Mellifluous Republic.

“Like other broad-minded and big-hearted works of American culture from the first half of the 20th century — H.L. Mencken’s American Language, John Dos Passos’ U.S.A. trilogy of novels, the Federal Writers’ Project American Guide series, Harry Smith’s Anthology of American Folk Music — Names on the Land reflects a glorious union of two primal forces in the American mind. On one hand, Americanism: the inclination toward the large-scale and industrial, toward manifest destiny and the farthest shore…On the other, Americana: the craving for the local and the lo-fi, for the inward heart of things, for the handcrafted and the homemade.” In Slate, Matt Weiland sings the praises of George Rippey Stewart’s Names on the Land.

The Prodigal Son.

“‘He won a huge amount of people to his side after making a huge amount of blunders and really lying to people,’ the director said…’We are trying to walk in the footsteps of W and try to feel like he does, to try to get inside his head. But it’s never meant to demean him,’ Stone said.” The LA TImes catches up with Oliver Stone on W.

Computer Love.

WwwaaaLLLLLL-Eeee! In the end, I can’t say I enjoyed it quite as much as Brad Bird’s The Incredibles, and I really, really wish it’d stayed in the melancholy I am Legend/Lars and the Real Girl groove of its first hour, rather than devolving into an Idiocracy-type satire aboard Douglas Adams’ Starship Titanic. That being said, Andrew Stanton’s ambitious, impressive WALL-E is definitely in keeping with the high standard we’ve come to expect from the Pixar gang, and in scope and theme alone I’d rate it above recent forays Ratatouille, Cars and Finding Nemo. Part Silent Running-ish environmental parable, part whimsical robot romance (think Bjork, but you know, for kids!), and part trenchant political slapstick (note the Dubyaesque Fred Willard), WALL-E fires on significantly more cylinders throughout than, say, your average Dreamworks animation would even attempt. That the reach of WALL-E‘s ambition ultimately exceeds its grasp in the second hour, when the movie becomes a much more conventional family flick, can’t be held too harshly against the film, I think. I wish WALL-E had stayed Earthbound, in a way, but at least the little guy was reaching for the stars. (In any case, I expect WALL-E has a metal, mortal lock on next year’s Best Animation Oscar.)

Bringing a literal meaning to the term “space opera”, WALL-E begins with — of all things — Michael Crawford of Phantom fame crooning a musical number from Hello, Dolly! (“Put on Your Sunday Clothes“), which we hear while traversing the more scenic localities in our corner of the cosmos. Eventually, the swooping camera keys in on our home planet, except it’s clearly surrounded by more satellite debris than seems atmospherically sanitary. As we come down to Earth, matters are worse: Our beloved Terra has become an arid, dusty wasteland, cluttered with decaying buildings, vacuous advertising, and skyscrapers made of garbage. Enter WALL-E (Waste Allocation Load Lifter — Earth Class), a goggle-eyed robot (of the No. 5, Huey, and Vincent persuasion more than Artoo) whose job it is to construct these towers of refuse and who happens to be — along with one solitary cockroach — the lone survivor of our-now abandoned civilization.

Loneliness does funny things to a droid. Over the centuries of isolation, it seems, WALL-E has developed something of a personality — he collects intriguing knick-knacks he finds amidst the trash, repairs himself with pieces of his defunct brethren, and endlessly watches what’s left of a deteriorating VHS copy of Hello Dolly!, honing his song-and-dance routine and his understanding of human rituals of affection in the process. Alas, his skills of courtship go wasted…until, one day, EVE (Extraterrestrial Vegetation Evaluator) literally drops out of the sky, with a gimongous rocket ship in tow. A sleek, ovate, blue-eyed ingenue with massive destructive capability, EVE is pretty much everything WALL-E might want in a female* companion, and so, naturally, our lonely hero sets about to woo her. But, just when everything seems to be going well, WALL-E offers her a gift from his collection that initiates a higher directive…

This gets us to about forty-five minutes into the film, so we have a ways to go yet. That being said, everything that takes place here on Earth, before WALL-E chases his apparently malfunctioning muse off-world, is far and away the strongest and most affecting parts of the picture. I won’t give away the jag the picture takes in the second half, as it’s kinda funny and worth discovering on one’s own. But as WALL-E becomes more of a traditional Pixar pic in the second hour — idiosyncratic allies are made, for example, and the readily identifiable voices of Jeff Garlin and John Ratzenberger come into play — the movie also loses much of its early magic. I like goofy robot chases as much as the next guy — probably more, in fact (“MmmmmmmMo.“) — but I nonetheless found WALL-E‘s otherwise admirable back-end a bit of a disappointment.

The second half is still entertaining, no doubt, but it misses the simplicity, melancholy, and romance that characterized life for WALL-E up ’till then. I dunno…perhaps the kids were getting restless. Still, after centuries of wandering around by himself, gazing at the stars, the Last Robot on Earth has fallen in love. Did we really need to contrive a second act to top that?

The bygones are bygones.

“We cannot let this moment slip away,’ Clinton pressed. “‘For anyone who voted for me and who is now considering not voting, or voting for Sen. McCain, I strongly urge you to reconsider. I urge you to remember what we are standing for in this election.‘” In the aptly-named town of Unity, NH, Sen. Clinton campaigns with Sen. Obama. (They’ve also now maxed out donations to each other, and Obama continues to hire senior Clinton staff.)

In not-unrelated news, new polls put Wisconsin (+13) and Minnesota (+17) pretty firmly in the lean-Obama column. Says CNN: “The Illinois senator now has 231 electoral votes — 39 shy of winning the presidency,” and that’s not counting OH, FL, CO, NM, VA, or IA…all states we have a solid shot of picking up. Again, I don’t want to jinx anything, but I’m feeling pretty confident about our prospects these days.

North Korea: Now Not-so-Evil.

“This can be a moment of opportunity for North Korea. If North Korea continues to make the right choices, it can repair its relationship with the international community — much as Libya has done over the past few years. If North Korea makes the wrong choices, the United States and our partners in the six-party talks will respond accordingly.” In a Rose Garden statement yesterday, Dubya announces the lifting of trading sanctions against North Korea, on account of Pyongyang seemingly agreeing to nuclear disarmament as outlined in recent multilateral talks. But don’t get the wrong idea, folks: Talking to our enemies is still an act of horrible, dirty appeasement. Update: Slate‘s Fred Kaplan surveys the deal.

How Red Does Your Garden Grow?

“‘There’s nothing about it that would preclude life. In fact, it seems very friendly,’ said mission scientist Samuel P. Kounaves of Tufts University. ‘We were flabbergasted.‘” Hope y’all like asparagus: Early tests by the Mars Phoenix seem to indicate that the Martian soil is more nutrient-rich than anyone expected. “Carbon-based organic material, however, has not been found and may be impossible to detect with the equipment now on Mars.

Annie, Get Your Gun (and Spend those Millions).

“The court’s five most conservative members have demonstrated that for all of Justice Antonin Scalia’s talk about ‘originalism’ as a coherent constitutional doctrine, those on the judicial right regularly succumb to the temptation to legislate from the bench. They fall in line behind whatever fashions political conservatism is promoting.” In the WP, E.J. Dionne eviscerates the Scalia wing of the Roberts Court for their 5-4 decision in D.C. v. Heller yesterday. As you’ve no doubt heard by now, the decision (penned by Scalia) parsed the Second Amendment in such a way as to overturn the handgun ban in the District (and seemed to simply ignore the existing precedent of US v. Miller.) As Slate‘s Dahlia Lithwick deadpanned, “today’s decision ‘will almost certainly cause more Americans to be killed.’

As it turns out, the Court went 0-for-2 yesterday, also deciding 5-4 (Alito writing the majority opinion) that McCain-Feingold has been prejudicial against the wealthy. In response, Sen. Feingold noted that the millionaire’s amendment was flawed anyway: “I opposed the millionaire’s amendment in its initial form and I never believed it was a core component of campaign finance reform.” Still, the decision here may not bode well for campaign finance opinions down the pike. “‘What’s most significant here is what this means for the future,’ said Rick Hasen, a professor at Loyola Law School. ‘It tells us that the long-standing limits on corporate and union campaign spending are in grave danger.’

Benvenuto Danilo.

“He’ll be a 6-11,3-point shooting, ball handler and passer,” D’Antoni said. “We think he has the potential to be above a good player. That’s how you build a team. We’re starting with him.” The Knicks begin the D’Antoni/Walsh era by picking Euroleague star Danilo Gallinari with the sixth pick in the 2008 NBA draft. Like most of the Knicks fan in attendance last night, I’m not particularly sold on the choice — an offense-minded, potentially soft swingman? Last I checked, we couldn’t and didn’t play D — especially since it means we’ll be bouncing David Lee. Then again, something had to give, I guess. Let’s just hope Gallinari is Italian for “Detlef Schrempf” and not “Darko Milicic.”

Fly like an Eagle | One Smoking Painting.

In the trailer bin, Shia LaBoeuf and Michelle Monaghan take orders from GLaDOS in the new trailer for D.J. Caruso’s Eagle Eye, also with Billy Bob Thornton, Rosario Dawson, Michael Chiklis, and Anthony Mackie. And Guy Ritchie tries to conjure up some of that old Lock Stock mojo in the trailer for the very Ritchie-esque Rocknrolla, starring Gerard Butler, Tom Wilkinson, Thandie Newton, Idris Elba, Jeremy Piven,and Ludacris. I’d say these are both on the Maybe list.

V, meet Mr. J.

“Introduce a little anarchy, upset the established order, and eVEryoNe lOseS thEir mIndS!” If, like me, you’re devouring all things Dark Knight-related between now and July 18, three more TV spots hit the tubes, and Gotham Tonight is on its second episode. (Careful out there, tho’. The film seems to have now screened, and spoilers are flyin’.) Says Peter Travers: “The haunting and visionary Dark Knight soars on the wings of untamed imagination. It’s full of surprises you don’t see coming. And just try to get it out of your dreams.

Update: “It’s not about money…it’s about sending a message.” Ugh, temptation everywhere…12 brief clips from the film pop up on the grid. And, don’t forget, tix for those 7/17 midnight shows are now on sale.