“So, to quote J. K. Simmons in his magisterially wicked coda to Burn After Reading, ‘What did we learn, Palmer?’ Well, for my part, I learned a few things…More significantly, I learned — or rather re-learned — that the Coens have made an awful lot of really good movies. Out of all 16 features, I enjoyed re-watching all but two: The Ladykillers, which I have always considered their worst effort by orders of magnitude; and, somewhat to my surprise,
The Hudsucker Proxy, which I’d always placed in their bottom tier, but which I had looked forward to giving another try.”
On the thirtieth anniversary of Blood Simple — and as we all await Hail Caesar! — The Atlantic‘s Chris Orr has revisited and ranked all sixteen Coen films in sixteen days. I’d quibble with some of the rankings of course — Lebowski and A Serious Man are top-shelf, imo, and Intolerable Cruelty is oft-overlooked — but anybody who has Miller’s Crossing atop their list is my kinda people. Character. Ethics.
“The rug is a moveable barrier which move backwards to reveal more of the rug as the shot is repeatedly hit. Unrolling the rug really pulls the room together and starts one of the modes featured below.”
Speaking of the brothers, it might be a really good time to kidnap yourself, dude: The Dutch Pinball team just made us all privy to the new sh*t at a launch party for their all-new, fully licensed, and very spiffy Big Lebowski pinball machine — available 2Q, 2015 for the ransom of 8500 simoleons (tho’ for your information, the Supreme Court has roundly rejected multi-ball.)
Here’s the official site. If I had ridiculous money/room to burn and were the sort to treat objects like women, man, I’d buy one in a heartbeat.
As making the rounds of late, the raw C-SPAN feed of the Yavin 4 medal ceremony
was a considerably weaker PR hit for the Rebellion, and no mistake. (Chewie in particular comes off much worse — This is like learning of Lincoln’s squeaky voice
Also in recent Original Trilogy-related humor, Black C-3PO (BL3PO? Either way, probably still less offensive than Jar Jar et al) and this analysis of the insurgency on Endor’s moon. “The Ewoks are not soldiers, but a tribal insurgency — and a remarkably successful one once they receive the backing of foreign special forces.”
“‘The first season of Mork & Mindy I knew immediately that a three-camera format would not be enough to capture Robin and his genius talent,’ said Marshall. ‘So I hired a fourth camera operator and he just followed Robin. Only Robin. Looking back, four cameras weren’t enough. I should have hired a fifth camera to follow him too.'”
Robin Williams, 1951-2014. See also: David Simon’s remembrance: “I encountered him only once, twenty years ago, but the memory is distinct. I found Mr. Williams good-hearted, hilarious, talented, and remarkably, indescribably sad.”
Must-see Williams: The World According to Garp, Moscow on the Hudson, The Fisher King, Good Morning Vietnam, Dead Poets Society, Aladdin.
***“‘You just learn to cope with whatever you have to cope with. I spent my childhood in New York, riding on subways and buses. And you know what you learn if you’re a New Yorker? The world doesn’t owe you a damn thing.'”
Lauren Bacall, 1924-2014. More from RogerEbert.com’s Balder and Dash: “The most touching thing about Bacall’s autobiography is her bewilderment about having been given so much at such a young age and then having it all taken away from her…But she did keep going, and going, for more than half a century…Her interviews were always salty, brassy, forbidding. She claimed often that she was more vulnerable than she appeared, and maybe that was true.”
Must-See Bacall: To Have and Have Not, The Big Sleep.
“We used to look up in the sky and wonder at our place in the stars. Now we just look down and worry about our place in the dirt.”
Those True Detective pun titles keep on givin': Matthew McConaughey goes asking our intergalactic neighbors for water in the newest trailer for Christopher Nolan’s Interstellar, also with Anne Hathaway, Jessica Chastain, Bill Irwin, Ellen Burstyn, Michael Caine, Matt Damon, Casey Affleck, Topher Grace, John Lithgow, David Gyasi, Wes Bentley, and David Oyelowo.
As before, I like the space case being made here, but remain worried about the apparent Gravity-levels of schmaltz being used to fuel this probe. We’ll see, this November.
A few other trailers that popped up via Comic-Con ’14…
Reborn as Tom Hardy, Australia’s most notable post-apocalyptic survivor looks to need a hand or three from Charlize Theron in the first trailer for George Miller’s long-anticipated Mad Max: Fury Road
, also with Nicholas Hoult, Rosie Huntington-Whiteley, and Zoe Kravitz. Eh, ok…looks like The Road Warrior
with better production values.
Meanwhile, the survivors of the enjoyable first film
look to go all Smokin’ Aces
on Powers Boothe in a new red-band trailer for Robert Rodriguez’s Sin City: A Dame to Kill For
, with Mickey Rourke, Jessica Alba, Rosario Dawson, Bruce Willis, Jaime King, Joseph Gordon-Levitt, Eva Green, Dennis Haysbert, Martin Csoskas, Christopher Lloyd, Ray Liotta, Juno Temple, Stacy Keach, Christopher Meloni, Jeremy Piven, and Lady Gaga. Not particularly inclined to throw any more money at Frank Miller
, but the first one was good fun.
: One more: Julianne Moore and the late Phillip Seymour Hoffman briefly discuss the political ramifications of one Katniss Everdeen in the most recent teaser for Francis Lawrence’s The Hunger Games: Mockingjay Pt. I
, with Jennifer Lawrence, Josh Hutcherson, Donald Sutherland, Liam Hemsworth, Woody Harrelson, Sam Claflin, Elizabeth Banks, Jeffrey Wright, Stanley Tucci, Toby Jones, Gwendoline Christie, and Natalie Dormer. Alrighty then – Not bad, but I thought the two recent addresses by President Snow
were savvier (and creepier) marketing.
Also among the riches of Comic-Con ’14: Zack Snyder released a second image of the Batfleck
(not to be confused with Bruce Wayne
) and our first look at Gal Gadot as Wonder Woman
from Batman v. Superman
. So Diana’s meant to be Kryptonian, then (re: the tiara)? That’s a rather dramatic change.
Elsewhere, Joss Whedon’s Avengers showed up to gab and release, over a few days, this robot melee from Age of Ultron. Both properties also showed short teasers to the attendees, but thus far I’ve only seen them online in unflattering Kramervision form.
Also in this year’s Comic-Con cache, a few posters
and the teaser for Peter Jackson’s The Hobbit: The Battle of Five Armies
. Eh…I dunno. As y’all know, I’ve been a big booster of PJ’s Middle Earth from jump street
, and I thought well of the first Hobbit
, tho’ the second showed signs of strain
But this looks tonally off to me — The Hobbit just isn’t Return of the King, and, while I know the Battle of the Five Armies is the bulk of the material remaining to be covered, I’m still going to be depressed if two-thirds of the running time here is Pelennor Fields II: Prequel Boogaloo. Fingers crossed.
“John Carpenter’s Big Trouble in Little China is, in a lot of ways, a comedy, and its central joke — its only joke, really — was that Burton thinks he’s a swaggering hero, when in reality, he’s a sidekick at best and a well-meaning liability at worst. His friend Wang Chi is the movie’s real hero, and everyone but Burton seems to realize it. Burton slips, pratfalls, opens the wrong doors, drives into blind alleys, hits on Kim Cattrall at the worst possible moments…He’s a total boob.”
At Deadspin, Tom Breihan praises the “lunkheaded genius” of John Carpenter’s Big Trouble in Little China. “The main reason the whole thing works is Russell, who gamely mugs his way through it…his idiocy is the engine that powers the whole thing.”
“Rockwell: I wanted to ennoble the coward archetype. I thought of the best cowards in cinematic history, like John Turturro in ‘Miller’s Crossing.’ When we did the shuttle scene I drank four cups of coffee and downed two Excedrin. I wanted to be so hyped that I would have a nervous breakdown on the shuttle.”
On the fifteenth anniversary of a certifiable comedy classic, MTV offers up an oral history of Galaxy Quest. “George Takei: [It's] a chillingly realistic documentary.”
“The decade that followed had been a weird one for the rom-com, which seemed to retreat from Annie Hall’s not-awful sexual politics all the way back to The Taming of the Shrew. In the 1980s, when a blonde woman and a not-blond man were onscreen together, the idea was usually that the woman needed some serious thawing out (as in TV’s Moonlighting and L.A. Law)…the genre needed a game-changer, and romantically and culturally, When Harry Met Sally… was it. If you want to know how we got from Annie Hall to Knocked Up, there’s only one route, and it’s through this movie.”
On the film’s 25th anniversary, Mark Harris revisits When Harry Met Sally… for Grantland. “It’s not Annie Hall, but a movie about people who have seen Annie Hall.”
“I’m from the Spencer Tracy school: Be on time, know your words, hit your marks, and tell the truth. I don’t have any theories about acting, and I don’t think about how to do it, except that an actor shouldn’t take himself too seriously, and shouldn’t try to make acting something it isn’t. Acting is just common sense. It isn’t hard if you put yourself aside and just do what the writer wrote.”
R.I.P. James Garner, 1928-2014. “Mr. Garner, a lifelong Democrat who was active in behalf of civil rights and environmental causes, always said he met his wife, the former Lois Clarke, in 1956 at a presidential campaign rally for Adlai Stevenson.”
“The series follows eight characters around the world who, in the aftermath of a tragic death, find themselves linked to each other mentally and emotionally. They can not only see and talk to each other as though they were in the same place, they have access to each other’s deepest secrets. Not only must they figure out what happened and why and what it means for the future of humanity, they must do so while being hunted by an organization out to capture, kill or vivisect them.”
Er, ok. The Wachowskis and J. Michael Straczynski announce the cast of their new Netflix series, Sense 8, including Doona Bae of Cloud Atlas, Darryl Hannah, Naveen Andrews, Doctor Who‘s Freema Agyeman, and a bunch of relative unknowns (above).
In other notable casting news, the Wachowskis’ most recent leading man, Channing Tatum, has joined the cast of the Coens’ next, Hail Caesar — a project they’ve been circling since 2005 — along with Tilda Swinton and Ralph Fiennes. (George Clooney and Josh Brolin are also attached.)
“Tatum’s role is described as a Gene Kelly-type star while Fiennes will play Laurence Lorenz, a studio director. Swinton…will play a powerful Hollywood gossip columnist. Clooney, we’re supposing, is playing Eddie Mannix, a fixer who works for the studios in the 1950s. But it could be Brolin.” Didn’t this used to be about Shakespeare in the ’20’s?
“‘We’re incredibly proud to have an actor with the gravitas and versatility of Vincent joining “Marvel’s Daredevil” in such an integral role,’ said Jeph Loeb, Marvel’s Head of Television. ‘Wilson Fisk is an iconic villain whose cunning and power make him the dangerous equal of our hero.'”
After the abrupt and disappointing exit of Edgar Wright from Ant-Man (Buster Keaton haz a sad), Marvel restores a modicum of goodwill by casting Stardust and Boardwalk Empire‘s Charlie Cox as Matt Murdoch and thoroughly unique oddball Vincent D’Onofrio as the Kingpin in their upcoming Daredevil TV show. Yeah, I’d watch it.
He’s more machine now than man, twisted and evil. David Lynch’s Return of the Jedi
. (Hey, it almost happened
.) I’ll admit, the Sy Snootles gag cracked me up.
“You’ve been dead for around 25 years now.” Also in the Lynch department: For the new Blu-Ray collection Twin Peaks: The Entire Mystery (take my money!), David Lynch interviews the Palmer family, in character. The Leland/Ray Wise one is below. It’s, er, weird…but you already knew that.
As shook the fandom interwebs ten days ago, the mostly male Star Wars VII cast
gets a much-needed XX infusion with the additions of Lupita Nyong’o and Gwendoline Christie
(best known for 12 Years a Slave
and Game of Thrones
respectively) to the cast. Now we’re cooking — Please, JJ, don’t waste all this talent. (*cough Into Darkness
“We’re not meant to save the world. We’re meant to leave it.”
Matthew McConaughey & co. set sail on an ocean of stars to find an uncorrupted planet in the first full trailer for Christopher Nolan’s Interstellar
, also with Anne Hathaway, Jessica Chastain, Bill Irwin, Ellen Burstyn, Michael Caine, Matt Damon, Casey Affleck, Topher Grace, John Lithgow, David Gyasi, Wes Bentley, and David Oyelowo. (The teaser was here
Well I definitely agree with the sentiments being expressed, tho’ this trailer is a mite schmaltzy. Some observant commenters at Vulture noted that, given McConaughey’s insistence he will be returning (and I’m not sure how that’s going to work out given his apparent traveling at relativistic speeds), Jessica Chastain is probably the older version of Murphy the teenage redhead. Prompting someone else to say this: “In other words, they get older, he stays the same age.” Ten points for Gryffindor.
“A thread running through Mr. Giger’s work was the uneasy meshing of machines and biology, in a highly idiosyncratic blend of science fiction and surrealism…He kept a notepad next to his bed so he could sketch the terrors that rocked his uneasy sleep — nightmarish forms that could as easily have lumbered from prehistory as arrived from Mars.”
R.I.P. Swiss surrealist H.R. Giger, best known as the creator of the Lovecraftian Xenomorph from Alien (which, along with The Shining twins, Freddy Krueger, and the final shot from Carrie, is responsible for a goodly percentage of my nightmares over the years), 1940-2014. “My paintings seem to make the strongest impression on people who are, well, who are crazy. A good many people think as I do. If they like my work they are creative…or they are crazy.”
With production gearing up, Zack Snyder tweets out our first look at Ben Affleck as Batman
, and it’s heavy on the Frank Miller
. (Close-up below.) I wasn’t sold at all on Man of Steel
, and I expect this second installment will be completely overstuffed. Still, that’s an impressive rendering of the Dark Knight, and no mistake.