Recently in Fanboy Category
Among the bountiful harvest that is the Quantum of Solace trailer crop...
I'm all over the place on this one. There are some real red flags here -- all the Snydery slo-mo shots of Malin Ackerman's hair, for example -- and some of the dialogue feels as stiff and expository as the ponderous take-a-meeting scenes in 300. Then again, as with the first trailer, I'm still having trouble just wrapping my mind around the fact that they finally made a Watchmen movie. So I'm inclined to be charitable, and the little flourishes throughout (Rorschach's mask moves!) appeal to my inner fanboy regardless. (Also, while Jackie Earle Hale's Bale-Batman-growl may be a tad distracting, it's hard to imagine Rorschach with any other kind of voice.) For now, I'll call it a push.
Also out of late:
"Literally, like every week, what you discover writing the two movies...it changes. So, every week there's a discovery, and anything we say this week would be contradicted next week. Certainly that would be true in casting. Why create hopes or why create expectations if down the line you're going to go, 'You know what? That was not a good idea."
While promoting the Hellboy II Blu-Ray, Guillermo del Toro gives a brief status update on The Hobbit, and, in discussing Smaug, once again sings the praises of Matthew Robbins' 1981 Dragonslayer. "The design of the Vermithrax Pejorative is perhaps one of the most perfect creature designs ever made. So, what you have to be careful is not to try to be distinctive just to be distinctive, but Smaug has certain characteristics that make him unique already." (FWIW, along with Excalibur, Clash of the Titans, Tron, and The Black Hole, Dragonslayer is one of the films in that first post-Star Wars genre boom that I count among my earliest movie theater memories. It was also featured prominently in the fan-made Hobbit teaser of several years ago. Good stuff, that.)
Update: Apparently, del Toro is still thinking on Lovecraft as well.
"The Bodyguard goes LIMP and slides off the table. The PENCIL is gone. MAGIC. The Joker BOWS. Grins at Gambol." As part of WB's "For Your Consideration" Oscar-push website, the official script for Christopher Nolan's The Dark Knight is now online. Worth a read-through if you enjoyed the film as I did, if only to discover what memorable flourishes by Ledger's Clown Prince of Crime were the actor's creation. (Quite a few of 'em, it seems.)
In anticipation of the second trailer (one of the many coming to theaters with this weekend's Quantum of Solace), six new character posters for Zack Snyder's Watchmen are released. That's right-wing freakshows The Comedian (Jeffrey Dean Morgan) and Rorschach (Jackie Earle Haley) up top. See also Ozymandias (Matthew Goode) with Bubastis, Silk Spectre II (Malin Ackerman), Nite Owl II (Patrick Wilson), and Dr. Manhattan (Billy Crudup).
Contemplate this on the Tree of Woe, Republicans. Listed #1 among the "50 Facts You Might Not Know about Barack Obama (courtesy of the Daily Telegraph): "He collects Spiderman and Conan the Barbarian comics."
Say whaaat? We already know for sure he's a Wire fan, but can we get some evidentiary back-up on this most recent claim? Are we talking Amazing, Peter Parker, Ultimate or what? Is President-Elect Obama a Ditko guy or a McFarlane guy? And, while the stark raving Right got lost in their "shadow muslim" idiocies, did they all miss the real story? Is our new president really a follower of Crom?
Woodward, Helen Thomas, Mike Isikoff: get on this stat. (And extra points if y'all can extract from our new prez the Riddle of Steel.)
A bold, uncompromising vision of the not-too-distant future, a stark exposé of the greed and corruption that ignited the credit collapse...or a weird cash-in by a director looking to pay some bills? Word is Ridley Scott will direct Monopoly for Warner Brothers, based on the ever-popular, family-destroying board game, "with an eye toward giving it a futuristic sheen along the lines of his iconic 'Blade Runner." (It's unclear as of yet what this does to Joe Haldeman's Forever War.) Um...ok.
By the way, for a solid laugh or three, check out the AICN feed about the news, where wry movie people are having good fun eviscerating the project, and imagining its competitors. I particularly liked "M. Night Shyamalan's BALDERDASH -- You'll never guess what happens!" and "David Cronenerg's DON'T BREAK THE ICE, with Christopher Walken. In 2011, the ice...is gonna break!" (Although, as someone else noted, "Mr. Potato Head" is definitely a better Cronenberg fit.)
Some news the Obama administration may want to contend with when considering any plans to boost American economic productivity right around now: Amid the slew of high-profile new games coming out of late (Fable 2, Fallout 3, Gears of War 2, Call of Duty: World at War), Blizzard's much-awaited 2nd WoW expansion, Wrath of the Lich KIng, drops tonight at midnight. In other words, that serious drag on the Internets tomorrow, as well as the frantic clicking sound you'll be hearing in offices and cubicles around the world, is eleven million people frantically trying to be the first to level from 70 to 80. (I myself plan to take a slightly more leisurely pace with WotLK, meaning I'll probably stop playing through the coming weekend for such relative luxuries as food, sleep, the monthly library book sale, and the new Bond flick.)
Update: [Note: If you're not among the WoW-inclined, just skip over this paragraph.] Ding 80, as of Sunday evening during the Obama 60 Minutes. So far, I've been extremely impressed with the art direction of Northrend, as well as the imagination put into some of the quests. (Lots of fun nods throughout too -- See, for example, the Lost hatch in Sholazar Basin, the Time Bandits quest in Zul'Drak, or the time-travel paradox from Infocom's old Sorcerer game in Dragonblight.) That being said, I am slightly afraid they've made the game too easy to allow more (re: bad) players to access end-game content. I guess we'll soon find out...
In the trailer bin of late:
Don't drink the water...With Michael Gambon looking and sounding more Gandalfian than ever, the international trailer for David Yates' Harry Potter and the Half-Blood Prince is now online. Well, ok then.
As featured in the Spike awards last night, an extended version of Zack Snyder's Watchmen trailer arrives online. I'm liking the Galactus-y feel of Dr. Manhattan's moments, but the slo-mo Snyderisms here (the doomed flight of the Comedian notwithstanding) still give me pause.
Update: Speaking of which, said flight is now captured in a spiffy new Watchmen teaser poster, above.
"Would you think about that a moment, my friends? Whenever you've seen Batman, who's he with? Criminals, that's who!" Before Atwater and Ailes, there was...Cobblepot: I know the comparison was already floating around after the veep debate. Still, this contentious Batman-Penguin matchup of thirty years ago now seems eerily on the money... (Via Neilalien.)
Also, this is unrelated, but while I'm borrowing fun fanboy youtubes from other places, I also got a tickle out of this compelling compilation of Dr. Who clips, by way of Return of the Reluctant a week or so ago. What are you doing here? What are you doing here? What are you doing here? What are you doing here?
"'In a world where a movie as incredibly produced as The Dark Knight is raking in gazillions of dollars, Star Trek stands in stark contrast,' Abrams says. 'It was important to me that optimism be cool again.'" In anticipation of its May-2009 launch, several images from J.J. Abrams' much-anticipated Star Trek reboot materialize on the tubes. (Above from left to right, we have Chekhov (Anton Yelchin), Kirk (Chris Pine), Scotty (Shaun/Simon Pegg), Bones (Eomer/Karl Urban), Sulu (Harold/John Cho), and Uhura (Zoe Saldana). Notably missing, of course, is Spock (Sylar/Zachary Quinto) -- you can see him (looking strangely angry for a Vulcan) here.)
Despite what the post title may imply -- I used this -- I've never been much more than a casual Trekkie, and even less of a fan of J.J. Abrams' output. (I'm just going to presume Kirk gets tortured at some point in this movie.) Still, it's hard to imagine my not catching this anyway.
"'I first pursued "Forever War" 25 years ago, and the book has only grown more timely and relevant since,' Scott told the trade. 'It's a science-fiction epic, a bit of 'The Odyssey' by way of 'Blade Runner,' built upon a brilliant, disorienting premise.'" Joe Haldeman's science fiction classic The Forever War, the tale of a military grunt who -- thanks to the vagaries of relativity -- keeps returning to the homefront decades-to-centuries after he left for his last cosmic tour-of-duty, finds an established genre film director in Ridley Scott, who will presumably take it up after Nottingham, his Robin Hood re-think with Russell Crowe.
Which reminds me: Scott and Crowe's recent Body of Lies is one of the many movies out of late -- along with Choke, Miracle at St. Anna, Blindness, Eagle Eye, Appaloosa, Flash of Genius, and Traitor -- that I'd normally go see and review...if any of 'em could actually manage to break a lowly 65 on Metacritic. As it is, I've been dissuaded thus far this fall by the bad word-of-mouth attending all of these films, coupled with the psychic distance of actually having to drive to get to the nearest multiplex these days. (Besides Roti Rolls, the easy-access movie culture is arguably what I miss most about NYC.) At any rate, right now it's looking like the 2008 end-of-year movie list might well be a short one.
With Matthew Vaughn now off the project, will Mjnolir fall into the hands of a Shakespearean? Apparently, Marvel is in discussions with Kenneth Branagh to direct Thor. That is...strange.
"A man only gets a couple of chances in life. It won't be long before he's sitting around wondering how he got to be second-rate." Lots of choice stuff in today's trailer bin: First up, President Josh Brolin braves pretzels, Poppa Bush, and enough JD to kill a small horse in this fun extended trailer for Oliver Stone's W. (I can't wait.) Elsewhere, Frank Miller borrows from Robert Rodriguez, who, of course, borrowed from him, to mine Will Eisner's back-catalog in this short new teaser for The Spirit. (I'm still not sold.)
Also up recently, Kate Winslet and Leonardo di Caprio forsake the Titanic to suffocate in the suburbs in the first trailer for Sam Mendes' Revolutionary Road. (Ok, altho' it looks Little Children-ish.) Tom Cruise leads an all-star team of character actors in a plot to kill Hitler in the second trailer for Bryan Singer's Valkyrie. And Brad Pitt moves from age to wisdom in the second trailer for David Fincher's The Curious Case of Benjamin Button. (Not as haunting as the teaser, but close.) I gotta say, it's good to finally hit the Oscar stretch for 2008 -- I haven't seen nearly enough movies this year.
Update: One more, via LMG: Philip Seymour Hoffman puts on a play -- and gets stuck waiting in the wings -- in the trailer for Charlie Kaufman's much-anticipated Synecdoche, New York, also starring Hope Davis, Catherine Keener, Jennifer Jason Leigh, Dianne Wiest, Emily Watson, and Michelle Williams.
Update 2: Ok, what with Marky Mark, Ludacris, Bridges the Lesser, the lousy whiteboy angst-metal, and the highly Matrix-derivative gun-fu and explosions throughout, the recent trailer for John Moore's Max Payne looks Skinemax bad. But, then again, it does have The Wire's Jamie Hector (Marlo) briefly playing Exposition Guy with an island accent, so that's enough for a link. Hey, I'm easily amused.
"'Our vision isn’t your grandfather’s "Moby Dick,"' Cooper said. 'This is an opportunity to take a timeless classic and capitalize on the advances in visual effects to tell what at its core is an action-adventure revenge story." Breaking news from the Department of Bad Ideas: Universal has signed Timur Bekmanbetov of Night Watch and Wanted to "reimagine" Moby Dick for the 21st century. I guess I may be sorta looking forward to the POV angry-whale-cam.
By way of Megg, BSG fans marvel at the visual and thematic comparisons between the McCain-Palin and Roslin-Tigh tickets. To be fair, Sen. McCain -- while clearly a patently unstable fellow and a fake maverick who flips into sleeper agent mode whenever he hears His Master's Voice -- didn't actually kill his first wife (Ellen) and bed down with a younger, well-connected Cylon woman (Six). Not quite, anyway. And Gov. Palin, while as pro-life and fundie-delusional as Roslin can be on her bad days, hasn't actually tried to steal the election...yet.
Captain, the second wave of posters from the Star Trek reboot has hit off the starboard thrusters, and this time it's Bones, Scotty, Sulu, and Chekov. Hmm...ok. Simon Pegg seems bizarrely unrecogizable at Montgomery Scott here (despite the hairline), and Anton Yelchin and Karl Urban look quite like their original counterparts. But, while I dig Harold as much as the next guy, the distinctively Korean-American John Cho seems a somewhat lazy and distracting choice for Hikaru Sulu. Couldn't they find anyone of Japanese lineage, or did they just expect us not to notice?
"Much of the pic's dialogue is in French or German, and subtitles will be used, though Pitt will speak English in his role as a Tennessee hillbilly who assembles a team of eight Jewish-American soldiers to take on the Nazis." Brad Pitt officially signs up for QT's forthcoming WWII epic, Inglorious Bastards. Also in negotiations to join the project at the moment: Nastassja Kinski, Simon Pegg, David Krumholtz, and B.J. Novak.
Hmm...I dunno. I haven't read the script, which I heard was floating around, and probably won't before I see the movie. I'd like to think that this'll be a return to the form of Reservoir Dogs, Pulp Fiction, and Jackie Brown for Tarantino. But the Kill Bills and Death Proof were so loopy, bloated, and self-indulgent that I fear QT has entered George Lucas territory, meaning that he's surrounded by sycophantic yes-men and has sadly disappeared up his own ass, never to emerge again. And casting his buddy, torture-porn director Eli Roth, first only increases my wariness that this'll be yet another self-referential bric-a-brac homage to exploitation flicks of the past. Still, hope springs eternal.
"'It's tangible, the misery and hopelessness and the bleakness,' Mortensen says. 'It gives you much more to work with if you're filming in that world instead of a green screen.' Well, they know where they're going, but they don't know where they've been...USA Today scores the first official still from John Hillcoat's take on The Road, with Viggo Mortensen, Kodi Smit-McPhee, Robert Duvall, Charlize Theron, Guy Pearce, Michael K. Williams, and Garret Dillahunt. I found McCarthy's book decent enough but considerably overpraised -- As with mainstream critics' overheated embrace of Pan's Labyrinth, I thought The Road was post-apocalyptic sci-fi for people who normally condescend to the genre, and thus haven't read/seen very much of it. And, more than most McCarthy, I found the style seriously grating after while: "The Man, ashen-faced, sifted through the ash-gray ash. The Child whimpered. His mouth tasted like ash."
All that being said, I really like the cast they've put together here, and, given The Proposition, John Hillcoat sounds like an intriguing choice for this. So, count me in.
Wonka redux? Word is Johnny Depp will be suiting up as the Mad Hatter for Tim Burton's Alice in Wonderland, in 3D. (Burton cast his Alice last week: Australian Mia Wasikowska, recently of In Treatment.) Alrighty then...but after Wonka, Dr. Thompson, and Captain Jack, hasn't Depp already thoroughly crashed this tea party?
In anticipation of the HP & The Half-Blood Prince trailer, which should be on later tonight, USA Today scores two stills from the forthcoming sixth Potter film, including this one of young Tom Riddle looking Omen-ish. (Conveniently, he's played by Hero Fiennes-Tiffin, Ralph Fiennes' nephew.)
Update: "I can make things move without touching them. I can make bad things happen to people who are mean to me. I can speak to snakes too. They find me, whisper things..." And here it is. (Link sent via Raza.)
The place to be right now, other than Berlin? San Diego, where the 2008 Comic-Con is now under way. There are lots of pictures of the floor here and here -- Note the full-scale version of NIte-Owl's ship (Archimedes) from Zack Snyder's Watchmen.
One of the first stories down the pike: Strangely enough, the recent rumors are true: Darren Aronofsky is signed for a Robocop sequel. I'd buy that for a dollar...But, don't get Murphy out of cold storage just yet: Not many of Aronofsky's projects ever seem to get off the ground. (See also: Batman: Year One, Ronin, Lone Wolf and Cub, Watchmen, Black Swan.)
Meanwhile, Disney brought down the house the first day with a surprise, fully-formed teaser for TR2N, featuring none other than the Dude, in both 1983 and 2008 incarnations. Best of all, as I recently wished in my Iron Man review, they seem to have stuck with the "Col. Kurtz up the datastream" idea. That should be great fun. Everyday, I think I'm going to wake up back on the grid...
Update: Also from Comic-Con Day 1, the trailer for Wolverine airs (ho-hum), Coming Soon has a sit-down with new Doctor Who showrunner Steven Moffat, and Torchwood's Captain Jack is up for Captain America? I don't see that at all.
Update 2: The TR2N trailer is up in really poor Kramervision...and it still looks grand. (A slightly cleaned up version is here.)
"I've not seen any recent comic book films, but I didn't particularly like the book 300. I had a lot of problems with it, and everything I heard or saw about the film tended to increase [those problems] rather than reduce them: [that] it was racist, it was homophobic, and above all it was sublimely stupid." As a companion to their Watchmen story, EW has a wide-ranging sit-down with Alan Moore, wherein he discusses Zack Snyder, 300, magic, the afterlife, DC Comics, and his favorite television show: "The absolute pinnacle of anything I've seen recently has got to be The Wire. It's the most stunning piece of television that has ever come out of America, possibly the most stunning piece of television full-stop...So yeah, everything else looks pretty lame next to The Wire."
Speaking of Moore's critique of Snyder, I felt a similar unease after reading Snyder's EW Q&A. Says Snyder of Watchmen: "Everyone says that about [Christopher Nolan's] Batman Begins. 'Batman's dark.' I'm like, okay, 'No, Batman's cool.' He gets to go to a Tibetan monastery and be trained by ninjas. Okay? I want to do that. But he doesn't, like, get raped in prison. That could happen in my movie. If you want to talk about dark, that's how that would go." Hrm. Ok. I'd have more faith in Snyder's Watchmen if he didn't persist in sounding like one of those "Totally Extreme!!" meathead whiteboys from Harold & Kumar.
In advance of ComicCon, the preview poster for J.J. Abrams' Star Trek reboot hits the tubes. (That's Kirk (Chris Pine), Spock (Zachary Quinto), Uhura, (Zoe Saldana), and the Big Bad (Eric Bana) -- click through for the individual one-sheets.) Still unseen: Bones (Karl Urban), Scotty (Simon Pegg), Sulu (John Cho), and Chekov (Anton Yelchin).
Hmmm. I'm only a casual Trekkie at best, and everything I've ever seen with Abrams' name on it (MI:3, Cloverfield, the occasional episode of Alias and Lost) has been underwhelming. And I can't say frontlining Uhura as the eye candy or introducing yet another putty-ridged-forehead baddy (He's meant to be Romulan, apparently) gives me much enthusiasm for this. But I'll probably see it nonetheless.
Holy Catastrophic Wreck of a City, Batman! After two viewings, I'm happy to report Christopher Nolan's moody, sinister The Dark Knight was well worth the wait, and bears the high expectations set for it quite impressively. In fact, at two and a half hours (which zip along, and even feel somewhat truncated at times -- see below), this sprawling Gotham crime saga is almost too much movie to take in the first time around. To be sure, The Dark Knight isn't perfect -- It still has a few of the problems of Batman Begins: Once again, there's a lot of comic-book speechifyin' going on (Michael Caine's Alfred is particularly Yoda-ish at times), some leaps in logic are occasionally required, and the fight sequences can be hard to follow at first -- but all of these are readily forgivable given both the ambition and scope Nolan is working with here and the sheer entertainment value of the film.
Most importantly, if Begins, as I said in 2005, was "the Batman movie that fans of the Dark Knight have been waiting for," this is undoubtedly the Joker movie we've all been hoping for as its companion, particularly in light of Jack Nicholson's one-note grandstanding way back in 1989. Heath Ledger here is a true force of nature, embodying to a tee the malevolent, frighteningly insane jester of The Killing Joke and The Dark Knight Returns -- He has to be considered a lock for Best Supporting Actor next year.
Some spoilers will likely follow in the paragraphs to come, so, if you want to go in completely fresh, I'll leave it at this: WALL-E is up there, but right now The Dark Knight is without a doubt the film of the year, and far and away the best superhero movie out since Spiderman 2 or The Incredibles. True, some might find this vision of Gotham too relentlessly downbeat for their taste. But, if like me, you take your Batman black, you're in for a real treat.
The Dark Knight begins with a taste of things to come -- Six masked clowns descend upon a downtown Gotham bank, owned by the mob and run by Heat's William Fichtner, and only one drives out, with $68 million in lucre and another boost for his burgeoning notoriety. We then are introduced to the three men leading the fight to take back Gotham City from the criminal hordes: Lt. Jim Gordon (Gary Oldman), now running his own MCU; recently-elected DA and Kennedyesque "white knight" of Gotham Harvey Dent (Aaron Eckhart), and of course, the Batman (Christian Bale), still striking fear in the hearts of Gotham's underworld...and inspiring a few copycats. With Gordon following the money, Dent handing down indictments, and the Batman enforcing the law (if sometimes by circumventing it), this trifecta of concerned citizens -- aided by ADA Rachel Dawes (Maggie Gyllenhaal), caught in a McNulty-Daniels-Pearlman love triangle of sorts -- have put the squeeze to the remaining Mob factions, who've reorganized into their own version of the New Day Co-Op. (Yes, as this paragraph attests, this version of Gotham comes off very Wiry at times.)
But, in their desperation, the Mob goes Marlo one step further, and places their trust in the deranged madman in greasepaint who stole their money in the first reel. Handy with knives, pencils, motivational tactics, and The Anarchist Cookbook, this Joker is in effect the criminal countermeasure to the Batman...except, it turns out, he could pretty much care less about the Mob, their money, or really anything else. Rather, as Alfred puts it, he "just wants to watch the world burn," and before he's fully indulged his whims of fancy, all of Gotham's heroes -- and the city itself -- will face his devilishly inspired moral quandaries, no-win situations that will test their character...and, more often than not, destroy them.
So, yes, folks, despite all the quality actors on display here (special kudos to Eckhart and Oldman) and the titular Dark Knight, this is ultimately the Clown Prince of Crime's movie...and he's a real kick. As I noted above, Jack Nicholson's portrayal of "Jack Nicholson" playing the Joker was a disappointment to me even when I was fifteen years old. But this is the scary clown I've been looking to see. Lolling his tongue obscenely along the scars in his mouth, chirping about madness, mayhem, lepers and crooks in his grotesque singsong, laughing hilariously to himself about gags only he would find remotely funny, this Joker, "like a dog chasing a car," is note-perfect throughout. Ledger has so many great moments in this film that it'd be impossible to enumerate them all here. Suffice to say, he (and Nolan) got it: The Joker's knowing, even admiring co-dependence with Batman ("You complete me!), his shifty-cowardly fighting style (i.e. throw goons in the way and look for the occasional shiv), his taste for the theatrical murder (note, for example, those video interrogations)...Ledger delved right past all the campy cruft surrounding the character for years and burrowed right into the clown's dark heart. Every plaudit you've heard about him is fully deserved -- it's really an amazing performance.
Of course, the Joker isn't the only villain of the piece. Of the other main Rogues' Gallery entrant, I loved the slow build-up to his "origin" -- for once, Two-Face had real dramatic and even tragic heft on the screen. (I'm a fan of Tommy Lee Jones, but I hope he sees this movie somewhere and feels downright lousy.) That being said, it's hard to escape the slight feeling that he -- as a villain, anyway -- is shoehorned into the story somewhat. Given how fast they try to run through the Two-Face storyline near the end, it might've made more sense just to set him up for the next installment. (Speaking of which, given that Nolan rectified Tim Burton's horrendous error of killing the Joker this time (a cruel irony, in light of recent events), I'm of the opinion currently congealing in fanboy circles that Dent was unconscious in the last scene, and will be shipped off to Arkham under a fake name, by (secret) order of Gordon, should the series continue.)
And the other villain of The Dark Knight -- besides mobsters Eric Roberts and Michael Jai White, that is -- is the Batman himself, who contracts a passing case of the Dubyas as the film progresses (much to Morgan Freeman's consternation.) True, the warrantless wiretap incident also seems slightly shoehorned in to some extent, but I applaud the brothers Nolan for bringing in some post-9/11 deepthink into the equation. (Don't worry -- it's nowhere near as exploitative as Cloverfield.) As the Joker spreads fear through Gotham, by way of targeted bombings and bridge-and-tunnel threats, the authorities behave increasingly badly to keep up, from harsh interrogations to phone taps to ultimately, the murderous vigilantism of Two-Face. But, despite the occasional smoldering ruin and grieving firemen, the analogy is never cut-and-dried, and, eventually, we're all implicated. When fear runs your city, nobody's thinking too clearly. (Or, as the Joker puts it, "When the chips are down, these civilized people will eat each other." -- Note also his veiled war-in-Iraq commentary, about truckloads of dead soldiers being "all part of the plan.")
For all the upside of The Dark Knight, there are still problems here, to be sure. Perhaps I was sitting too close the first time, but some of the action sequences -- most notably the final one (needlessly enhanced by the video game sonar, even if the white eyes were a nice fanboy touch) were hard to follow the first time through. (Everything made more sense the second time.) For all its 152 minutes, The Dark Knight still feels weirdly truncated at times, particularly in the final act. (The Rangoon, "watch the world burn" scene in the middle going also seems haphazardly thrown into the mix.) And, perhaps most problematic, characters have a tendency throughout to just show up and/or disappear without explanation. Where did the Joker go after Batman leaves the fundraiser? How did Bruce know the Joker was coming in the first place? How did Batman find Dent when he's interrogating the Joker's goon? Why was Eric Roberts (standing on his own two legs, no less) just sorta hanging around outside you-know-who's hospital room? You could just chalk it up to comic-book pacing, I suppose, but these moments still felt entirely too convenient a lot of the time. (I guess one could also complain about the depth of the Jokers' ruses -- the shattered-bullet fingerprint and phone-"contusion" come to mind -- but that was a case where I figured comic book rules sufficed to explain things.)
But, minor quibbling aside, The Dark Knight is an exemplary sequel, and easily the best of the seven Batfilm incarnations thus far. Which begs the question: After the dastardly depths of Ledger's Joker, where could Nolan & co. possibly go next? Everyone's signed for three films, and -- of the main villains -- we still have the Penguin (Ray Winstone? Phillip Seymour Hoffman?), the Riddler (Guy Pearce? Paul Bettany?), and the Catwoman (Shannyn Sossamon? Jessica Biel?), the first two of which don't seem to fit the Nolanverse particularly well. (Neither, for that matter, does Robin.) I suppose the Joker could return, but that obviously opens up a huge can of worms now. (Perhaps Joseph Gordon-Leavitt? He looks eerily like Ledger anyway.) My first thought when the cliffhanger of a sort was set up was this (probably because I'd just seen Dr. Manhattan doing the Feds' dirty work), but I'm sure that's way too out there for the franchise.
In any case, here's hoping they figure it out. But, even if they don't, The Dark Knight will stand tall in the annals of the caped crusader. Near the end, the Joker tells Batman, "You and I could do this forever." That's how I like to think of this incarnation of the Clown and the Bat, now forever locked in their eternal dance. Even if we'll never see it, I know Ledger's Joker will continue to break out of Arkham, terrorize Gotham, and haunt its winged guardian for years and decades to come. Long after the actor's death, his masterful creation will continue to get the last laugh.
"Every normal man must be tempted at times to spit upon his hands, hoist the black flag, and begin slitting throats. -- H.L. Mencken.
It's been awhile since I've been looking forward to a movie quite like this, and then some... In any case, herrrrre we go!
Yes, tonight should be good fun...provided you don't live in Gotham.
Update: Now that's the Joker! Great stuff, and a whole lot of movie. More later.
"The world will look up and shout, 'Save Us!,' and I will whisper, 'No.'" Forget midnight -- the teaser for Zack Snyder's Watchmen has leaked. I must say, Dr. Manhattan looks better than I had anticipated (I like the money shot of him, the American Superpower, in 'Nam), Rorschach looks great, and the Comedian seems ok, but I have quibbles with Ozymandias (too young), Nite-Owl (too buff) and Silk Spectre (too vamp). Still, I'll reserve full judgment until I've watched it a few dozen more times. In the meantime, how weird is it that there's actually a trailer for Watchmen out? We seem to be living in the Golden Age of comic book movies. Update: Like most things in this world, it looks much better in HD.
Update 2: "Based on footage Snyder screened for EW, at least, the work seems to have been worth it. Multiple scenes -- the Comedian's murder, Rorschach's introduction, Dr. Manhattan's origin, and a hypnotic title sequence that shutter-flies through the history of Watchmen America, set to Bob Dylan's 'The Times They Are A-Changin' — suggest a film that may capture more of Watchmen than anyone thought possible." Hrm. Watchmen makes the EW Comicon cover -- see below -- and their story includes the first pic of Carla Gugino as Sally Jupiter. Sadly, Ozy's still not looking so hot...maybe they should've gone with Jude Law of the Rorschach tattoo, since he was practically begging for the part. (And is it just me or does Crudup-Manhattan look eerily like Kevin Spacey?)
Update 3: Speaking of Sally Jupiter, AICN scores a pinup of the heroine, in the style of Alberto Vargas and in keeping with the WWII-era aesthetic of The Minutemen.
Also in TDK's trailer bin tomorrow, this early look at Christian Bale in McG's Terminator: Salvation. Even with Bale aboard, I still get bad Alien v. Predator vibes from this whole project.
"I've been thinking lately. About you and me. About what's going to happen to us, in the end. We're going to kill each other, aren't we?" The WP's Hank Steuver offers a brief history of the Joker, from Conrad Veidt in The Man Who Laughs to Heath Ledger tomorrow night. If you're headed to TDK absolutely spoiler-free, I'd skip this one -- quite a few plot details herein.
"This trailer speaks to the fanbase in a huge way. Your friends and neighbors will be damn impressed by what they're seeing, but they'll also be slightly baffled. They'll want to know more - who is that blue guy? Who is flying that ship coming out of the water? Are they on Mars? Why is that guy getting thrown through a window? - so get ready to start lending out your book." One of the CHUD guys takes a spin with the Watchmen trailer, due before The Dark Knight tomorrow night. Sounds great, and while Snyder's 300 turned out to be more than a little ridiculous, it's still boasts a helluva trailer.
Update: The Watchmen trailer officially drops over at Empire Online tomorrow, at -- of course -- the stroke of midnight (EST).
The trailer for Frank Miller's take on Will Eisner's The Spirit leaks, and it's a strange one, seemingly combining the visual atmosphere of Sin City with the gender economy of Dave Sim...and that doesn't even get into Nazi Samuel L. It looks like it could be a trainwreck, but I'll put this on the maybe pile.
Give the devil his due: I said of the underwhelming Hellboy in 2004 (which I watched again last week, and remained underwhelmed by) that hopefully, like Bryan Singer and the X-Men series, Guillermo del Toro would be able to work out the kinks in time for the sequel. Well, four years have passed, and Hellboy II: The Golden Army is now upon us. And the verdict? Well, HB-II: TGA is by almost every reckoning a brisker, more confident, and more satisfying movie than its predecessor. (I say "almost" because, with the transition from Nazis and Lovecraft to the World of Warcraft, Hellboy seems slightly out of his milieu this time.) That being said, I felt The Golden Army, while entertaining throughout, didn't quite cohere for me as a film: It plays more like a sprawling collection of fun ideas, haphazardly strung together, than a movie of a piece. Now, originality goes a long way, and I'll give del Toro bonus points for really letting his freak flag fly this time 'round. (If nothing else, HB-II occasionally seems like a test FX-reel for The Hobbit.) Still, while I was impressed by the breadth of del Toro's imagination, I can't say I ever felt absorbed by it. For whatever reason, and not for lack of trying, Hellboy II: The Golden Army left me reasonably amused and distracted for two hours, and not much else.
The films begins with a stop-motion fairy tale. As a (goofily-designed) preadolescent in 1955, Hellboy was told the tale of the Golden Army, an unstoppable goblin-forged force commanded by an elven king in his war against that teeming, grasping nuisance, humanity. But dismayed by the carnage wrought, said king ultimately decided to sign a truce with humankind -- men get the cities, elves get the forests -- much to the consternation of his son, Prince Nuada. Cut to the present day: The humans have, as WALL-E foreshadowed, plowed through the forests for their strip malls and parking lots, and thus Nuada (Luke Goss) has returned to fight the ancient war anew.
But, standing in his way, for better or worse, are the motley protectors of humankind, the BPRD (Bureau of Paranormal Research and Development). Among their number, the kindly, bookish fish-man Abraham Sapien (Doug Jones, not too far removed from Threepio), the powerful pyrokinetic Liz Sheridan (Selma Blair, all blue fire and bedroom eyes), and, of course, Big Red himself, the kitty-loving, cigar-chomping spawn of Lucifer, Hellboy (Ron Perlman, clearly having fun). But, one must ask, in a war between the freaks and the humans, why are Hellboy et al on the side of the latter, particularly when mankind seems to fear and despise their lot? Clearly, the BPRD gang have some considerations to make.
That's arguably the main thread of Hellboy II, but there's quite a bit else going on -- too much, in fact. Y'see, Hellboy very much wants to take the team public, and he and Liz are having some space issues, and Liz has a secret of her own, and Abe may have met the (elvish) girl of his dreams, and, along with last film's comic relief (Jeffrey Tambor), there's a new freak in town, an ectoplasmic German martinet named Johann Krauss (Seth McFarlane, of Family Guy). Oh, and let's not forget the Troll Market (a showy cantina-style setpiece in the middle going), a (IMHO, strained) Barry Manilow musical number, and even an encounter with the Angel of Death.
Now some might rightly argue that I'm looking the gift hellspawn in the maw here, and that one should just sit back and relish the cornucopia of imaginative riches on display. Fair enough -- There are some memorable images throughout (I particularly liked the autumn of the elemental), and this is miles more interesting than, say, The Incredible Hulk. But I still think the movie would've been more captivating had it been less episodic. Despite the many innovative ideas on display, The Golden Army -- much like Terry Gilliam's The Adventures of Baron Munchausen -- at times feels more like a notebook dump than a movie. (But as I said, if this what it takes for del Toro to clear the mental decks pre-Hobbit, I'm all for it.)
Nevertheless, if Hellboy was too little, and Hellboy II turned out to be too much, I'd still probably be up for a Hellboy 3, several years from now, on the other side of Middle Earth. Particularly if it goes back to plumbing the Cthulhian depths suggested in the original, the third film could end up being juussst riiight.
In its most recent installment, Gotham Tonight's Mike Engel (Anthony Michael Hall) scores an exclusive interview with new Gotham DA Harvey Dent, one that seems to be occurring right at the start of The Dark Knight (which, you may have heard, opens this Thursday at midnight.) In related news, the Joker -- after defacing all the online viral sites -- kindly handed out free IMAX preview passes to (some of) those playing along.
However the movie ends up turning out (and with a 94 on Metafilter and 100 on Rotten Tomatoes at the moment, I'm optimistic), kudos to the viral marketing gurus...it's been a fun ride.
In the fourth installment of their making-of video series, original Watchmen artist Dave Gibbons sings the praises of Zack Snyder's art direction, and shows brief glimpses of Hollis Mason's apartment and Rorschach on patrol. All well and good, but as I said before, obsessive art direction will be the easy part.
Here we go again...Along with several media previews (note beat-up Harry on the Empire cover), a bunch of new stills from Harry Potter and the Half-Blood Prince hit the tubes. (That's Jim Broadbent as Slughorn on the left.)
"[N]obody knows who the faceless figures, who often appear as motionless couples are, or why they are turning up at high profile events. Theories include the possibilities that they are limelight-seeking pranksters, performance artists or that they are at the centre of a viral marketing campaign for an as-yet unknown product of forthcoming horror film." I, for one, welcome our new faceless overlords.
Klaatu Barada Nikto...the trailer for Scott Derrickson's remake of The Day The Earth Stood Still, with Keanu Reeves, Jennifer Connelly, Kathy Bates, and Jon "Don Draper" Hamm, is now online. (Here's the Youtube version. Apparently, it's playing in front of Hancock, whic