River and Atoms.

When not sitting ringside while the GOP devours its own tail, the ladyfriend and I have been continuing to take in concerts around the area. Of late:

Encore: Walking Without Frankie | A Hand to Take Hold of the Scene | Unless It’s Kicks

I wasn’t familiar with these guys at all before the show — Apparently, they’ve been at it for fifteen years — but they seemed to be a pretty solid alt-rock outfit out of Austin. The songs that had the biggest impression on me, live at least, were The Valley (“Fallen in the valley of the rock and roll dead!”) and “Lost Coastlines” (buoyed by some very Morrissey-ish crooning by (iirc) the bassist.)

Nor, being a movie more than a music guy, was I aware that Thom Yorke and Flea were taking time away from their respective SuperGroups to make Afrobeat albums as Atoms for Peace. Hard to pick a distinctive best moment from this show — Most of the songs ran together here (in a good way, if you enjoy more beat-intensive variations on that distinctive Yorke-shire croon.)

That being said, after watching Flea (Age 50) hop around like a madman half his age throughout this show — in the same week that Sandra Bullock (Age 49) braved the vicissitudes of Zero-G Ripley-style in Gravity, it sure seems like 50 is the new 30 these days. And that puts me solidly in my 20’s – Woot.

In Brendan Behan’s Footsteps.

“While MacGowan remained the undisputed Pogues leader and frontman, the more restrained Chevron was a rock-strong accomplice, comfortably taking on occasional lead vocals, turning his hand to banjo and mandolin as well as guitar when the occasion demanded, and pitching in with more overtly tuneful material like Thousands Are Sailing and Lorelei.”

Did the old songs taunt or cheer you? And did they still make you cry? The Pogues’ Phil Chevron, 1957-2013. “In 2007 he was diagnosed with esophageal cancer. His last appearance was at a testimonial concert in his honour in Dublin in the summer.”

Skynet, Year One.

“‘If a drone’s system is sophisticated enough, it could be less emotional, more selective and able to provide force in a way that achieves a tactical objective with the least harm,’ said Purdue University Professor Samuel Liles. ‘A lethal autonomous robot can aim better, target better, select better, and in general be a better asset with the linked ISR [intelligence, surveillance, and reconnaissance] packages it can run.'”

Er, right, but aren’t we forgetting something here? And don’t you people ever go to the movies? Scientists are apparently working toward drones that can make their own autonomous decisions about targets. “Though they do not yet exist, and are not possible with current technology, LARs are the subject of fierce debate in academia, the military and policy circles. Still, many treat their development as inevitability.”

Meanwhile, over on the other side of the world:

“Scientists at Korea’s Advanced Institute of Science and Technology (KAIST) have come up with one solution to the jellyfish problem: build robots to kill them. For the last three years, the team has been working to create robots that can travel the ocean, seeking out swarms of jellyfish using a camera and GPS. Once the jellyfish are located, the robots set about shredding the jellies with an underwater propeller.”

INITIATING PROTOCOL SHRED-ORGANBAGS 101101111…Due to a climate-change-fueled ascendance of jellyfish across the world, Korean scientists have unleashed automated robotic sentinels to mitigate the problem. “[T]he video at top is what they’re doing beneath the surface, using a specialized net and propeller. Be warned, it’s graphic. In preliminary tests, the robots could pulverize 2,000 pounds of jellyfish per hour.”

Sigh…this will all end in tears, people. Paging Kent Brockman.

Yes, the Game is Rigged.

“Well, the plutocrat class — that’s the top 16,000 households in this country — are where all the gains have been going since the end of the recession. Thirty-seven cents out of every dollar of increased income between 2009 and 2012 went to these 16,000 households — in a country of 314 million people…[Meanwhile] The average income of the bottom 90 percent of us has fallen 20 percent below where it was in the year 2000 — it fell from about $36,000 to $30,000. It has fallen back to the level of 1966, when Mustangs were new, Lyndon Johnson was president and we were prosecuting a war in Vietnam. 1966.”

In an interview with Joshua Holland, journalist and tax expert David Cay Johnston discusses how our current tax code, among other things, is fueling inequality. For example:

1) “Very, very wealthy people…are not required to report most of their economic gains and legally they can literally live tax-free or nearly tax-free by borrowing against their assets. You can borrow these days, if you’re very wealthy, against your assets for less than 2 percent interest and the lowest tax rate you could pay is 15 percent…[I]f you’re a billionaire and you borrow, let’s say, $10 million dollars a year to live on, you pay $200,000 interest, but your fortune through investing grows by $50 million. At the end of the year you pay no taxes, your wealth is up almost $40 million dollars and your cost was just the interest of $200,000.”

2) “Well, one of the reasons some Americans feel they’re being taxed to death is that if you add up our taxes, which are low compared to other modern countries, and then you add in private expenditures for things the tax system pays for in other countries — a lot of our health care costs, higher education costs, admissions and fees and tickets and licenses for a lot of things — lo and behold, we end up being a relatively high-tax country.”

Blue Man Group | Examine Meth.

“What, exactly, does it mean to be a ‘man’? It’s a question that sits at the dark, warped heart of the entire series and its anti-hero protagonist. A nerdy chemist whose brains haven’t earned him any power or respect from the world at large, the terminally ill Walt decides that he’s finally going to get that power and respect through whatever means necessary (and whenever possible, using science). The show doesn’t just trace Walt’s arc from Mr. Chips to Scarface, as Gilligan famously described it, or from Walt to Heisenberg; it also maps his journey from being a ‘pussy’ to being a ‘man.’ And while he succeeds in his goals, it’s a transformation that comes at a high price.”

You’re not wrong, Walter, you’re just an asshole! In a well-thought-out and close reading of the show as a whole, Wired’s Laura Hudson discusses “the toxic masculinity of Breaking Bad.” “The series begins with what seems like an odd image: a pair of pants, flying through the air. Much of what follows is about who gets to wear them.”

Also among the many farewells, homages, and critiques of Breaking Bad as it departs: screenshots from the Breaking Bad text-adventure game. Admittedly, this sort of article is basically just egregious click-bait, only one step higher on the content chain than Buzzfeed listicles. (Breaking Bad as a Nintendo Game/Choose Your Adventure Book/series of commemorative plates!) Still, I’m always down for a little Infocom nostalgia.

The Guerrilla.

“I knew he was proud of his reputation as the ‘Red Napoleon,’ and I presumed he would welcome an opportunity to indulge my curiosity about his triumphs…But he answered most of my questions briefly, adding little to what I already knew, and then waved his hand to indicate disinterest. That is all in the past now, he said. You and I should discuss a future where our countries are not enemies but friends. And so we did.”

The man in the black pajamas, Dude: Upon the latter’s death at the age of 102, Senator John McCain remembers General Vo Nguyen Giap, architect of Dien Bien Phu and Tet. “Countries, not just their armies, win wars. Giap understood that. We didn’t. Americans tired of the dying and the killing before the Vietnamese did. It’s hard to defend the morality of the strategy. But you can’t deny its success.”

We Can’t Stop…Hrm, Wait, We Can.

It’s my blog, I can do what I want: As making the rounds today, Miley Cyrus, Jimmy Fallon, and The Roots perform an inordinately catchy acapella version of “We Can’t Stop”, so far the minor-key pop anthem of the year. I have to say, leaving the embarrassing VMA performance, Sinead-feuds, excessive tongue-wagging, and whatnot aside, Miley now has two certifiable earworms to her name — this and “Party in the USA.”

I just wish my brain didn’t keep inserting the John Boehner drawl in to the song now (“The Government!“), on account of last week’s Saturday Night Live. But glad to see pop culture reflecting that this is a Republican-induced meltdown happening here. (SNL Link potentially NSFW, tho’ apparently SFSNL, so your Mileyage may vary.)

Get Up to Get Down.

“‘Until our country’s funky leaders can resolve this deadlock, U.S. funk leadership, and the booties of all Americans, will remain immobilized,’ said Gregory Tate, domestic motorbooty-affairs reporter for The Washington Funkenquarterly. ‘Unless a compromise can be reached soon, the entire nation’s thang could be in serious jeopardy.'”

Also in music-related shutdown humor, a classic from The Onion highly-pertinent to today’s troubled times: National Funk Congress Deadlocked on Get Up/Get Down Issue. “A growing number of citizens are fed up with the nation’s current leadership for putting party politics before the need of the people to turn this mother out.” Ya heard?

Sweden-2.

“Welcome to rural Sweden, sometime in the late ’80s. Citizens go about their mundane lives and children explore the countryside. But something isn’t quite right. Robots and hovercrafts are commonplace, and decaying science facilities sprout from the harsh Scandinavian landscape. There’s even a rumor circulating that dinosaurs have returned from the dead after some failed experiment.”

This has been languishing in the bookmarks for awhile: Artist Simon Stålenhag depicts a Scandinavian future that never was. “As he explains to The Verge, “The only difference in the world of my art and our world is that…ever since the early 20th century, attitudes and budgets were much more in favor of science and technology.'” [More available at Stålenhag’s website.]

Rah Rah Like a Dungeon Dragon.

“We’ve been blind. And in our blindness, our Enemy has returned.” The full trailer for The Hobbit: The Desolation of Smaug is now online. A bit worried about all the Legolasity in here, but I’ll trust PJ. He’s earned it thus far.