"The postmodern institutions...those are the indifferent gods."

"This final season of the show, Simon told me, will be about 'perception versus reality' -- in particular, what kind of reality newspapers can capture and what they can’t. Newspapers across the country are shrinking, laying off beat reporters who understood their turf. More important, Simon believes, newspapers are fundamentally not equipped to convey certain kinds of complex truths. Instead, they focus on scandals -- stories that have a clean moral. 'It’s like, Find the eight-hundred-dollar toilet seat, find the contractor who’s double-billing,' Simon said at one point. 'That’s their bread and butter. Systemic societal failure that has multiple problems -- newspapers are not designed to understand it."

A huge find by way of Chris at Do You Feel Loved?: Margaret Talbot offers a long-form New Yorker profile on David Simon and The Wire. (If you haven't yet seen Season 4, I recommend bookmarking this for now -- it gives away many of S4's major beats.) There's also a good deal of spoilerish information on what to expect from Season 5, what David Simon wants to do next, and who's singing this season's version of "Way Down in the Hole." (I'll give that one away...Bubbles' sponsor, Steve Earle -- listen here.) "Simon makes it clear that the show’s ambitions were grand. '"The Wire" is dissent,' he says. 'It is perhaps the only storytelling on television that overtly suggests that our political and economic and social constructs are no longer viable, that our leadership has failed us relentlessly, and that no, we are not going to be all right.'"