They Stand Watch.

“As the world’s leading full-spectrum genetic security and containment company, Trask Industries continues to uncover new ways to control the mounting X-gene threat…Our goal is to solve tomorrow’s problems, today.”

Following up on last week’s posters, the X-Men: Days of Future Past viral campaign kicks off with a spiffy corporate website and commercial for Trask Industries (Note Peter Dinklage, in period ‘stache), along the lines of the pre-Prometheus commercial for David — and we all know how Prometheus turned out. Still I’m a sucker for Watchmen-style alternate history, like the Sentinel presiding over Ronald Reagan’s inauguration, above.

Scholar, Journalist, Cop, Hoopster.

“‘I would say that my ideal of writing history is to give the reader vicarious experience,’ Professor Morgan told The William and Mary Quarterly. ‘You’re born in one particular century at a particular time, and the only experience you can have directly is of the place you live and the time you live in. History is a way of giving you experience that you would otherwise be cut off from.’ Edmund Morgan, 1916-2013.

“Well I never knew it was a man’s world! I never accepted that. I thought I had an education just as good as a man’s. I deserve to have the same opportunities and advantages. So I antagonized a lot of people, but I fought for women’s rights and blacks’ rights and civil rights. Discrimination against women was very bad. There was no reason to accept discrimination. No reason.” Helen Thomas, 1920-2013.

“‘My personality was formed by Chicago,’ he told Cigar Aficionado magazine in 1999. ‘It’s very American, very straightforward. If you can’t find it, or make it there, you won’t make it anywhere. It’s a very honest place.'” Dennis Farina. 1944-2013.

“I was the Knicks’ third-leading scorer [8.1 ppg], I also finished third in the league in assist average [2.0], and my salary was 60 dollars per game. Ha! These days, the players make about sixty dollars a minute. Don’t get me wrong, though. I have no jealousy or resentment over how much money these guys make today. I think they’re the best athletes in the world, and they’re worth every red cent. I’m just proud to have been one of the NBA’s pioneers.” Ossie Schectman, 1919-2013.

Spinning in Oblivion.

It’s a bad day in space in the powerful new trailer for Alfonso Cuaron’s Gravity, with Sandra Bullock and George Clooney. (And I expect it’ll be even worse in IMAX 3-D.) Oh yes, this could well be the cure for my summermovietime blues.

Speaking of which, great line in the AICN comment thread on this: “After seeing this (and especially the first trailer) I have a theory that Gravity is actually set in the same universe as Man of Steel and these poor people are some of those left to die in the wake of Superman’s destruction of orbiting satellites.”

Update: So the trailer above was apparently just the beginning. The powers-that-be are releasing three different clips. The third one is up tomorrow — Here’s Part 2.

Update 2: And Part 3

Explorers on the Moon.

“The next time you walk outside on a clear night and see the moon smiling down at you, think of Neil Armstrong and give him a wink.” A belated happy 44th anniversary to the Apollo 11 crew, the first without Neil Armstrong. Speaking of which, it’s now been over 40 years since man walked on the moon — ’bout time to go back, dontchathink? (Spiffy Tintin image via LinkMachineGo.)

Sleep: Nature’s Reset Button.

“More than 20 years ago…we began to suspect that the brain’s activity during slumber may somehow restore to a baseline state the billions of neural connections that get modified every day by the events of waking life. Sleep, in this telling, would preserve the ability of the brain’s circuitry to form new memories continually over the course of an individual’s lifetime without becoming oversaturated or obliterating older memories.”

More Science of Sleep: In Scientific American, two Italian academics put forward their “synaptic homeostasis hypothesis” (SHY) of slumber, whereby the brain weakens (not strengthens, as is usually assumed) synaptic links overnight. “In principle, SHY explains the essential, universal purpose of sleep…sleep restores the brain to a state where it can learn and adapt when we are awake…Most generally, sleep is the price we pay for the brain’s plasticity — its ability to modify its wiring in response to experience.”

Also part of SHY: the idea of “local sleep”: “Recently we have even found that prolonged or intense use of certain circuits can make local groups of neurons ‘fall asleep’ even though the rest of the brain (and the organism itself) remains awake…It seems that when we have been awake for too long or have overexerted certain circuits, small chunks of the brain may take quick naps without giving notice.” I believe in Internet parlance this is known as “haz-ing the dumb.”

Pics of Future Past.

Another from the Comic-Con stash: After some early footage screens in San Diego, two posters for Bryan Singer’s X-Men: Days of Future Past pop up online. That’s Professor X (Patrick Stewart and James McAvoy) at left, Magneto (Ian McKellen and Michael Fassbender) at right.

The Eyes of the White Tower.

“Consider the basic premise of Tolkien’s trilogy: a small group of dedicated subversives willing to sacrifice their lives slips in under the surveillance system of a great power, blends in with an alien population, and delivers a devastating blow to the heart of its empire, leaving its security forces in disarray and its populace terrified. Even a tower or two crumbles to dust.”

You know of what I speak, Snowden…a Great Eye, lidless, wreathed in flame. From the bookmarks, academics David Rosen and Aaron Santesso employ Tolkien to explain the modern surveillance state. “[I]n Sauron, Tolkien is able to imagine a figure of godlike power and seemingly infinite resources, but crippling interpretive fallibility.”

A bit overwrought, perhaps, but food for thought. And they neglected to mention another telling similarity: The hearts of Men are easily corrupted.

Age of Fandom.


Among the two biggest reveals at this year’s San Diego Comic-Con: Zack Snyder’s Man of Steel 2 will feature a Bat-Man (although not Christian Bale) and Thanos, teased at the end of the first film, is apparently stepping aside for the time being for Joss Whedon’s Avengers 2: Age of Ultron, based on a Brian Michael Bendis run happening this year.

All well and good, I suppose, and more indication that comic fandom is now completely mainstream. Still, while I have high hopes for the amiable weirdness currently surrounding James Gunn’s Guardians of the Galaxy, it sure feels like Hollywood is churning out a lot of mediocre, uninspired, and by-the-numbers product this year.

Maybe I’m just getting old, and I suppose Shane Black’s Iron Man 3 was decent enough fun, but I found both Star Trek: Into Darkness and Man of Steel loud, dumb, and disappointing, to the point where I haven’t felt all that inclined to pony up for World War Z and Pacific Rim, which looks like more of the same: smash-mouth visuals struggling to overcome dismal writing, and 9/11y spectacle used for fake-gravitas.

Hopefully Elysium will give this summer an Inception-like jolt. As it is, we’re halfway through 2013 and the only must-see film I’ve caught is Before Midnight.

Uatu Degrasse Sagan.

(Klaatu barada nitko?) All that being said, one Comic-Con remake reveal I can get excited about — although “Executive Producer Seth McFarlane” gives me a moment of pause — is Neil DeGrasse Tyson’s upcoming 13-episode reboot of Cosmos.

“‘There’s never been a more important time for COSMOS to re-emerge than right now. I want to make this so entertaining, and so flashy, and so exciting that people who have no interest in science will watch just because it’s a spectacle,'” MacFarlane said in a news release.”

Smorgasbord of Vengeance.

Lots of scores to settle and cold dishes served in the trailer bin of late…

Antebellum musician Solomon Northrup (Chiwetel Ejiofor) finds himself way down on the wrong side of the Mason-Dixon line in our first look at Steve McQueen’s 12 Years a Slave, also with Benedict Cumberbatch, Paul Dano, Michael Fassbender, Paul Giamatti, Lupita Nyong’o, Sarah Paulson, Brad Pitt, and Alfre Woodard.

Some strange musical cues here, including the themes from Pearl Harbor and The Wolfman (the latter used to better effect in the original, still-creepy Tinker Tailor teaser). In any case, I liked Hunger and Shame less than most, but I’d be up to give this a go.

Please Hammer Don’t Hurt ‘Em: Josh Brolin discovers to his dismay that he can check in but never leave in the red-band trailer for Spike Lee’s remake of Park Chan-wook’s Oldboy, also with Elizabeth Olsen, Sharlto Copley, Samuel L. Jackson, Michael Imperioli, Lance Reddick, and James Ransone. I’m still trying to un-watch the original — some things involving octopi and tongues I wish I never saw in that there film.

One good remake deserves another: Deserve’s still got nothing to do with it as Ken Watanabe fills Clint Eastwood’s shoes for Sang-il Lee’s Yurusarezaru mono, the Japanese remake of Unforgiven, also with Akira Emoto, Koichi Sato, and Yuya Yagira. From The Seven Samurai to The Magnificent Seven, there’s a long and fertile history for this sort of cultural exchange, so I’d watch it.

What I likely won’t be watching is Sergei Bodrov’s fantasy epic Seventh Son, based on a series I haven’t heard of called The Wardstone Chronicles, even if it does have Jeff and Maude Lebowski operating on opposite sides of the ball. (Between this and R.I.P.D., Bridges seems to be in full “paying for an extension to my house” mode these days.)

I thought at first this might be based on Susan Cooper’s The Dark is Rising, but then I remembered they already made a lousy adaptation of that a few years ago. In any case, also along for the ride: Ben Barnes, Kit Harington, Alicia Vikander, Djimon Hounsou, Jason Scott Lee, and Antje Traue.

When bad things happen to his brother (Casey Affleck), Christian Bale goes vigilante to take down the local ne’er-do-well (Woody Harrelson) in the first trailer for Scott Cooper’s Out of the Furnace, also with Zoe Saldana, Willem Dafoe, Forrest Whitaker, and Sam Shepard. (TL;DR: Bale meets Death Wish meets Winter’s Bone.) Alrighty then.

When bad things happen to his brother (Matt Barnes), Ryan Gosling goes vigilante to take down the local ne’er-do-well (Vithaya Pansringarm) in the newest trailer for Nicholas Winding Refn’s Only God Forgives.

Along with presumably another hyper-catchy soundtrack like Refn and Gosling’s Drive, this also has the added benefit of Kristin Scott Thomas apparently doing her “Ben Kingsley in Sexy Beast/Ralph Fiennes in In Bruges” turn. As with Oldboy, I expect this to be hyper-violent, tho’.

And finally Wong Kar-Wai, Yuen Woo Ping, Tony Leung, and Zhang Ziyi band together to tell the story of Ip Man (again) in the newest trailer for The Grandmaster. This still looks to me like an unnecessary remake of the third Matrix movie, but you can’t fault the pedigree involved.

Update: One more down the pike today: Benedict Cumberbatch channels Julian Assange, and has some Social Network-style angst with his partner Daniel Bruhl, in the first trailer for Bill Condon’s The Fifth Estate, with Anthony Mackie, David Thewlis, Alicia Vikander, Peter Capaldi, Carice van Houten, Dan Stevens, Stanley Tucci and Laura Linney. Linney’s smarmy “truth, justice, and the American way” line is wince-inducing, but otherwise this could be promising.

Update 2: Blanchett, meet Blanche DuBois? After Madoff-y husband Alec Baldwin becomes only the second person in America to be prosecuted for misdealings during the financial crisis, Cate Blanchett learns how the other half lives in the first trailer for Woody Allen’s Blue Jasmine, with Sally Hawkins, Bobby Cannavale, Andrew Dice Clay(?), Michael Stuhlbarg, and (hopefully) the Woodster’s new best friend, Louis C.K.