Recently in Elvis Costello Category
"Grabbing a microphone and cane while donning a black top hat, the evening's ringleader, Napoleon Dynamite, announces to the audience: 'We'll perform songs about love! Songs about sex! Songs about death and songs about dancing! But not necessarily in that order.'"
Notify your next-of-kin: This wheel will explode! Elvis Costello and the Imposter's Spinning Wheel Tour was in the area this week, and I got the chance to catch my third Elvis show. Here's the setlist, as half-determined by random spins of Elvis's big carnival wheel:
I Hope You're Happy Now | Heart Of The City | Mystery Dance | Uncomplicated | Radio Radio | Spin 1: Pump It Up/Busted | Spin 2: Alison | Spin 3: This Year's Girl/Party Girl/Girl | Spin 5: Everyday I Write The Book | Spin 4: The Spell That You Cast/Indoor Fireworks/Brilliant Mistake/National Ransom | Spin 6: Roxanne/I Want You | Spin 7: And Your Bird Can Sing | (I Don't Want to Go to) Chelsea | Beyond Belief | Waiting for the End of the World | Spin 8: So Like Candy | Don't Let Me be Misunderstood
Encore 1 (acoustic): A Slow Drag With Josephine | Jimmie Standing in the Rain | Brother, Can You Spare a Dime?
Encore 2: Spin 9: Greenshirt/(Angels Want to Wear My) Red Shoes/Purple Rain | Honey Are You Straight Or Are You Blind? | What's So Funny About Peace, Love and Understanding?
So, as you can see, over thirty songs in there, and Elvis was in his usual top form. I could see "the wheel of songs" being more fun in theory than in practice, if luck hadn't been such a lady to those of us at Wolf Trap -- Granted no "Almost Blue," "Man Out of Time," or "Shipbuilding," but any night you hear Elvis sing "Beyond Belief, "Indoor Fireworks," "Alison," "So Like Candy," and especially "I Want You" (chosen by a contestant on a pick-any-song-you-want joker spin, and bless her for it) is a good night. If the wheel rolls 'round your way, definitely think about going. (Pic via here.)
"I'm very proud of this record. I think it may be the best record I've made in terms of the latter part of my career. Where it goes and what it means to who I am? I will carry on for as long as I feel I want to do this." Vanity Fair catches up with Elvis Costello on the eve of a new album, National Ransom. "I can't put up with bad gigs or wasted opportunities. It has to count, because there's somewhere I'd rather actually be."
And, speaking of new albums, R.E.M. has named their upcoming 15th one: Collapse Into Now, due out this Spring. As some who's come to prefer Around the Sun over Accelerate, here's hoping it's more like the former.
So where are the strong? And who are the trusted?> Why, Bob and Elvis, of course, and they're in the Nutmeg State, or at least they were last night. As promised, I caught the traveling Dylan-Costello tour over the weekend in (relatively) nearby Bridgeport, CT. The setlists:
Elvis: (The Angels Wanna Wear My) Red Shoes | Either Side of the Same Town | Veronica | The River in Reverse | Down Among the Wine and Spirits | Bedlam | From Sulfur to Sugar Cane | Radio Sweetheart/Jackie Wilson Said | (What's So Funny 'Bout) Peace, Love and Understanding? | The Scarlet Tide
Bob: Leopard Skin Pill-Box Hat | It Aint Me, Babe | I'll Be Your Baby Tonight | You're a Big Girl Now | Rollin' and Tumblin' | Workingman's Blues #2 | 'Til I Fell In Love With You | When the Deal Goes Down | Honest With Me | Spirit on the Water | Highway 61 Revisited | Nettie Moore | Summer Days | I Shall Be Released
Encore: Thunder on the Mountain | Like a Rolling Stone
Taking the second act first (well, third -- as in Bob's Beacon stand in 2005, Amos Lee was the *real* opener), Bob's set -- as you can see -- was heavy on the Modern Times, which is an album I never really listened to all that much. (It came out just before I was kicked to the curb last year, at which point it just got consigned to the iPod shuffle dustbin.) And, as I've said before, when it comes to new Bob, I prefer the looming darkness of Time Out of Mind to the rockabilly antics of Love & Theft, which was also represented here a few times. Still, there were a few gems interspersed throughout the set. Bob's post-apocalyptic croak these days doesn't really suit tender ditties like "I'll Be Your Baby Tonight," and on "I Shall Be Released" I was thinking it might even be time to go the Leonard Cohen backup-singer route. But he still got a fair amount of mileage out of "Like a Rolling Stone" and the raucous opener, "Leopard Skin Pill-Box Hat," and he looked spry as ever while playing most of the new stuff. Plus on this, my eighth Dylan show (1, 2, 3, 4, 5, 6, 7), I happily got to scratch off "You're a Big Girl Now" on my own mental checklist of songs to hear the man play live. And, while I'm not sure last night's version quite did the song justice -- A line like "I'm going out of my mind with a pain that stops and starts!" needs the plaintive howl of 1975, not the world-weary rasp of 2007 -- I was glad to hear it made the list regardless.
If I'm being a bit harder on Dylan than usual, it may be because Elvis had just left the building, and he pretty much tore the roof off the place in his set. When I heard he was on the bill, I was wondering who his back-up band might be: The Attractions, The Imposters, or some other permutation thereof. Well, as it turned out, this was a solo stand: just Elvis in black, a few guitars, a spotlight, a microphone, ten chords, and the truth. He played more of his standards when I saw him at the Beacon, but that wasn't a problem here; His too-brief set included a few well-known hits ("Veronica," "PLU"), some golden oldies ("(The Angels Wanna Wear My) Red Shoes", "Radio Sweetheart"), some as-yet-unreleased songs ("Down Among the Wine and Spirits," "From Sulfur to Sugar Cane"), and even a cover of Van Morrison's "Jackie Wilson Said," and each one burned with clarity and conviction. Among the highlights for me were "Either Side of the Same Town," my favorite song from The Delivery Man, "The River in Reverse" (from his album with Alan Toussaint -- it was a blistering call-and-response number last night), and the anti-war lament "The Scarlet Tide" (also from Delivery Man.) (To his credit, Costello also had a remarkable amount of Bridgeport-specific stage patter last night, from name-dropping the old arena there to paying respect to the father of show business, Bridgeport native P.T. Barnum. Somebody had done his homework.)
A tour to look out for: The freewheeling Bob Dylan is, as ever, on the road, but this September and October he's bringing along Elvis Costello to boot. I've seen Bob a lot, and I've seen Elvis, but seeing 'em back-to-back should be more fun than you can shake a stick at. (I'm definitely going to the Bridgeport, CT show...undecided about Albany.)
(It's a doll revolution.) By way of Quiddity comes this rather creepy trailer for Steven Soderbergh's recent side project, Bubble, a tale of love and murder amid the plastic baby parts.
I'm off early this morning to catch up with college friends for one of our semi-annual reunions, so I expect it'll be quiet around here until next week. But, since it's a holiday weekend of sorts, and since I've been perusing a number of MP3 blogs lately, I figured I wouldn't leave on a jet plane before regaling you, my dear readers, with the Valentine's gift of music. (The usual mp3blog rules apply: the files will be up this weekend and this weekend only, and please do not link to them.) So, without further ado:
You have to trust it,
Maybe not from the sources
you have poured yours
maybe not from the directions
you are staring at,
Twist your head around
it's all around you
As y'all know, iconography from the stunning video to Bjork's "All is Full of Love" has graced this site for years now, so it seemed a logical choice for GitM's Valentine. It'd be hard for me to introduce the song any better than Bjork did herself: "That song's from a moment when I'd had a pretty rough winter and then it was a spring morning and I walked outside and the birds were singing: Spring is here! I wrote the song and recorded in half a day. It just clicked - you know: you're being too stubborn, don't be so silly, there is love everywhere. The feeling, the emotion of the song was like completely melting and loving everything and feeling like everything loved you, after a long time of not having that. The song, in essence, is actually about believing in love."
Strangely enough, I experienced a very similar revelatory moment, traipsing around outside after a blizzard several years ago, while listening to this "Plaid" version of the song. It's missing the languorous beat that's so memorable in the single version, but I adore the fugue-like intro and textured, contrapuntal rhythms of this mix -- They lend it a timeless, ethereal beauty that perfectly matches the celestial coo and growl of its Icelandic muse. I don't want to hate on Love, Actually for too many posts in a row, but to my mind this song brilliantly encapsulates what that movie tried and failed to get at -- Even in our loneliest moments, love surrounds us and binds us.
All is Full of Love (Plaid Mix) -- Bjork (5.88MB, 4:17)
(song removed)
Original version on Homogenic.
[Update:]
***
I want you
I'm not ashamed to say I cried for you
I want you
I want to know the things you did that we do too
I want you
I want to hear he pleases you more than I do
I want you
I might as well be useless for all it means to you...
Bjork too sappy? Well, if, on the other hand, you prefer to spend Valentine's Day prodding scars and excavating the thin line between love and hate, then here's a streetlight serenade for you -- a blistering-hot live version of Elvis Costello's most savage, searing slow burn. Much of the resonance of the original "I Want You" lies in how what starts off as a run-of-the-mill torch song slowly degenerates into something much more complicated and sinister. This spooky, haunted-house version from the 2002 tour skips the set-up, but it's nevertheless a poisonous mirrorball of rage and regret, bitterness and betrayal, loss and (self-)loathing...all those quintessential consequences of a love implosion that they just don't seem to make Hallmark cards for (and it's all topped off with a brief twinge of Yankee Power.) Our man Costello may be enthralled with Diana Krall these days, but as this song makes emphatically clear, there are still some things you just don't wanna know about his dark life.
I Want You (Live in Nashville 2002) -- Elvis Costello (15.1MB, 8:15)
(song removed)
Original version on Blood and Chocolate.
[Update]:
Either path you choose, have a safe and happy weekend, and I'll catch y'all next week.
"I don't give a f**k about being a rock 'n' roll star. I just want to do the things that interest me." The Guardian looks into Elvis Costello's next fanciful side project, an opera on the life of Hans Christian Andersen.
"Being the patron saint of a certain kind of woman-hating dweeb is not a great career. Let me say that, right out." Also in Rolling Stone, Elvis Costello reflects on his journey thus far, on the eve of two new albums, The Delivery Man and Il Sogno.
Slate ruminates on whether lovebirds Elvis Costello and Diana Krall are lousy influences on each other. A bit mean, perhaps, but I've thought for awhile that a happy Elvis might mean trouble.
A long-time Elvis Costello fan sours on North. "Now he's a navel-gazing romantic who apparently let all those Gershwin comparisons go to his head." Well, I haven't heard Costello's latest yet, but I dunno if this is really fair. As the article notes, Elvis was superb on tour last year, and he still seems miles away from Billy Joel country.
Via Pearls that are his Eyes, the Guardian talks with Elvis Costello on his new album and newfound love. While I'm glad the guy's feeling peachy, I must say the jury's still out for me on the idea of a blissful Elvis...I prefer my Costello lacerating, verbose, and irreconcilable.
Elvis Costello, The Police, and The Clash will all be inducted into the Rock and Roll Hall of Fame next year. To my mind, that's the most worthy induction class in recent memory.
The Elvis Costello show at the Beacon the other evening was superb (set list here)...I was surprised how good he sounds live. I expected his voice to be a little more off, but he could hit all the notes and wavers from the studio versions. If I could pick three Elvis songs I had to hear, they'd be "Man Out of Time," "Indoor Fireworks," and - most importantly - "I Want You," so I was not disappointed. (Yeah, "Alison," "Beyond Belief," or "Everyday I Write the Book" would've been cool too, but I'll take what I can get.) The third encore in particular, the blue-lit, NIN-esque version of "I Want You" paired with "Almost Blue," was truly a thing of beauty. As for Underworld the other night, I was underwhelmed...mostly by the venue, which was way too small and overbooked for a dance show. In fact, I've pretty much given up on the Hammerstein as a venue by this point. (More on the Underworld show in the comments of this post at Do You Feel Loved.) Did I mention that Elvis is King?
This appears to be the one week a year when I take advantage of living in NYC. A high school friend has procured me a ticket to see Underworld tonight at the Hammerstein, and then Tuesday I'm off to the Beacon to catch one of those acts on my must-see list for years, Elvis Costello and the Imposters. If the setlist is anything as ridiculous as Wednesday's, the show is going to be off the hook...Man Out of Time, Indoor Fireworks, Beyond Belief, Alison, Almost Blue, and I Want You?! Unbelievable.
The Covers Project, via Pearls That Are In His Eyes. Great for use in association with Kazaa. To take just two examples, I didn't know Scott Weiland covered Depeche Mode's "But Not Tonight" (tho' the original is still better) or that Elvis Costello riffed on Dylan's country classic, "I Threw It All Away." Good stuff.
