Ghost in the Machine
Archive for January, 2011
Into the Murky Deep.
“It is a smudge of light only a tiny fraction of the size of our own Milky Way galaxy, and it existed when the universe was only 480 million years old…If confirmed, the discovery takes astronomers deep into an era when stars and galaxies were first lighting up the universe and burning their way out of a primordial fog known as the dark ages.“
From a few days ago: The Hubble — also the subject of an excellent IMAX-3D movie I saw on Saturday — (probably) finds the oldest, farthest galaxy yet discovered. “Spectroscopic observations with the forthcoming James Webb Space Telescope, however, are needed to cement the identification of the smudge as a galaxy…The Webb telescope, which is expected to be launched later this decade once NASA figures out how to pay for it, has been designed to find these primordial galaxies and thus illuminate the dark ages.”
But The Fighter Still Remains.
Some unfinished business from earlier this month: David O’Russell’s worthwhile Massachusetts family drama by way of a boxing flick, The Fighter, never got its own long-form review here at GitM. Since I saw it awhile ago now — New Year’s Day, in fact — and since I already basically covered it in the top twenty of 2010 post (where it clocked in at #8), I’ll just let what I wrote there, reposted below, stand. (And for those of you who read this the first time around, my apologies — This is more just a placeholder, should I link to the film in the future.)
“Suffice to say, I was pleasantly surprised by David O’Russell’s chronicle of the comeback of welterweight “Irish” Micky Ward, the pride of Lowell, Massachusetts. In fact, I had the opposite experience here that I had with The King’s Speech. There was a potentially interesting story told extremely conventionally, while this is a tried and tested sports movie formula — a boxer with one last shot at a title — that still felt fresh and invigorating.
True, the seven Ward sisters were a bit much — They were the only time this boxing movie veered toward the egregious cartoon rednecks of Million Dollar Baby. But otherwise, solid performances by Mark Wahlberg, Melissa Leo, Amy Adams and especially Christian Bale give this could’ve-been-by-the-numbers film a much-needed heart.”
Sentinel of Liberty.
Englishman in Metropolis.
“In the pantheon of superheroes, Superman is the most recognized and revered character of all time, and I am honored to be a part of his return to the big screen. I also join Warner Bros., Legendary and the producers in saying how excited we are about the casting of Henry. He is the perfect choice to don the cape and S shield.“
Meanwhile, over on the DC side of things, Sorry Brandon Routh (and the Legion of Jon Hamm Fans): Zack Snyder’s Superman has found its Man of Steel in Henry Cavill, formerly of The Tudors. (The photoshopped Cavill-El above was found here.) I don’t really know the guy, but I hear good things.
Deregulating Rape.
“With this legislation, which was introduced last week by Rep. Chris Smith (R-N.J.), Republicans propose that the rape exemption be limited to ‘forcible rape.’ This would rule out federal assistance for abortions in many rape cases, including instances of statutory rape, many of which are non-forcible. For example: If a 13-year-old girl is impregnated by a 24-year-old adult, she would no longer qualify to have Medicaid pay for an abortion.“
On the principle that, as per MLK, “in the end, we will remember not the words of our enemies, but the silence of our friends,” I post more often here these days about issues I have with our own, ostensibly-lefty party. But, as Dangerous Meta reminds me: Just in case anyone forgot how crazy the Republicans are these days, the GOP Congress has, for pro-life purposes, actually fashioned a bill that defines rape down. “House Speaker John Boehner (R-Ohio) has dubbed [it] a top priority in the new Congress.” There are no words.
Along the Nile, the Jasmine Blooms.
“I brought my American passport today in case I die today,” said Marwan Mossaad, 33, a graduate student of architecture with dual Egyptian-American citizenship. “I want the American people to know that they are supporting one of the most oppressive regimes in the world and Americans are also dying for it.“
In the wake of Tunisia‘s “Jasmine Revolution,” and as seen all over the news the past week (once the Village moved past its who-sitting-with-who, SotU-prom obsessions), protests continue to roil Egypt — as well as Yemen, Jordan, and the Sudan — in what amounts to an historic popular uprising across the Middle East. Our response so far (Joe Biden notwithstanding): “Saying that ‘no one is satisfied‘ with the steps Mubarak has taken since the protests for political and economic freedom began, Clinton said a transition process was needed ‘so that no one fills a void..what we don’t want is chaos.‘”
As Slate‘s Kai Bid notes: Nor do we want to alienate the Egyptian people further by seeming to back a cruel and repressive government that has clearly lost the confidence of its people. “Obama still has the relatively clean slate and the rhetorical powers to execute a pivot in American policy. In his June 2009 Cairo speech Obama said, ‘America respects the right of all peaceful and law-abiding voices to be heard around the world, even if we disagree with them. And we will welcome all elected, peaceful governments — provided they govern with respect for all their people.‘”
Hopefully, that worthy standard will encourage us to think twice before backing any play involving Egypt’s newly-appointed vice-president (and thus Mubarak’s suggested successor), former intelligence chief Omar Suleiman — a.k.a. the CIA’s point man for extraordinary renditions. “In a nutshell: this appointment will do nothing to pacify the millions of rioting citizens, and if it stands it will perpetuate the same kinds of policies and US power interests in the region to which the people have said enough.“
Respect the Stripes? Not Hardly.
“But publicly, let me state that The Wire owes no apologies — at least not for its depiction of those portions of Baltimore where we set our story, for its address of economic and political priorities and urban poverty, for its discussion of the drug war and the damage done from that misguided prohibition, or for its attention to the cover-your-ass institutional dynamic that leads, say, big-city police commissioners to perceive a fictional narrative, rather than actual, complex urban problems as a cause for righteous concern.“
I’ve been meaning to blog this for a few days, via Genehack: After the show is harangued by Baltimore’s current police commissioner, the consistently take-no-guff David Simon sticks up for his creation, The Wire. “As citizens using a fictional narrative as a means of arguing different priorities or policies, those who created and worked on The Wire have dissented.“
Magneto, how does he work?
“The best way of describing it is X-Men meets Bond, with a little bit of Thirteen Days thrown in for good measure. It’s set in the ’60s, and I basically molded a young Magneto on a young Sean Connery. He’s the ultimate spy — imagine Bond, but with superpowers.“
Also backlogged for a week or so: After a not-so-great initial photo leak, Matthew Vaughn of Layer Cake, Stardust, and Kick-Ass talks about what to expect from his X-Men: First Class. “It’s got a lot of teenage angst. The Twilight girls will like it.” Hrm.
Mr. Smith Moved to Washington.
“America is a nation of Smiths, Johnsons, and Sullivans — but also of Garcias and Nguyens. Zoom in on the map below to see what surnames proliferate in your part of the country.” By way of a friend, National Geographic breaks down America by surname. Good to see the Murphys holding it down in Massachusetts.
A Hand-Up for the Earthless.
“The time to put our most vulnerable and our most needy in space is now. We can’t keep running from this problem, hoping it will go away. They have as much of a right to live in dignity and urinate in a specially designed suit built to withstand incredible heat and cold while protecting the body from violent and sudden changes in air pressure as anyone else.“
Their timing isn’t great, but The Onion strikes comedy gold again: The Money We Waste On NASA’s Space Program Would Be Better Spent On Space Programs For The Poor. “I’m not talking about a handout, I’m talking about a hand up — up 20,000 miles into space, where our nation’s most desperate and destitute can gaze down on this big blue marble ball of clouds and dreams and be inspired to lift themselves out of poverty.” (FWIW, my response to the space-is-wasted-money argument, when made seriously, is here.)
Saoirse to the Shire.
“[W]orking with Peter Jackson is like working with a family. So they’ll have a great time. Saoirse’s family will go too, everyone is very close and very loving on those sorts of jobs.” Saoirse Ronan, late of Adaptation and The Lovely Bones and soon of Hanna, is apparently heading to Middle Earth as part of Peter Jackson’s The Hobbit. (Get well soon, PJ.) Hmm…an elf, perhaps? She has the look.
There’s Something about Mary.
“A military trial of civilians is an atrocity…” Now isn’t that quaint? Union war hero James McAvoy finds himself reluctantly defending Robin Wright (a.k.a. Mary Surratt), a possible accessory to the assassination of Abraham Lincoln, in the trailer for Robert Redford’s The Conspirator, also with Kevin Kline, Justin Long, Alexis Bledel, Evan Rachel Wood, Colm Meaney, Danny Huston, and Tom Wilkinson. Here’s hoping the historical setting here can ease the didacticism that marred Lions for Lambs.
The Challenge Remains.
“We’ve grown used to wonders in this century. It’s hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We’ve grown used to the idea of space, and perhaps we forget that we’ve only just begun. We’re still pioneers. They, the members of the Challenger crew, were pioneers.“
Update: As Dangerous Meta reminds me, yesterday was the 44th Anniversary of the Apollo 1 tragedy, and Tuesday will be the 8th anniversary of Columbia’s fall. This is just a terrible week for slipping the surly bonds and getting off-world.
Win the Future!™
“We know what it takes to compete for the jobs and industries of our time. We need to out-innovate, out-educate, and out-build the rest of the world. We have to make America the best place on Earth to do business. We need to take responsibility for our deficit and reform our government. That’s how our people will prosper. That’s how we’ll win the future.“
The best place to do business? Um…how about the best place to live, create, raise a family, be a community? Ah well, Win the Future!™ At this point, my thoughts on the the president’s State of the Union address probably don’t matter much, since I pretty clearly wasn’t the intended audience, and the intended audience apparently dug it quite a bit. But, as for myself: Suffice to say, the “fetal position fallacy” that characterized the 2010 SotU seems to now be in full bloom. This speech, highly reminiscent of Dubya’s 2006 address, basically made Barack Obama seem like the best Republican president we’ve had in years.
It wasn’t just the bland corporate seminar tagline — Win the Future!™ — that rankled. Here we have a Democratic president — the great hope of the left only two short years ago, imploring us all to clap harder for a five-year budget freeze (only in non-defense, discretionary spending, of course, and still not enough for the GOP), a promise to review regulations that put an “unnecessary burden on businesses,” and a lower corporate tax rate. WTF, indeed.
Now, there’s nothing inherently wrong with national goals like increasing competitiveness and doubling exports (provided you aren’t suppressing wages to do it), and I’ve speculated here on getting rid of corporate taxes in the past. (10/12/00 — Arguably, they’re redundant.) But, really, what a thin gruel to offer the American people at this hour. Is there no other way to answer the challenges of the future than a Tony Robbins slogan and generous heapings of business seminar pablum? Have things gotten so bad for the Left that we’re supposed to applaud a president simply for not explicitly threatening Social Security?
Alas, it looks like that may be the case. In his address, the president made sure to make obeisance once again to the deficit witchhunt: “Every day, families sacrifice to live within their means. They deserve a government that does the same.” What you didn’t hear was any attempt to explain that family and government budgets are not the same, or that cutting spending in the midst of a fragile economic recovery is actually a terrible idea. It’s like Keynesianism never existed.
This administration — and all of Washington, really — is now so prisoner to Republican message-framing that “bring[ing] discretionary spending to the lowest share of our economy since Dwight Eisenhower was President” is somehow considered a great thing. Woohoo! Austerity we can believe in! It’s not the most inspiring peg to hang your hat on, to be sure.
Speaking of Ike, Obama also tried to inject some historical cachet into the speech by talking of one of the Eisenhower Era’s signature events: “This is our generation’s Sputnik moment,” he said, and it probably is.
But, as Fred Kaplan (and others) has well pointed out: “The lesson from the 1950s is that it takes more than private enterprise to revive American innovation. It takes lots of government spending.” And I’m not seeing how the president is going to be able to pull that off anymore, now that he’s willingly enclosed himself — and all of us — in the Republicans’ deficit-scare paddock. To really Win the Future!™, it’s going to take a lot more from this administration than a zippy corporate rebranding and a string of hoary, Third Way cliches.
We’re No. 50!
On the eve of the State of the Union — Win the Future! — the wags at Pleated Jeans compile a handy map of what each state desperately needs to work on. (By way of Blackpepper and Webgoddess.) “Whether it’s a fat population, high rate of STDs or excessive tax rate, it turns out that every state ranks dead last in at least one unsavory category. Check out the map (click image to enlarge) to see what your state is the worst at, then review additional stats and references after the jump.”
What the Words Obscured.
“There is nothing the Academy of Motion Picture Arts and Sciences loves more than movies about people with physical or mental disabilities (or addictions)…If the afflicted protagonist also happens to be royal — as in The Madness of King George (1994) — so much the better, for a suffering crowned head bestows an extra touch of class on Hollywood’s uplifting formula of brave triumph over cruel adversity.“
So, apparently, a stammer was the least of King George VI’s worries. As the Oscar field is announced with The King’s Speech at the head of the pack, Martin Filler muckrakes the rest of the King George story in The New York Review of Books, and Christopher Hitchens piles on over at Slate: “The King’s Speech is an extremely well-made film with a seductive human interest plot, very prettily calculated to appeal to the smarter filmgoer and the latent Anglophile. But it perpetrates a gross falsification of history.“
The Tell-Tale Five.
“The National Archives gave the document prominent display, putting it on tour along with other important Lincoln documents. But for several years, archivist Thomas Plante had been troubled by the document. The ’5′ appeared to be darker than the rest of the document and was perhaps covering another number.“
A decade after attempting to secure fifteen minutes of fame, amateur historian Thomas Lowry is caught tampering with original Lincoln documents: He made it seem Lincoln’s last official act was pardoning a Union deserter named Patrick Murphy, actually pardoned in 1864. “Lowry’s purported discovery was hailed by historians when he came forward in 1998. At the time, a Civil War expert with the Archives said Lowry had made ‘a unique and substantial contribution to Lincoln research and to the study of the Civil War.’”
The Moviegoer.
“In the 1930s, while painters are celebrating skyscrapers and cars and the angular delights of modernity, Hopper’s reaction to the modern is to stake out a timeless urban streetscape or rural view. He retreats to the countryside and paints small towns and American scenes…He likes women in impossibly tight dresses; men rarely escape the costumes of their profession; and public places promise no interaction (for this reason he repeatedly painted the lonely movie theater in his neighborhood).“
In the Observer, college friend Maika Pollack surveys the Edward Hopper retrospective at the Whitney. “He painted the quality of light with adjectival precision-cool electric light, thin morning light, the lonely light from a cinema screen. (If Hopper loved movies, the movies loved Hopper back: In his House by the Railroad [1925], we see the inspiration for Hitchcock’s Bates Motel in Psycho).”
Beauty and the Beast.
“I am thrilled to have the opportunity to work with Anne Hathaway, who will be a fantastic addition to our ensemble as we complete our story…I am [also] delighted to be working with Tom again and excited to watch him bring to life our new interpretation of one of Batman’s most formidable enemies.“
So, Christopher Nolan’s The Dark Knight Rises (still a bad name) has announced its villains: Anne Hathaway as Catwoman and Tom Hardy as Bane. (Not Hugo Strange, as it turns out — wires must’ve gotten crossed somewhere with Arkham City.)
Hathaway and Hardy…that’s not bad. I still might’ve preferred Marion Cotillard or Olivia Wilde for Selina Kyle, but I’ll give Hathaway the benefit of the doubt. And, while I’m not much excited about Bane as a villain, I’ll concede that I haven’t read the definitive take on the character (which is, apparently, Knightfall), and that he might actually be less of a one-note, musclebound oaf than he’s seemed in Batman and Robin and other venues.
V’Ger Sails On.
“‘Needless to say, none of us expected it was going to be operating for so long,’ said Krimigis, now 72. ‘We were all praying to get to Neptune [in 1989]. But after that? Who thought we could be with this 33 years [after launch]?’“
Though it’s past 11 billion miles, it’s feeling very still (after all, no more solar wind)…
By way of a friend, and as the spacecraft reaches the outer edge of the solar system, the Baltimore Sun checks in on Voyager 1 and its makers. “Voyager was the pinnacle of his career, said Ness, now 77. “There is never going to be a mission in anybody’s lifetime, now living, that is ever going to get these observations in hand. So it’s once in a lifetime.“
Zoot Shoot Riots.
“Zoot Shooters run through a course they call a ‘caper,’ which is often based on a scene from a famous gangster movie, like ‘The Godfather’ or ‘Miller’s Crossing.’ The winner is the person who shoots with the most accuracy in the shortest time. Penalties are tacked on for hitting the ‘good guys.’“
Also by way of a friend, the WSJ looks into “Zoot Shooters,” or what happens when fanboys and gun enthusiasts cross-pollinate. “There are two schools of thought,’ says Steve Fowler, a longtime cowboy shooter going by the name Bat Masterson, a famous Old West gunfighter. He recently took up Zoot Shooting, under the alias G-Man. ‘One is that [Zoot Shooting] is another costuming game and it’s a lot of fun…The other is, if it ain’t cowboy, it ain’t nothing.‘”
Joementum Cools.
“The politics of President Kennedy — patriotic service to country, support of civil rights and social justice, pro-growth economic and tax policies, and a strong national defense — are still my politics,” Lieberman said. “So maybe that means that JFK wouldn’t fit into any of today’s partisan political boxes neatly.“
Um…yeah. Anyway, after four terms in the Senate, Joe Lieberman announces he will not be running again in 2012. [Archive.] (Politically, this was a foregone conclusion — his poll numbers have been in the tank for years.) You know how they say: If you can’t say anything nice, don’t say anything at all? Well, with that in mind,
Susannah and Sargent.
“‘I always felt that I was a character actor,’ York told the Scotsman newspaper in 2008. ‘It bothered me that people would think of me as blonde and blue-eyed and that was it.’” Actress (and mother of Superman) Susannah York, 1939-2011.
“Nearly everybody in their life needs someone to help them. I don’t care whether you’re the greatest self-made man; the fact is, someone has helped you along the way.” Politician and Peace Corps founder Sargent Shriver, 1915-2011.
The Warriors Three (and a Team of X.)
Lots of action on the Marvel movie front this past week. The powers-that-be have granted us our first looks at Chris Evans as Captain America, and Andrew Garfield as the new Peter Parker, along with another shot of Chris Hemsworth as the Mighty Thor. Hmm…three-for-three, I’d say, although I still have a bad, straight-to-video-y feeling about the god of thunder.
Update: Just as I finished posting this, a promo image leaks from Matthew Vaughn’s X-Men First Class. From left to right: “Michael Fassbinder as Magneto, Rose Byrne as Moira MacTaggert, January Jones as Emma Frost, Jason Flemyng as Azazel, Nicholas Hoult as Beast, Lucas Till as Havoc, Zoe Kravitz as Angel Salvadore, Jennifer Lawrence as Mystique, and James MacAvoy as Charles Xavier.” Looks…crowded.
We’ll see how smart you are when the K-9 comes…
“Chaser proved to be a diligent student. Unlike human children, she seems to love her drills and tests and is always asking for more. ‘She still demands four to five hours a day,” Dr. Pilley said. “I’m 82, and I have to go to bed to get away from her.‘”
The NYT tells the tale of Chaser, a border collie with a vocabulary of over 1000 words now. “Dr. Pilley said that most border collies, with special training, ‘could be pretty close to where Chaser is.’…Dr. Horowitz agreed: ‘It is not necessarily Chaser or Rico who is exceptional; it is the attention that is lavished on them,” she said.’” (Sorry, Berk…At least I taught you bacon and tacos — you know, the important stuff.)
2010 in Film.
With Snooki set, and the earth embarking on another tour around the sun, it must be time for the 2010 movie round-up. As always, there are a few contender films I haven’t yet seen — Blue Valentine opens here next weekend, for example. But, as it happens, I did see quite a few more movies than usual this year — an added bonus to having a full-time, non-gradual school income again. In any case, without further ado, the…
[2000/2001/2002/2003/2004/2005/2006/2007/2008/2009/The Oughts]
1. Toy Story 3: I kept expecting some other movie to come along in the second half of 2010 and knock this lachrymose Pixar masterpiece out of the top spot. But, in a not particularly great year for movies, Lee Unkrich’s surprisingly sad and soulful Toy Story 3 held onto the crown. (As it turns out, the highest grossing film of the year was also the best.) Basically, this is the movie about fleeting youth and fading plastic that Spike Jonze’s Where the Wild Things Are wanted to be. And, while I’m still not sure if kids will vibe into the melancholy shenanigans here at all, it touched a chord in more than one aging man-child out there…just ask QT.
2. The Red Riding Trilogy: Amid the moors of the North, there is an evil that does not sleep. Originally a TV miniseries in Britain, the Red Riding trilogy — 1974, 1980 and 1983 — counted as full-fledged movies for those of us stateside. And, while perhaps too grim for some tastes, this three-part, nine-year inquiry into black deeds in Yorkshire was as immersive and transporting a movie experience as there was in 2010. (The problem was, you didn’t necessarily want to be where it transported you.) True, the third film was weaker than the first two installments. But taken as a whole, this was one gritty and impressive crime saga, with a number of memorable turns by Paddy Considine, Andrew Garfield, Mark Addy, Rebecca Hall, Peter Mullan and others.
3. The Secret in Their Eyes: Alas, you will find no respite from the Yorkshire darkness in the Argentina of the Dirty War. Earlier in the year, I had A Prophet ranked above this movie, the Best Foreign Film winner of 2009. (It was released here in 2010.) But Juan Jose Campanella’s haunting picture has grown in my memory in the months since. Like Red Riding, this is another wistful investigation into murder, missed opportunities, and the choices we make, one that sticks with you well after the theater lights come up.
4. True Grit: For the third time in four years, the Coens make the top five. (See also No Country for Old Men and A Serious Man.) And while I concede to being a bit of a Coen fanboy, I’m guessing this retelling of the John Wayne classic stands on its own merits. The occasional quirk aside, this is the brothers’ Straight Story, and, as I said in the original review, it feels like an unearthed and quintessentially American coming-of-age tale. The travails of Ree Dolly may have been the cat’s meow to many critics this year, but, when it comes to teenage girls facing a heap of adversity, I myself cottoned to the western adventures of Matty Ross.
5. The Social Network: With top-notch work from David Fincher, Trent Reznor, and the entire cast, The Social Network has a crisp, sleek, and entertaining interface to be sure. On an intellectual level, it’s definitely one of the most purely enjoyable movies of the year. But I still find this film somewhat dubious in terms of content. It works better as a Shakespearean tale of ambition and betrayal — Richard III by way of Revenge of the Nerds — than it does a legitimate recreation of the origins of Facebook. Still, given that much of the action takes place at a university whose motto is Veritas (“Truth”) and yet whose most prominent landmark is the “Statue of the Three Lies,” I guess I should probably forgive TSN its many factual screw-ups. Print the legend and all that.
6. A Prophet: Call it the Antisocial Network: Another 2009 foreign film that made it here in 2010, Jacques Audiard’s novelistic, keenly observed A Prophet — about a young prisoner learning to survive and thrive in the interstices of a cross-cultural jailyard — was another of the best films of the year. A Prophet can feel slow at times, and it’s not an experience I’m likely to revisit anytime soon. But it’s this film’s continual attention to the devastating detail that makes it a prison movie to remember.
7. Inception: Just as he did with The Prestige after Batman Begins, Christopher Nolan took a mental health break from Gotham City after The Dark Knight by crafting this mindbending sorbet, the best “summer movie thrillride” experience of 2010. (The only other ones that come close are #9 below and the first-half of Tron: Legacy.) I still wish Inception was a bit more ragged in its dreaming, and, like a dream, it makes more sense when you’re watching it than when you think back on it later. Nonetheless, Inception was great fun throughout, and if nothing else, it spawned one of my favorite new Internet memes.
8. The Fighter: I just saw this one over the weekend, so it has no review up yet. Suffice to say, I was pleasantly surprised by David O’Russell’s chronicle of the comeback of welterweight “Irish” Micky Ward, the pride of Lowell, Massachusetts. In fact, I had the opposite experience here that I had with The King’s Speech. There was a potentially interesting story told extremely conventionally, while this is a tried and tested sports movie formula — a boxer with one last shot at a title — that still felt fresh and invigorating. True, the seven Ward sisters were a bit much — They were the only time this boxing movie veered toward the egregious cartoon rednecks of Million Dollar Baby. But otherwise, solid performances by Mark Wahlberg, Melissa Leo, Amy Adams and especially Christian Bale give this could’ve-been-by-the-numbers film a much-needed heart.
9. Kick-Ass: Capitalizing on the promise he showed in Layer Cake, director Matthew Vaughn brought to life the most engaging comic book reverie of 2010 with Kick-Ass, his warmer, more colorful take on the Mark Millar comic. This film saw Nicolas Cage continue his Bad Lieutenant mini-revival, Mark Strong continue to hone his talent for instant Big-Bad gravitas (see also: Sherlock Holmes, 2011′s Green Lantern), and, like a bat out of Hell (or New Mexico, for that matter), 13-year-old Chloe Moretz become an out-and-out, foul-mouthed, ass-kicking action star. Few films this year were as fun as this one.
10. Exit Through the Gift Shop: As this potentially faux-documentary explains: Before he exposed the sweatshops under Springfield, British provocateur Banksy set the world of street art careening over the shark by encouraging Thierry Guetta, a.k.a. Mr. Brainwash, to get in the graffiti game. It’s still an open question whether Banksy’s disastrous creation of MBW was inadvertent or just his latest well-crafted skewering of the powers-that-be. Either way, Exit Through the Gift Shop, about the rise and fall of street art, is a merry prank indeed.
11. Harry Potter & the Deathly Hallows: While the Harry Potter books grew distended and clumsy in the home stretch, the movie series continues to gain steam along that last low road to Hogwarts. In bringing to life the first half of Hallows, David Yates has made arguably the best Potter film yet, and not just because he has the good sense to riff on Brazil therein. The danger feels more palpable, the hopping around the countryside feels less episodic, and, after a decade of doing this, the Big Three wear their characters naturally now. Here’s hoping Harry Potter and the Battalion of Thespians manage to close things out as smoothly this summer.
12. Inside Job: You think Banksy got away with a grift? Check this one out. Pinning its high-profile subject to the mat much more successfully than did Alex Gibney’s Casino Jack documentary, Inside Job impressively lays out the causes and (lack of) consequences of the Great Wall Street meltdown of 2008. Those would be a swollen, rapacious, and unregulated financial services sector, and a government that, even after the Big Bust, still bends over backward to appease it. The only real problem with Inside Job is the feedback loop — The only folks likely to see this film are the same ones who already know the story and are enraged by it. Still, I’m glad it’s there, and at least it’s encouraging economists to clean up their act.
13. Scott Pilgrim vs. the World: Like I said back in August, Scott Pilgrim seems to have gone the way of the much-maligned Speed Racer. As visually inventive as it was, Pilgrim didn’t make much of a splash at the box office. But even if its fanboy fan service tendencies still rankle, Edgar Wright’s ode to geek crushes and the g4m3r life deserved more love than it got on the first play, so hopefully it enjoys several more lives on Blu Ray and beyond.
14. The Town: Admittedly, Boston is getting a bit peaked as Hollywood’s go-to destination for white working-class crime stories of late (Mystic River, The Departed, Gone Baby Gone.) That being said, Ben Affleck’s “Beantown Heat” was a strong, well-made, and entertaining ensemble film with a good sense of place and charisma to burn. Everyone from Jon Hamm and Rebecca Hall to Chris Cooper and the late Pete Postlethwaite bring their A-game here, with special kudos to Jeremy Renner as Affleck’s crazy-like-a-fox pahtnuh-in-crime.
15. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers: After watching Inside Job, you might wonder why our government is in such a furor over Julian Assange and Wikileaks when crimes like constructing an illegal torture regime and, oh, causing an worldwide global economic meltdown seem to go unpunished. And after watching Ellsberg, you might think we’ve seen this movie before anyway. (Just take it from the man himself.) Constructed like a conspiracy thriller, Ellsberg is a testament to the notion that sometimes whistle-blowing — the only “misdeed” our current administration can seem to get angry about these days — may in fact be a higher form of patriotism. However you feel about Ellsberg and Wikileaks, this is a compelling documentary about tough choices in contentious times.
16. Never Let Me Go: Like The Secret In Their Eyes, this quiet, elegiac sci-fi film has risen in my estimation in the months since I saw it. Keira Knightley is still a drag on the production, and all of the characters a bit too locked-in for my taste — If they were so invested in one plan to avoid their fate, they should’ve been more willing to contemplate other avenues of escape as well. Still, also like The Secret In Their Eyes, this is a movie whose mood of reticent mourning lingers on.
17. Terribly Happy: How do you say “Blood Simple” in Danish? This weird Coenesque ditty about a sheriff with a troubled past investigating Something Rotten in Denmark was yet another late arrival to these shores — It premiered in Europe in 2008. And yet, once again, it was among the best 2010 had to offer. Let’s hope the pattern holds and right now, some of the best films of this year are already kicking around other continents, ready to be unleashed.
18. The King’s Speech: I wrote about this one rather recently, so my views on it haven’t changed much. This is a undeniably well-made, well-written, and well-performed film, but I found its sports-movie structure and Merchant-Ivory bromance all a bit pat. Still, Colin Firth in particular is excellent here — With this and A Single Man, he’s aging into a more interesting actor than he was before. Consider it his Baldwinning.
19. The Ghost Writer: As he pieces together the memoirs of England’s ex-PM, boilerplate and boredom are the least of Ewan MacGregor’s worries — He also has surveillance men and femmes fatale to contend with. Ghost, welcome to the Machine! This conspiratorial yarn isn’t a particularly deep film — more just a cheeky throwback to 70′s paranoia thrillers and an extended screw-you to the departed Tony Blair. Still, whatever his other sins, Roman Polanski fashioned a brisk and entertaining cloak-and-dagger flick here.
20. The Kids Are All Right: I thought about Get Him to the Greek, Greenberg, and Shutter Island for this last spot. But, in the end, I gave the nod to this, Lisa Cholodenko’s well-observed slice of family life in 21st century California. This is a small and unassuming film, but one that does what it does quite well — It takes a number of well-drawn characters and lets them breathe and bounce off each other.
Most Disappointing: Alice in Wonderland: An embarrassment to the Carroll book: Tim Burton and Johnny Depp have never seemed so uninspired together.
Worth Netflixing: 44-Inch Chest, The American, A Single Man (2009), Crazy Heart (2009), Daybreakers, The Eclipse, Get Him to the Greek, Greenberg, The Imaginarium of Dr. Parnassus (2009), Knight and Day, Let Me In, Life During Wartime, The Lovely Bones (2009), Shutter Island, Splice, The Square, Tron: Legacy, Wall Street: Money Never Sleeps, Winter’s Bone, Youth in Revolt
Don’t Bother: The Art of the Steal, Black Swan, The Book of Eli, Brooklyn’s Finest, Casino Jack and the USM, Catfish, Clash of the Titans, The Girl with the Dragon Tattoo, Green Zone, Hot Tub Time Machine, Invictus (2009), Iron Man 2, Jonah Hex, Legion, The Losers, Machete, Red, Robin Hood, Salt, Sweetgrass, The Tourist, The Werewolf, The White Ribbon
Best Actor: Ricardo Darin, The Secret In Their Eyes, Tahar Rahim, A Prophet; Colin Firth, The King’s Speech
Best Actress: Natalie Portman, Black Swan; Jennifer Lawrence, Winter’s Bone, Haylee Steinfeld, True Grit
Best Supporting Actor: Christian Bale, The Fighter; Jeremy Renner, The Town; Andrew Garfield, The Social Network/Never Let Me Go
Best Supporting Actress: Chloe Moretz, Kick-Ass, Amy Adams, The Fighter; Charlotte Rampling, Life During Wartime
Unseen: 127 Hours, The A-Team, All Good Things, Animal Kingdom, Another Year, Blue Valentine, Buried, Burlesque, Carlos, Casino Jack, Centurion, Chloe, The Chronicles of Narnia: Voyage of the Dawn Treader, Coco Chanel and Igor Stravinsky, Conviction, Cop Out, Country Strong, The Crazies, Creation, Date Night, Despicable Me, Devil, Dinner for Schmucks, Easy A, Eat, Pray, Love, Edge of Darkness, The Expendables, Extraordinary Measures, Fair Game, Fish Tank, Four Lions, From Paris with Love, Get Low, The Good, The Bad, and the Weird, Gulliver’s Travels, Harry Brown, Hereafter, How Do You Know?, Howl, I am Love, The Illusionist, I Love You, Phillip Morris, I’m Still Here, Jackass 3D, Jack Goes Boating, The Karate Kid, The Killer Inside Me, The Last Exorcism, The Last Station, Leap Year, Little Fockers, MacGruber, Made in Dagenham, Micmacs, Monsters, Mother, The Next Three Days, Nightmare on Elm Street, The Other Guys, Paranormal Activity 2, Percy Jackson and the Lightning Thief, Please Give, Predators, The Prince of Persia, Rabbit Hole, Rare Exports, Repo Men, Secretariat, Shrek Forever After, Skyline, Somewhere, The Sorcerer’s Apprentice, Step Up 3D, Survival of the Dead, Takers, Tangled, The Tempest, Tiny Furniture, Twilight: Eclipse, Unstoppable, Valentine’s Day, Vincere, When In Rome, You Will Meet a Tall Dark Stranger
- A Good Year For:
- Abduction as Seduction (Knight & Day, Red, The Tourist)
- Andrew Garfield (Red Riding, The Social Network, Never Let Me Go)
- Aussie Noir (The Square, Animal Kingdom)
- Charlotte Rampling (Life During Wartime, Never Let Me Go)
- Chloe Moretz (Kick-Ass, Let Me In)
- Ghostly Ex’s (Life During Wartime, The Eclipse)
- The Dude’s Paternal Side (Tron: Legacy, True Grit)
- Working-class Bay Staters (The Town, The Fighter)
- A Bad Year For:
- Angelina Jolie (Salt, The Tourist)
- Art Museums (Exit Through the Gift Shop, Art of the Steal)
- B-level DC Heroes (Jonah Hex, The Losers)
- Eighties Remakes (Karate Kid, Nightmare on Elm Street)
- Johnny Depp (Alice in Wonderland, The Tourist)
- Leo’s Sanity (Inception, Shutter Island)
- The Street (Inside Job, Wall Street 2)
2011: 5 Days in August, 30 Minutes or Less, The Adjustment Bureau, Albert Nobbs, Amigo, Anonymous, Arthur, Arthur Christmas, Bad Teacher, Barney’s Version, Battle: Los Angeles, The Beaver, Beginners, Bernie, The Big Year, Black Gold, Brighton Rock, Caesar: Rise of the Apes, Captain America: The First Avenger, Cars 2, Cedar Rapids, Colombiana, Conan the Barbarian, The Conspirator, Contagion, Coriolanus, Cowboys and Aliens, Damsels in Distress, A Dangerous Method, The Darkest Hour, The Debt, The Deep Blue Sea, The Descendants, Don’t Be Afraid of the Dark, Drive Angry, The Eagle, The Factory, The Fields, Friends with Benefits, Fright Night, The Girl with the Dragon Tattoo, The Green Hornet, Green Lantern, The Guard, The Hangover Part 2, Hanna, Harry Potter and the Deathly Hallows Part 2, Haywire, I am Number Four, Jane Eyre, Larry Crowne, Limitless, Mission Impossible: Ghost Protocol, Moneyball, The Muppets, Paul, Pirates of the Caribbean: On Stranger Tides, Priest, Rango, Sanctum, Scream 4, Season of the Witch, Sherlock Holmes 2, Source Code, Straw Dogs, Sucker Punch, Super 8, The Thing, Thor, The Tree of Life, The Way Back, X-Men: First Class, Your Highness, and…
Thundering Son of a Sea-Gherkin! It’s Tintin!
For Pete’s Sake.
“At the end of the day, acting is all about telling lies. We are professional imposters and the audience accept that. We’ve made this deal that we tell you a tale and a pack of lies, but there will be a truth in it. You may enjoy it, or it will disturb you.” Character actor and late-career climate change activist Pete Postlethwaite, 1946-2011.
Ten in the Rear-View.
“Millions of gallons of oil spewed into the Gulf of Mexico, several massive earthquakes wreaked havoc worldwide, Vancouver hosted a successful Winter Olympics, and so much more. Each photo tells its own tale, weaving together into the larger story of 2010.” Boston’s consistently impressive Big Picture gives us the Year That Was in photographs.
Pinterested
Visions
The Great Gatsby (7.5/10)
Currently Reading
Hidden Cities, Moses Gates
Omsbudsdog.
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