naomie Harris channel Nelson and Winnie Mandela in the first trailer for Justin Chadwick’s Mandela: Long Walk to Freedom. This looks a bit standard-issue-biopic-y, I’ll admit. But I’ll watch just to see Elba as Mandela — just no Henley poems, k?
Team Silver Linings Playbook joins forces with Team Fighter (sans Wahlberg) to dabble in the luxurious world of art forgery in this brief trailer for David O. Russell’s next, American Hustle, with Bradley Cooper, Christian Bale, Amy Adams, Jennifer Lawrence, Robert DeNiro, Louis CK, Jack Huston, Alessandro Nivola, Michael Pena and Elizabeth Rohm.
Lowry? Has anybody seen Sam Lowry? Er, sorry, that would be Mitty, as in Ben Stiller’s adaptation of James Thurber’s The Secret Life of Walter Mitty, with Stiller, Kristen Wiig, Sean Penn, Adam Scott, Patton Oswalt, and Shirley MacLaine. I have to admit, this looks much fresher than I anticipated. Definitely maybe.
A terrible accident, an unexpected boon, and A Simple Plan all add up to another bad day for Sam Rockwell in the trailer for David Rosenthal’s A Single Shot, also with William H. Macy, Jason Isaacs, Jeffrey Wright, Kelly Reilly, Ted Levine, Melissa Leo, and W. Earl Brown. A great cast through and through, but you had me at Rockwell.
And if you need another reason to worry about Found Money, Alice Eve gets into trouble with the Russian mob, in the form of Bryan Cranston, in the trailer for Cold Comes the Night, also with Logan Marshall-Green. If nothing else, it’ll be good for Cranston to get some more menacing reps in before signing up with LexCorp (although, in that department, Mark Strong’s a solid choice as well.)
Where’s a mermaid when you need one? Tom Hanks is in considerable peril on the sea in our second look at Paul Greengrass’ Captain Phillips, also with Catherine Keener, Max Martini, Yul Vazquez, Michael Chernus, Chris Mulkey, Corey Johnson, David Warshofsky, John Magaro and Angus MacInnes.
I thought Greengrass’ most recent film, 2010′s Green Zone, was an overly preachy dud — I get annoyed with edutainment that aggressively berates me to endorse opinions I already hold. (I’m looking at you, Aaron Sorkin.) But Greengrass has a lifetime pass after United 93, Bloody Sunday, and the Bournes, so hopefully this is a return to form.
Thor Odinson, meet Clarice Starling: In a tight spot with a new Big Bad, Earth’s mightiest Asgardian (Chris Hemsworth) is forced to enlist help from his brother in the joint in the second trailer for Thor: The Dark World, also with Tom Hiddleston, Natalie Portman, Christopher Eccleston, Idris Elba, Anthony Hopkins, Rene Russo, Jaimie Alexander, Kat Dennings, Stellan Skarsgard, and Ray Stevenson.
After The Dark Knight, Skyfall, and ST:ID, I’m not sure we need any more villains unfolding their master plans from behind prison bars this decade — Heck, even Loki himself was doing this same shebang in The Avengers last year. Still, the first Thor was better than expected, and Marvel’s on a pretty consistent streak at the moment. I’m in.
I also thought the Nick Stoller’s 2011 reboot of The Muppets was decent enough, but I’m not getting good vibes at all from this first teaser for James Bobin’s Muppets: Most Wanted, with Ricky Gervais, Ty Burrell, Tina Fey, Salma Hayek, Frank Langella, Till Schweiger, Debby Ryan, Danny Trejo, Ray Liotta, and Christoph Waltz. Early yet, and I do like Stoller and Bobin’s prior output, but right now this looks like it’ll hit at about Smurfs 2 level.
So, yeah, Harrison Ford hasn’t gotten all that much better at voiceovers since Blade Runner, has he? Anyway, there’s also a new trailer for Gavin Hood’s Ender’s Game, also with Asa Butterfield, Ben Kingsley, Viola Davis, Hailee Steinfeld, Abigail Breslin, and a ridiculous number of clichés (the Inception BWOMP, “We’re running out of time,” etc.) Everyone wants a Ford comeback, but it’s hard to imagine this one getting my money, even if Orson Scott Card wasn’t a jackass. Oh well.
Ooh, he should like Before Midnight. In any case, this cut a little close to the bone (even if I did see Red and Before Midnight with other people): F**king Loser At Movie All By Himself. Hey, everybody needs a hobby.
Sorry, Anthony Weiner’s Comm Director, you’re doing it wrong (although TPM should’ve obviously known that unfortunate rant was off-the-record.) In any case, Buzzfeed offers 21 Simple Ways to Swear Like Malcolm Tucker. Is this something Doctor #12 might have to keep in mind…?
Update: “‘It’s so wonderful not to keep this secret any longer, but it’s been so fantastic,’ he said after the news was revealed on a live BBC One show.” Capaldi it is. Great choice, and he’s a longtime Dr. Who fanboy to boot.
Following up on last week’s posters, the X-Men: Days of Future Past viral campaign kicks off with a spiffy corporate website and commercial for Trask Industries (Note Peter Dinklage, in period ‘stache), along the lines of the pre-Prometheus commercial for David — and we all know how Prometheus turned out. Still I’m a sucker for Watchmen-style alternate history, like the Sentinel presiding over Ronald Reagan’s inauguration, above.
“Well I never knew it was a man’s world! I never accepted that. I thought I had an education just as good as a man’s. I deserve to have the same opportunities and advantages. So I antagonized a lot of people, but I fought for women’s rights and blacks’ rights and civil rights. Discrimination against women was very bad. There was no reason to accept discrimination. No reason.” Helen Thomas, 1920-2013.
“‘My personality was formed by Chicago,’ he told Cigar Aficionado magazine in 1999. ‘It’s very American, very straightforward. If you can’t find it, or make it there, you won’t make it anywhere. It’s a very honest place.’” Dennis Farina. 1944-2013.
“I was the Knicks’ third-leading scorer [8.1 ppg], I also finished third in the league in assist average [2.0], and my salary was 60 dollars per game. Ha! These days, the players make about sixty dollars a minute. Don’t get me wrong, though. I have no jealousy or resentment over how much money these guys make today. I think they’re the best athletes in the world, and they’re worth every red cent. I’m just proud to have been one of the NBA’s pioneers.” Ossie Schectman, 1919-2013.
It’s a bad day in space in the powerful new trailer for Alfonso Cuaron’s Gravity, with Sandra Bullock and George Clooney. (And I expect it’ll be even worse in IMAX 3-D.) Oh yes, this could well be the cure for my summermovietime blues.
Speaking of which, great line in the AICN comment thread on this: “After seeing this (and especially the first trailer) I have a theory that Gravity is actually set in the same universe as Man of Steel and these poor people are some of those left to die in the wake of Superman’s destruction of orbiting satellites.”
Update 2: And Part 3…
All well and good, I suppose, and more indication that comic fandom is now completely mainstream. Still, while I have high hopes for the amiable weirdness currently surrounding James Gunn’s Guardians of the Galaxy, it sure feels like Hollywood is churning out a lot of mediocre, uninspired, and by-the-numbers product this year.
Maybe I’m just getting old, and I suppose Shane Black’s Iron Man 3 was decent enough fun, but I found both Star Trek: Into Darkness and Man of Steel loud, dumb, and disappointing, to the point where I haven’t felt all that inclined to pony up for World War Z and Pacific Rim, which looks like more of the same: smash-mouth visuals struggling to overcome dismal writing, and 9/11y spectacle used for fake-gravitas.
Hopefully Elysium will give this summer an Inception-like jolt. As it is, we’re halfway through 2013 and the only must-see film I’ve caught is Before Midnight.