The Monster and its Critic.

"Zemeckis took the oldest and most important text of our ur-language, and turned it into a 3-D Disneyland ride so cheesy he should have called it 'Anglo-Saxons of the Caribbean.'...But the 'Beowulf' travesty is especially glaring, because of the obvious contrast with another work that mined the same ancient field: J.R.R. Tolkien's 'The Lord of the Rings.'" Taking issue with the "plastic entertainment' that is Zemeckis' Beowulf much more than I did, Salon's Gary Kamiya movingly explains what Tolkien understood about the poem, and how it informed his own work. "Tolkien's brilliant essay can be seen as a ringing defense not just of 'Beowulf,' but of the work he was soon to embark on, another great tower composed of ancient stones. And the themes of lateness, of heroic loss, being caught between one age and another (his world is not called 'Middle-earth' for nothing), are the deepest and most sublime parts of his own epic."